IMMORTALIS Art & Antiques Porcelain

An incredible and truly monumental 19th century Meissen Porcelain Covered urn emblematic of autumn. This is one of the most incredible and sp...

This beautiful and whimsical retired design by Lladro artist Jose Puche is called "The Debutante" and is a pastel dream! With purple hair and snow white sk...

Large white bisque sevres porcelain figural centerpiece of woman and children. The women and children use the garlands of flower to pull the giant seashell...

Magnificent brule parfum in porcelain sevres style ,ormolu bronze with cherub on each side ,the top is finish by a pine seedin porcelain.This pieces is in original condition

An exceptional pair of large scale late 19th century Japanese Imari temple jars from the Meiji period with covers, also can be referred to as ginger jars. Rare octagonal facet cuts a...

O-Jar is a sculptural hand made porcelain vessel. A soft pink colored matte porcelain body is complemented with an oversized ball cap. The inside of the...

This outstanding hand painted 19th century French ceramic charger was made by Hautin Boulenger & Cie at Creil & Montereau. The highly detailed Aesthetic Movement charger features polychrome decoration depicting a Japanese quail perched in a flowering cherry tree bearing vivid green foliage. The bird's gaze is fixed on a colorful butterfly with intricately patterned wings which is located off to one side. The image is set on a gilt ground which bears a series of repeating raised gilt motifs. The charger's shoulder is finished in cobalt blue with stylized gilt hearts separated by light blue floral and foliate elements. The 4lb 11oz charger bears an impressed mark used by Creil et Montereau between 1876-1884. The foot rim is not pierced. This beautifully executed hand painted French charger...

Meissen porcelain lidded tureen with hand-painted flowers and gold edge. Lid modelled with flowers and foliage. 1920s. Measures: 22 x 13 x 13 cm. In excellent condition. Stamped...

This is a good quality coffee can that we attribute to the Coalport porcelain works, Shropshire, England, made during the John Rose period of the George 111rd years, circa 1805. The coffee can is nominally parallel, tapering slightly to the base, with a simple loop handle, with a slight lower kink and pointed attachments. It has a shallow foot recess with obtuse corner and is unmarked to the base. The pattern is beautifully hand painted in the French Chantilly style with cornflower sprigs in gold gilt and blue with red & green leaf detail to the lower half with an upper border continuous cornflower pattern, all between gold gilt rings with further gilt decoration to the outer handle and gilding around the lower rim. We date this piece to the late George third...

Lovely porcelain figurine of a nude by the Augarten Porcelain Manufacture of Vienna, Austria. Marked with the company logo on the base. In excellent condition. Some museum wax and st...

Chinese Export Famille rose porcelain soup tureen and underplate. Qianlong Period, decorated with the figure of a mahout astride an elephant and flower sprays with gold rim. The theme of this lot indicates that it was probably made for the European colonial market in India, where East Indian ships...

This is a beautiful, decorative, Porcelain Botanical Plate by John Ridgway, of Shelton, Hanley, Staffordshire Potteries, England, dating to the Late Georgian period of the early 19th...