James Worrall Swivel Chairs

Nice set of 4 ‘Oxford’ swivel chairs designed by Arne Jacobsen in 1965 for the professors of St-Catherine’s college in Oxford. These examples are...

The egg, model 3316, is an iconic design chair created by the renowned Danish designer Arne Jacobsen in 1958. The chair is produced by Fritz Hansen, one of Denmark's leading furnitur...

Arne Jacobsen for Fritz Hansen, office chair model ‘3217’, wood, fabric, chrome-plated metal, plastic, Denmark, designed in 1955, later production This office chair by Arne Jacobsen...

Swan Chair by Arne Jacobsen for Fritz Hansen. Denmark circa 1960's. An elegant and organic shape ideal for lounge. Arne Ja...

This iconic swivelling lounge chair was designed by Arne Jacobsen 1958 for the SAS Royal Copenhagen Hotel in Denmark and is one of the most famous chairs in the world recognized by d...

Mid-Century Modern office chair model 3117 with wheels and adjustable seat height. Designed by Arne Jacobsen for Fritz Hansen. Produced 1978, marked with label underneath the seat. ...

Pair of Swan Chairs by Arne Jacobsen for Fritz Hansen, Denmark. Both have been expertly restored and reupholstered in Knoll Classic Boucle. If you notice in the photos, the stems o...

A classic Swan chair designed by Arne Jacobsen for Fritz Hansen. This version swivels and has height adjustment. Reupholstered in Larsen...

Wood and metal office chair. Rotates on itself and height-adjustable. Maximum height: 90 cm. Minimum seat height: 46 cm maximum seat height: 58 cm. Wear due to time and age of chair....

Arne Jacobsen for Fritz Hansen, pair of 'Oxford' chairs, metal, fabric, Denmark, design 1965. These classic executive office chairs feature a medium high back (as opposed to the mod...

Series 7 chair is an icon of modern furniture history, designed by Arne Jacobsen in 1955. Its unique shape is timeless and incredibly versatile, showing character without overwhelmi...

This Swan chair was designed by Arne Jacobsen in 1958 for the lobby and lounge areas of the SAS Royal Hotel in Copenhagen. The design contains no straight lines, making it look organic and soft despite its simplicity and strong architectural appeal. Arne Jacobsen was a notoriously difficult man to work with, sarcastic and demanding, and even requiring his own staff to work around the clock rather than tend to their families. At home, he lined his cups and glasses in neat rows and ensured the children’s toys were stored out of sight. While redecorating, he had his family hold up picture frames for hours on end to make sure the final composition was just right. Yet despite his peculiarities, Jacobsen was a well-rounded individual who enjoyed painting, studying nature and tending to saplings. He had a warm, self-depreciating sense of humour evident in his hand-drawn Christmas cards to close friends or his carefully considered statements on subjects close to his heart. As a child, he liked to play the clown and throughout adulthood he continued his boyhood antics – once donning a hollowed-out melon as a hat. Oftentimes Jacobsen looked to escape the very thing he had helped to create: “I am choking on aesthetics,” he would say in private, where even the pastries he ate...