John J. Gredler Works of Art, Inc. Desk Accessories
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19th Century French Grand Tour Patinated Iron Napoleon’s Tomb Inkwell
Located in Stamford, CT
A mid 19th century Grand Tour, French, Inkwell in the form of Napoleon’s tomb. The patinated black iron tomb with removable lid revealing a sand sifter a...
Category
Antique Mid-19th Century French Grand Tour Inkwells
Materials
Iron
Italian Pietra Dura Inlaid Marble Butterfly Paperweight
Located in Stamford, CT
Italian oval white marble paperweight with beautiful colored burnt orange and greenish gray marble inlay with mother of pearl highlights in the form of a butterfly. Lovely piece to h...
Category
Mid-20th Century European Mid-Century Modern Paperweights
Materials
Marble
Pair of Regency Bronze Figures of Reclining Whippets on Green Marble Bases
By Thomas Weeks
Located in Stamford, CT
Pair of English Regency bronze whippets or greyhounds on verdi antico marble book form bases, after a model by Thomas Weeks. Each dog sculpture is beautifully cast with their individual personalities.
6 inches high 5 wide 5 deep including bases.
These whippets are resonant of the early nineteenth-century work of Thomas Weeks (d. 1834) who established a 'Royal Mechanical Museum' or emporium in Tichbourne Street in about 1797. The attractions included various animated animals and insects, ingenious clocks, musical instruments, elaborate temples, toys and other such peculiarities that appealed to the London public in the late 18th and early 19th Century (C. Gilbert, 'Some Weeks cabinets reconsidered', The Connoisseur, May 1971...
Category
Antique Early 19th Century European Regency Animal Sculptures
Materials
Bronze
$3,840 Sale Price
20% Off
Anthony Redmile Box with Nickle Plated Mounts and Inset Opal
By Anthony Redmile London
Located in Stamford, CT
Beautifully made vintage steer horn box by Anthony Redmile. With polished horn body and hand hammered nickle plated brass mounts. The top with an i...
Category
Mid-20th Century English Mid-Century Modern Decorative Boxes
Materials
Opal, Nickel
18th Century Italian Bronze Pestle for a Mortar, 9 Inches Long
Located in Stamford, CT
If you've got the mortar, I have the pestle! There are so many mortars out there, and so few pestles. It's nice to have both. Here is your opportunity to marry this large scale pestl...
Category
Antique 18th Century Italian Baroque Scientific Instruments
Materials
Bronze
Portuguese Silver Filigree and Enamel Box with Gold Wash
Located in Stamford, CT
A silver trinket box with exquisite filigree work throughout, including the bottom and the feet. With white and red enamel decoration on the top and deep blue on the side. The delica...
Category
Early 20th Century Portuguese Art Nouveau Decorative Boxes
Materials
Silver
Ottoman Brass Inkwell and Pen Case Qalamdan
Located in Stamford, CT
Exceptional Turkish etched brass Qalamdan, a traveling scribe's inkwell and pen case. The beautiful dome topped inkwell is rare, it is attached by chain to th...
Category
Antique Mid-19th Century Turkish Islamic Inkwells
Materials
Brass
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This is a superb decorative antique Italian Grand Tour marble Pietra Dura mounted desk paperweight, circa 1880 in date.
This splendid rectangular paperweight is exquisitely inlaid with a sumptuous arrangement of semi-precious stones including malachite, agate, onyx and amethyst.
It is beautifully inlaid on a slate base.
Not only is this desk paperweight very functional, but it is also an exquisite mineralogical wonder that can be admired by all discerning collectors.
Condition:
In excellent condition, please see photos for confirmation,
Dimensions in cm:
Height 2 x Width 17 x Depth 10
Dimensions in inches:
Height 1 inch x width 7 inches x depth 4 inches.
Pietra dura is a term for the inlay technique of using cut and fitted, highly polished coloured stones to create images. It is considered a decorative art.
Pietre dure is an Italian plural meaning "hard rocks" or hardstones; the singular pietra dura is also encountered in Italian. In Italian, but not in English, the term embraces all gem engraving and hardstone carving, which is the artistic carving of three-dimensional objects in semi-precious stone, normally from a single piece, for example in Chinese jade.
The traditional convention in English has been to use the singular pietra dura just to denote multi-colored inlay work. However, in recent years there has been a trend to use pietre dure as a term for the same thing, but not for all of the techniques it covers, in Italian.
But the title of a 2008 exhibition at the Metropolitan Museum of Art, New York, Art of the Royal Court: Treasures in Pietre Dure from the Palaces of Europe used the full Italian sense of the term, probably because they thought that it had greater brand recognition. The material on the website speaks of objects such as a vase in lapis lazuli as being examples of "hardstone carving (pietre dure)"
The Victoria & Albert Museum in London uses both versions on its website, but uses pietra dura. "A method of inlaying coloured marbles or semi-precious stones into a stone base, often in geometric or flower patterns...."
Giovanni Montelatici...
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An Italian Grand Tour Porphyry and Sienna Marble Paperweight, late 19th century
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The profile of Caesar in profile in high relief.
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H 2.5 in W 3.25 in D 3.75 in
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