Joerg Maass Kunsthandel More Prints

Pencil signed by both Luce and Jacques Villon (Villon etched the image) and numbered 120/200 in pencil, lower margin. Published by Galerie Bernheim-Jeune, Paris. Catalogue Raisonne:...

Aquatint, lift-ground etching and aquatint on Georges Duchene Hawthorne of Larroque handmade paper 87.6 x 61 cm (34 1/2 x 24 inches) Edition of 52

Johnny Gotthard Friedlaender (German, 1912-1992), Abstract Composition, Etching and Aquatint in color on "L'Oeuvre Gravee" paper, blind stamped lower left, signed in pencil lower rig...

’Favourite Flowers (Iris)’ By Elizabeth Blackadder A limited edition book of 100 copies specially bound for the Mercury Gallery. No 1 to 50 contain and original etching/aquatint 'Iris'. No 51 to 100 contain and original etching/aquatint 'Salpiglossis'. Each signed and numbered by the artist. All watercolours reproduced within the book by Elizabeth Blackadder and commentary by Deborah Kellaway. Medium - Limited edition book with signed aquatint Book Edition - 58/100 Print Edition - 8/50 Signed Book - Yes Signed Print - Yes Size Book - 234mm x 202mm Size Print - 217mm x 187mm Date - 1994 Published by Gillian Raffles. Mercury Gallery. Bond Street, London Condition - Excellent. 10/10 Painter and printmaker, born Falkirk, Scotland. She studied at Edinburgh University and Edinburgh College of Art, 1949-54. In 1954 she was awarded a Carnegie Travelling Scholarship and visited Yugoslavia, Greece and Italy and was much influenced by Byzantine architecture and mosaics. In 1956 she married the painter John Houston with whom she has since travelled widely. Flowers, cats and small objects are often arranged perpendicularly across the paper or canvas. Elected RSW in 1960, an Associate of the RSA 1963, an Associate of the RA 1971, RSA 1972 and RA 1976, she is the first woman to be elected both RA and RSA. Blackadder has exhibited at the Mercury Gallery, London, Marjorie Parr Gallery and abroad and is a member of the Scottish Arts Club. Her work is represented in Aberdeen University, Bolton Art Gallery, Brighton and Hove Museums and Art Galleries, City Arts Centre, Edinburgh, Fleming Collection, Glasgow Print Studio, Gracefield Arts Centre, New Hall College, Cambridge, Otter Gallery, Reading Art...

This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio depicts the somewhat obscure story Old Rinkrank, which Hockney chose to illustrate beca...

Study for Sculpture in the Form of an Inverted Q: Above and Below Ground, 1975 Lithograph, soft-ground etching, and aquatint in six colors on cream, thick, slightly textured Rive BFK paper 14 × 11 in. / 35.2 × 28 cm Signed and dated in pencil, lower right, numbered in pencil, lower left. Edition of 100 with 20 AP. Printed by Bill Law, Winston Roeth and Allan Uglow at Petersburg Press...

Thomas Nozkowski Untitled #5, 2008 Color etching with aquatint on Hahnemühle paper Signed, dated and numbered 5/35 in graphite pencil on the back. Bears original Deutsche Bank collec...

A hand-colored engraving of the interior The German Chapel, St. James Palace in London, England from 'The History of the Royal Residences of Windsor Castle, St. James Palace, Carlton House, Kensington Palace, Hampton Court, Buckingham House, and Frogmore', commissioned by the British Royal Family. The work is one of the finest depictions of interiors ever published. The engraving was created by Daniel Havel (1786-1826) after a painting by Charles Wild (1781-1835) and published by William Henry Pyne (1770–1843) in 1819. The print is presented in a gold-colored wood museum style frame and an elaborate light grey French mat with highlighted gold and royal blue bands. A certificate of authenticity from Trowbridge Gallery...

Pablo Picasso (1881-1973) - Peintre et sa toile avec modèle assis Etching and aquatint from 1965. The edition of 33/50. Dimensions of work: 39 x 51.5 cm. Hand signed. Publisher:...

Pablo Picasso (1881-1973) - Les Trois mousquetaires, Series 347, Plate 91 Etching and aquatint from 1968. The edition of 36/50. Dimensions of work: 28.2 x 33.5 cm. Hand signed. ...

This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio depicts the somewhat obscure story Old Rinkrank, which Hockney chose to illustrate beca...

This is a 19th century colored aquatint and stipple engraving finished by hand entitled "White Hamburgh Grape", drawn and engraved by George Brookshaw and published in London in 1812 as plate 60 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a cluster of pale green grapes still on the vine. The vine and leaves are shown in attractive shades of green and brown. The plant lays on a brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There is a light brown title rectangle in the lower center which is blank, suggesting this may be a more rare preproduction proof. There are wide white margins. This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick light beige mat. The frame measures 26" high, 22" wide and 1.13" deep. It is glazed with UV conservation glass. There is a tiny spot in the lower margin on the left and another in the left margin. The print and frame are otherwise in excellent condition. There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. It depicts a Silver Rock Melon. The two prints would make a striking display pairing...