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Watercolor on paper: Sweet Grapes" (grapes and lamb)
Located in New York, NY
Shiri Mordechay's paintings are a whirlwind of emotion and complexity, drawing the viewer into a vibrant and dynamic world. Each piece is packed with countless details, your eyes are...
Category
2010s Surrealist Figurative Drawings and Watercolors
Materials
Watercolor, Archival Paper
Watercolor on paper with mixed media: )"Fertile Crescents" (long dogs)
Located in New York, NY
Shiri Mordechay's paintings are a whirlwind of emotion and complexity, drawing the viewer into a vibrant and dynamic world. Each piece is packed with countless details, your eyes are...
Category
2010s Surrealist Animal Drawings and Watercolors
Materials
Mixed Media, Watercolor, Archival Paper
Watercolor on paper: "Blue Lizard"
Located in New York, NY
Shiri Mordechay's paintings are a whirlwind of emotion and complexity, drawing the viewer into a vibrant and dynamic world. Each piece is packed with countless details, your eyes are...
Category
2010s Surrealist Figurative Drawings and Watercolors
Materials
Watercolor, Archival Paper
Graphite and gouache on handmade paper: 'The Remains: 4'
Located in New York, NY
The Remains, A series of 10 works
An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Gouache, Handmade Paper, Graphite
Graphite and gouache on handmade paper: 'The Remains: 5'
Located in New York, NY
The Remains, A series of 10 works
An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...
Category
2010s Contemporary Animal Drawings and Watercolors
Materials
Gouache, Handmade Paper, Graphite
Graphite and gouache on handmade paper: 'The Remains: 6'
Located in New York, NY
The Remains, A series of 10 works
An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...
Category
2010s Contemporary Animal Drawings and Watercolors
Materials
Gouache, Handmade Paper, Graphite
Graphite and gouache on handmade paper: 'The Remains: 7'
Located in New York, NY
The Remains, A series of 10 works
An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and presumptions of human control are upended. The text-like marks on white vertical rectangles are deliberate, but indecipherable. They appear as if a poem, written in an ancient language, that honors this eternal cycle of destruction and regeneration.
Winifred McNeill...
Category
2010s Contemporary Animal Drawings and Watercolors
Materials
Gouache, Handmade Paper, Graphite
Graphite and gouache on handmade paper: 'The Remains: 8'
Located in New York, NY
The Remains, A series of 10 works
An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...
Category
2010s Contemporary Animal Drawings and Watercolors
Materials
Gouache, Handmade Paper, Graphite
Graphite and gouache on handmade paper: 'The Remains: 9'
Located in New York, NY
The Remains, A series of 10 works
An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and presumptions of human control are upended. The text-like marks on white vertical rectangles are deliberate, but indecipherable. They appear as if a poem, written in an ancient language, that honors this eternal cycle of destruction and regeneration.
Winifred McNeill...
Category
2010s Contemporary Animal Drawings and Watercolors
Materials
Gouache, Handmade Paper, Graphite
Graphite and gouache on handmade paper: 'The Remains: 10'
Located in New York, NY
The Remains, A series of 10 works
An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...
Category
2010s Contemporary Animal Drawings and Watercolors
Materials
Gouache, Handmade Paper, Graphite
Whispers & Hisses Series: 'In Regret'
Located in New York, NY
This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable.
This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss.
Winifred McNeill...
Category
2010s Contemporary Animal Drawings and Watercolors
Materials
Gold Leaf
Whispers & Hisses Series: 'In Panic'
Located in New York, NY
This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable.
This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss.
Winifred McNeill...
Category
2010s Contemporary Animal Drawings and Watercolors
Materials
Gold Leaf
Whispers & Hisses Series: 'In Knowing'
Located in New York, NY
This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable.
This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss.
Winifred McNeill...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Gold Leaf
Whispers & Hisses Series: 'In Grief'
Located in New York, NY
This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable.
This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss.
Winifred McNeill...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Gold Leaf
Whispers & Hisses Series: 'In Dread'
Located in New York, NY
This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable.
This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss.
Winifred McNeill...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Gold Leaf
Whispers & Hisses Series: 'In Defiance'
Located in New York, NY
This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable.
This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss.
Winifred McNeill...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Gold Leaf
Whispers & Hisses Series: 'In Defence'
Located in New York, NY
This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable.
This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss.
Winifred McNeill...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Gold Leaf
Graphite and gouache on handmade paper: 'The Remains: 3'
Located in New York, NY
The Remains, A series of 10 works
An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...
Category
2010s Contemporary Animal Drawings and Watercolors
Materials
Gouache, Handmade Paper, Graphite
Graphite and gouache on handmade paper: 'The Remains: 2'
Located in New York, NY
The Remains, A series of 10 works
An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...
Category
2010s Contemporary Animal Drawings and Watercolors
Materials
Gouache, Handmade Paper, Graphite
Graphite and gouache on handmade paper: 'The Remains: 1'
Located in New York, NY
The Remains, A series of 10 works
An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Gouache, Handmade Paper, Graphite
Illustration Framed on Canvas: 'It's A Long Tail'
Located in New York, NY
The murder of John Lennon. The birth of my children. Nixon’s resignation. Brain surgery.
Driven by the desire to express myself, and leave a physical record of my life and times, I’v...
Category
Early 2000s Contemporary Animal Drawings and Watercolors
Materials
Canvas, Wood, Color Pencil
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