Jacksons Antique Asian Art and Furniture

GLOBULAR FORM MINIATURE VASE From our Japanese collection, we are delighted to offer this Japanese Satsuma Vase by Kinkozan. The Satsuma Vase made from earthenware pottery is potted...

MEIJI PERIOD 1868-1912 From our Japanese collection, we are delighted to offer this Japanese Satsuma Vase by Ryozan. The vase of tapered form with tightly pinched neck and flared to...

PRESENTED BY THE 21ST PRESIDENT OF JAPAN From our Japanese collection, we are absolutely delighted to bring to market this Important Japanese Lacquer Presentation Box. The Presentat...

Original Box and Dish Pair From our Japanese collection, we are pleased to offer this Japanese Komai Style Box and Dish Fujii Yoshitoyo. The Box of slim rectangular shape seated upo...

Silver Mounted From our Japanese collection, we are thrilled to offer this Japanese Cloisonne Enamel Koro by Tsukamoto Hikokichi. The Cloisonne Enamel Koro of exceptional quality sh...

Japanese Silver & Enamel From our Japanese collection, we are delighted to offer this Japanese Silver Box by Komyo 光明. The Silver box of rectangular form with rounded corners featur...

Painted with Continuous Scenes From our Japanese collection, we are delighted to offer this Japanese Satsuma Vase Pair by Gyokuzan. The Satsuma vase pair of squat bulbous form with ...

From our Japanese Satsuma Collection, we are delighted to offer this Japanese Satsuma Vase by Ryokuzan 緑山. The Satsuma vase of ovoid shape with a tapered body, circular foot rim, wai...

SIGNED WITH THE INABA MARK From our Japanese collection, we are pleased to offer this Japanese Cloisonne Enamel Table Screen by Inaba. The Cloisonne Enamel Table screen with four in...

INLAID WITH A GOLD AND SILVER DEER From our Japanese collection we are pleased to offer this Japanese Damascene Box by Ashizuki. The Japanese Box of re...

DEPICTING BISHAMON ONE OF THE SEVEN LUCKY GODS From our Japanese Satsuma collection, we are delighted to offer this Japanese Satsuma Kogo by Taizan. The Satsuma Kogo of petit circul...

JAPANESE SATSUMA PROCESSIONAL VASE From our Japanese collection, we are delighted to introduce to the market this Japanese Satsuma Vase by Kinkozan. The vase with a compressed body ...

PAIR OF CUP AND SAUCERS BY KINKOZAN MEASUREMENTS Saucer 10.8cm Diameter x 1.5cm High (4.25 x 0.6 Inches) Cup 4.6cm High x 6.7cm Long x 5cm Wide (1.8 x 2.64 x 1.97 Inches) From our ...

YOUNG MAN WOOD CUTTING From our Japanese collection, we are pleased to offer this Japanese Bronze Okimono by Yamamoto Kozan. The Japanese Bronze Sculpture cast in Bronze with a natu...

CHONGZHENG 1628-1644 From our Chinese collection, we are delighted to offer this rare example Chinese Ko-Sometsuke Wucai Porcelain Plate. The plate potted in porcelain ceramic of ci...

MEIJI PERIOD (1868-1912) From our Japanese collection, we are delighted to introduce this good size Japanese Cloisonne Enamel Vase. The Vase of gently tapered form with a pinched n...

Laying Foetus From our Japanese collection, we are pleased to offer this Japanese Edo Period Skeleton Netsuke. The Skeleton Netsuke is carved from Boxwood depicting a skeleton in t...

Free international shipping Ando Cloisonne Company Mark From our Japanese collection, we are delighted to introduce this Japanese Cloisonne Enamel Vase by Ando Jubei. The Cloisonn...

Taizan Yohei IX Style From our Japanese collection we are delighted to offer this pair of Japanese Satsuma Vases by Kinkozan. The Satsuma Vases of baluster shape made from earthenwa...

