Jeroen Markies Art Deco Animal Sculptures
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Art Deco Patinated Bronze Sculpture of a Prowling Panther by Piero Palozzolo
By Piero Palazzolo
Located in Forest Row, East Sussex
A superb Art Deco bronze sculpture of a striding panther by Piero Palozzolo. Signed to bronze with foundry stamp to base.
Dimensions: H 29cm W 53cm D 18cm
Origin: French
Date: Ci...
Category
Early 20th Century French Art Deco Animal Sculptures
Materials
Bronze
'Dromedaire' late 19th century bronze sculpture by Alfred Barye
By Alfred Barye
Located in Forest Row, East Sussex
A late 19th century bronze sculpture by Alfred Barye of a saddled Camel. Excellent rich green patination, signed to base.
Dimensions: H 17cm W 16cm D 7cm
Origin: French
Date: Ci...
Category
Antique 1870s French Animal Sculptures
Materials
Bronze
'Gladiator' a standing bronze racehorse by Pierre Lenordez (1814-1892)
By Pierre Lenordez
Located in Forest Row, East Sussex
'Gladiator' a standing bronze racehorse by Pierre Lenordez (1814-1892). Signed to the base and inscribed 'Gladiateur né en 1862. Par Monarque et Miss Gladiator. Gagnant en 1864 du Cl...
Category
Antique 1860s French Animal Sculptures
Materials
Bronze
'Attilla' An Early 20th Century Bronze Sculpture by Irenee Rochard
By Irénée Rochard
Located in Forest Row, East Sussex
An early 20th century bronze sculpture by Irénée Rochard of the famous racehorse 'Attila', standing proud with reigns. Signed 'I Rochard' to base.
Dimensions: H 19cm W 24cm D 8cm
Category
Vintage 1920s French Animal Sculptures
Materials
Bronze
A Late 19th Century Indian Hardwood Carved Camel Table
Located in Forest Row, East Sussex
A Late 19th Century Indian hardwood carved Camel Table. Octagonal table top with floral design atop the camels back. Raised on a naturalistic plinth...
Category
Antique 1890s Animal Sculptures
Materials
Hardwood
Side Saddles Horse by Jules Moigniez Circa 1870
By Jules Moigniez
Located in Forest Row, East Sussex
A mid-19th century bronze study of a standing horse dressed in a ladies side saddle by Jules Moigniez. Excellent hand chased detail. Signed J Moigniez to base.
Dimensions: H 32cm W...
Category
Antique Mid-19th Century French Animal Sculptures
Materials
Bronze
'Pointer' by Pierre Jules Mêne
By Pierre Jules Mêne
Located in Forest Row, East Sussex
A late Victorian Bronze Pointer by Pierre Jules Mene (1810-1879). Excellent patination, signed 'P.J. Mene' to base.
Dimensions: H 11cm W 22cm D 9.5cm
Origin: French
Date: Circa...
Category
Antique 1860s French Animal Sculptures
Materials
Bronze
Contemporary Bronze Sculpture of a Trotting Warthog by Jenna Gearing
Located in Forest Row, East Sussex
A Contemporary bronze sculpture of a trotting Warthog by Artist Jenna Gearing. Rich dark brown patination and fine hand finished detail. Limited edition 2/12. Signed Jenna Gearing to...
Category
21st Century and Contemporary English Animal Sculptures
Materials
Bronze
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Foundry seal of Deroyaume fondeur.
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“Standing Setter” French Animaliers Bronze by Jules Moigniez, circa 1870
Located in London, GB
Very fine mid-19th century French Animalier bronze study of a standing Setter with excellent hand chased surface detail and rich brown patination. Raised on a stepped naturalistic base, signed J Moigniez.
Additional information:
Height: 19 cm
Width: 34 cm
Condition: excellent original condition
Circa: 1870
Materials: bronze
Book reference: Les Animaliers by Jane Horswell
Page no. 237
About
Jules Moigniez (French, 1835 ~ 1894) Moigniez was a French animalier sculptor of the 19th century. He worked primarily in bronze and frequently exhibited his sculptures at the Paris salon. He was best known for his bronzes depicting birds, although his skill and versatility enabled him to produce quality horse sculptures (primarily racehorses), dog sculptures and hunting scenes. His bird sculptures were among the finest ever created in his time. Moigniez was born at Senlis, Oise, France in 1835, the son of a metal gilder. Moigniez’s father bought a foundry to cast his sculptures, which was of great benefit to Moigniez as he didn’t have the added foundry costs that most of his contemporaries had to pay. Moigniez studied sculpture under the tutelage of Paul Comoléra (a student of François Rude) in Paris. It is quite likely that Moigniez’s attraction to bird sculpture was a direct result of his education under Comoléra, who was himself a bird specialist. Over the course of his 40-year sculpting career Moigniez exhibited thirty works at the Salon between 1855–92. His first submission in a major art exhibition was his plaster, Pointer Stopping at a Pheasant, at the Exposition Universelle of 1855.[1][2] Moigniez was known for the fine detail and chiseling of his sculptures. His bronzes—usually cast using the lost wax method—were always immaculately chased and patinated, and were especially popular in England and Scotland.[2] More than half of his output during his lifetime was sold in the United Kingdom. By the end of the 19th century, his sculpture had become popular in the United States as well. In contrast with other animaliers of the period such are P.J. Mêne and Antoine-Louis Barye, Moigniez’s bird sculptures often incorporated highly detailed bases complete with bushes, extensive foliage and undergrowth. His castings were generally of excellent quality with a variety of patinas, the gilded and silvered patinas being the most desirable and sought after by collectors. His bronzes could be reproached for an excess of detail, a result of overly-finicky, over-worked chiseling. Moigniez received redemption, however, by portraying in his sculpture a certain “elegance of attitudes”. His Chien braque...
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