Jacksons Antique Ceramics

FEATURING CUPID UPON A LION From our Sculpture collection, we are delighted to offer this rare form English Parian Ware Figure. The Parian Ware fi...

Decorated with a Classical Scene Measurements Saucer 2.7cm High x 13.4cm Diameter (1.1 x 5.3 Inches) Cup 6.5cm High x 8.5cm Long x 6.5cm Wide (2.56 x 3.35 x 2.56 Inches) From our C...

Decorated with a Female Portrait Measurements Saucer 2.7cm High x 13.4cm Diameter (1.1 x 5.3 Inches) Cup 6.5cm High x 8.5cm Long x 6.5cm Wide (2.56 x 3.35 x 2.56 Inches) From our Ceramics collection, we are pleased to offer this Vienna Cup and Saucer. The Vienna Cup and Saucer made from porcelain with a deep dish saucer beautifully decorated with intricate gilt scrollwork bordering each colour and scene. Colours of turquoise and deep purple finish the inner saucer with a central medallion of white glaze. The base of the saucer is signed in underglaze blue with the classic Vienna beehive mark. The matching cup is features a central hand painted romantic scene of a Shepard and shepherdess in a classical garden perched next to a marble bust on column...

Featuring Two Females In Period Dress From our Ceramics collection, we are delighted to offer two KPM Porcelain Plaques by Franz Wagner sold as a pair. The KPM Porcelain Plaques fitted within their original gilt wood frames with scrolling borders both signed to the base of the frame F. Wagner each featuring a portrait of a female, the first plaque is a portrait of Charlotte, Lady Milnes after the British 18th century painter George Romney currently held in the Frick Collection, Manhattan, New York. The second plaque features the lute player after German 19th century historical portrait painter Friedrich August von Kaulbach. The Lady Milnes plaque is visibly signed to the lower right corner “Wagner” which is partially hidden by the frame, the second frame does not have a visible signature and is possibly hidden within the frame or very faint. Each of the plaques bear original provenance to the rear and are held within their original frames stating they were purchased in 1959 at £75 for the pair and were owned in a collection in Jersey along with collection numbers. Both plaques are firmly attributed to KPM and are well known plaques by the company under Wagners hand, we have not removed the original framing to confirm the mark and therefore are attributing them only. The KPM Porcelain Plaques date to the second half of the 19th century Circa 1890. KPM (Königliche Porzellan-Manufaktur – The Royal Porcelain Factory) in Berlin was founded in 1763 Frederick the Great (King Frederick II). Its actual origins, however, lie in three private enterprises which, under crown patronage, were trying to establish the production of “white gold” (porcelain) in Berlin from the mid-18th century onwards.The company logo is a sceptre, which is stamped (painted prior to 1837) or incised on every piece. All painted pieces produced by KPM are also signed by the painter. KPM is still producing porcelain today. Franz Wagner was from a famous family of painters working from Starhemberggasse in Vienna, Austria in the late nineteenth century. F. Wagner became known for his exceptional quality reproductions of historic old masters on porcelain for Vienna and KPM (Königliche Porzellan-Manufaktur). There is little information regarding his career but he was a known painter for Vienna and KPM active in the late 19th century to the early 20th century. George Romney (1734-1802) was born in Beckside, Dalton-in-Furness, Lancashire (now part of Cumbria), to John Romney a cabinet maker and Anne Simpson. Raised in a cottage named High Cocken in modern-day Barrow-in-Furness, he was sent to school at nearby Dendron until he was withdrawn at the age of 11 to apprentice under his father’s business. He proved to have a natural ability for drawing and making things from wood including violins (which he played throughout his life). From the age of 15 Romney was informally taught art by a local watchmaker called John Williamson. His official studies began in earnest in 1755, when he went to Kendal, at the age of 21, for a 4-year apprenticeship with local artist Christopher Steele, who had himself studied with distinguished French artist Carlo Vanloo. In October 1756, Romney married Mary Abbot...

Mounted in an Oval Ebonised Frame From our collectables we are delighted to offer this Italian Grand Tour Micro Mosaic Spaniel ‘After the Hunt’ after Antonio Aguatti and Gioacchino ...

Ormolu Mounted From our Ceramics collection, we are delighted to offer a pair of French Sevres boat-shaped porcelain dishes with original ormolu mounts. The serving dishes beautifully decorated with a frieze of vibrant green undulating foliate garlands interspersed with mosaic style classical romanesque cartouches and birds. The inside decorated with gilt scrollwork embellishments with a six point start to the centre. The porcelain raised on four scrolling legs draped with garlands of fruiting vine. The porcelain bearing the Louis Philippe interlaced L's Sevres mark, the Chateau de Fontainebleau mark, incised marks for the original serves blank manufacturing along with initials and finally the painted initials WB. The dishes dated to the first half of the 19th century 1839/1840 respectively. The ormolu mounts stamped to the base CHER. Château de Fontainebleau (also known as the Palace of Fontainebleau) is located southeast of Paris and is one of the largest French royal châteaux. The medieval castle served as a residence for the French monarchs from Louis VII...

Fine ‘Vienna‘ Austria porcelain vase. The vase of Classic Roman shape with flared rim and pinched neck with scrolling shoulders and tapered body stood...