Featuring Seven Japanese Macaques Form our Japanese collection, we are delighted to offer this Japanese Bronze Monkey Group by Shosai. The Japanese Bronze Group displaying a male father monkey and his infants playing around and being mischievous with Persimmon fruit. The monkeys modelled as Japanese macaque monkeys (snow monkey). The bronze okimono is beautifully patinated with a highly lifelike and naturalistic casting signed to the underside Shosai 正齊鋳. The Bronze group dates to the Meiji Period (1868-1912) circa 1885. Japanese macaque (snow monkey) is a terrestrial Old World monkey species that is native to Japan. They are known as snow monkeys because some live in areas where snow covers the ground for long periods each year hence their nickname. No other non-human primate lives further north or in a colder climate than the snow monkey. Individuals have brownish grey fur, pinkish-red faces, and short tails. Two subspecies are known and their conservation Status is of least concern. In Japan, the species is known as Nihonzaru ニホンザル, 日本 (Japan/Nihon) and saru 猿 (monkey) to distinguish it from other primates, but the Japanese macaque is the only species of monkey in Japan. The Japanese macaque features heavily in the religion, folklore, and art of Japan, as well as in proverbs and idiomatic expressions in the Japanese language. They are often seen in paintings, block prints and represented in all manner of carvings from Okimono to netsuke. Many of these art forms reside in the world’s most famous museums and collections, some of the most prominent pieces by artists such as Mori Sosen and Kawanabe Kyosai. In Shinto belief (Japan’s indigenous religion/nature religion) legendary mythical beasts known as raiju sometimes appeared as monkeys and kept Raijin (the god of lightning/storms) company. In another well known tale the three wise monkeys who warn people to “see no evil, hear no evil and speak no evil” can be seen depicted in relief over the door of the famous Tosho-gu shrine in Nikko. Meiji Period was an era of Japanese history that spanned from 1868 to 1912. It was the first half of the Empire of Japan, when the Japanese people began to build a paradigm of a modern, industrialised nation state and emergent great power, influenced by Western countries and aesthetics. As a result of radically different ideas, the changes to Japan were profound and it affected the social structure, politics, economy, military, and foreign relations across the board. The period corresponded to the reign of Emperor Meiji and was preceded by the Keio era and was succeeded by the Taisho era. Cultural Art during the Meiji Period was of particular interest to the government and they overhauled the art export market which in turn promoted Japanese arts via various world’s fairs, beginning in Vienna at the world fair in 1873. The government heavily funded the fairs and took an active role organising how Japan’s culture was presented to the world including creating a semi-public company named Kiritsu Kosho Kaisha (First Industrial Manufacturing Company). The Kiritsu Kosho Kaisha was used to promote and commercialise exports of Japanese art and established the Hakurankai Jimukyoku (Exhibition Bureau) to maintain quality standards. For the 1876 Centennial International Exhibition in Philadelphia, the Japanese government created a Centennial Office and sent a special envoy to secure space for the 30,000 items that would be displayed. The Imperial Household also took an active interest in arts and crafts, commissioning works by select artists to be given as gifts for foreign dignitaries further emphasising the high quality and importance of Japanese art. Just before the end of the 19th century in 1890, the Teishitsu Gigeiin (Artist to the Imperial Household) system was created to recognise distinguished artists. These artists were selected for their exceptionally high quality wares and talent in their own industry. Over a period of 54 years Seventy artists were appointed, amongst these were ceramicist Makuzu Kozan and cloisonné enamel artist...

Meiji Period (1868-1912) From our Japanese collection, we are delighted to offer Japanese Meiji Period Satsuma Vases. The Satsuma Vase of hexagonal form with a slight waisted neck and tight rounded rim is extensively decorated with multiple figures to two large scenes. The first scene features a beach with waves to the background and a plethora of figures including multiple geisha holding traditional Japanese wagasa’s. The second scene follows on from the first with a large building in the foreground holding figures on a large platform under a pagoda roof with a pagoda building in the background and further figures in the foreground. The scenes are framed by a full detailed border with gilt shapes, flowers amongst pink shaded backgrounds and butterflies around the neck. The Satsuma Vase is unusually signed Fine Art, Satsuma Ware, Dai Nippon (Great Japan), Hattori Made, Gosuido Works, Taizan Painted. 美術, サツマヤキ(薩摩焼), 大日本, 服部造, 五スイ堂工, 對山画 and dates to the Meiji Period (1868-1912) and the turn of the 20th century circa 1905. Satsuma ware is a type of earthenware pottery originating from the Satsuma province in Southern Kyushu, Japan’s third largest island. Wagasa are traditional Japanese umbrellas made of washi paper attached to a bamboo frame and treated to ensure it is waterproof. Meiji Period was an era of Japanese history that spanned from 1868 to 1912. It was the first half of the Empire of Japan, when the Japanese people began to build a paradigm of a modern, industrialised nation state and emergent great power, influenced by Western countries and aesthetics. As a result of radically different ideas, the changes to Japan were profound and it affected the social structure, politics, economy, military, and foreign relations across the board. The period corresponded to the reign of Emperor Meiji and was preceded by the Keio era and was succeeded by the Taisho era. Cultural Art during the Meiji Period was of particular interest to the government and they overhauled the art export market which in turn promoted Japanese arts via various world’s fairs, beginning in Vienna at the world fair in 1873. The government heavily funded the fairs and took an active role organising how Japan’s culture was presented to the world including creating a semi-public company named Kiritsu Kosho Kaisha (First Industrial Manufacturing Company). The Kiritsu Kosho Kaisha was used to promote and commercialise exports of Japanese art and established the Hakurankai Jimukyoku (Exhibition Bureau) to maintain quality standards. For the 1876 Centennial International Exhibition in Philadelphia, the Japanese government created a Centennial Office and sent a special envoy to secure space for the 30,000 items that would be displayed. The Imperial Household also took an active interest in arts and crafts, commissioning works by select artists to be given as gifts for foreign dignitaries further emphasising the high quality and importance of Japanese art. Just before the end of the 19th century in 1890, the Teishitsu Gigeiin (Artist to the Imperial Household) system was created to recognise distinguished artists. These artists were selected for their exceptionally high quality wares and talent in their own industry. Over a period of 54 years Seventy artists were appointed, amongst these were ceramicist Makuzu Kozan and cloisonné enamel artist...

Meiji Period (1868-1912) From our Japanese collection, we are delighted to offer this pair of Antique Japanese Cloisonne Enamel Vases by the Hayashi School in their Original Tomoba...

Unusual Casting of a Pheasant in Flight From our Japanese collection, we are delighted to offer this Japanese bronze okimono of a Pheasant upon a naturalistic root wood base. The Ph...

Fine Japanese Meiji period cloisonne enamel Sake pot. The Sake pot of rounded form with with clean edges profusely decorated with blossoming flowers throughout upon a black ground ba...