JOSEPH GROSSMAN FINE ART Art
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"Woman in Purple" from the "Colcha" series
Located in San Francisco, CA
This artwork titled "Woman in Purple" from the "Colcha" series, 1989, is a watercolor and ink on hand made paper by noted American artist Amado Maurilio Pena...
Category
Late 20th Century American Realist Figurative Drawings and Watercolors
Materials
Watercolor
Christ, from La Passion
By Georges Rouault
Located in San Francisco, CA
This artwork "Christ, from La Passion" 1939, is a wood engraving by French artist Georges Rouault, 1871-1958. (Block engraved by Georges Aubert) It is signed in the block as issue. ...
Category
Early 20th Century Modern Figurative Prints
Materials
Woodcut
Clown Assis, from Cirque de l'Etoile Filante
By Georges Rouault
Located in San Francisco, CA
This artwork "Clown Assis, from Cirque de l'Etoile Filante" 1932, is a wood engraving by French artist Georges Rouault 1871-1958 (Block engraved by Georges Aubert) It is signed in t...
Category
Early 20th Century Modern Figurative Prints
Materials
Woodcut
Allied Chemical Tower, Packed, Project for Number 1 Time Square New York
Located in San Francisco, CA
This artwork titled ' Allied Chemical Tower, Packed, Project for Number 1 Time Square, New York" 1971, in an original color lithograph on Arjomari paper by renown Bulgarian/American ...
Category
Late 20th Century Pop Art Abstract Prints
Materials
Lithograph
Clown et Enfant (Clown and Child) From the suite Cirque (Circus)
By Georges Rouault
Located in San Francisco, CA
This artwork titled "Clown et Enfant (Clown and Child)" from the suite "Cirque (Circus) by Andre Suarez" created in 1930, is an original color aquatint, etching and drypoint by renown French artist Georges Rouault, 1871-1958. It is signed in the plate as issue. According to Isabelle Rouault (Daughter of the artist) the total edition was 500. Published by Ambroise Vollard, Paris and printed by Maurice Potin, Paris. Referenced and pictured in the artist's catalogue raisonnes by Rauch #153, Kornfeld, Klipstein Catalog 120, #134 to #144, Soby pages 110 and 120, and Ambroise Vollard Editeur by Una E. Johnson #202 and page #109. . The plate mark (image) is 12.15 x 8.25 inches, framed size is 24.75 x 21 inches. Custom framed in a wooden black and gold frame, with fabric matting, fabric spacer, and gold color bevel. Artwork and frame are in excellent condition, the colors are fresh and bright. Example of this artwork is held in many museums including The Museum of Modern Art, New York
About the artist:
French painter, draughtsman, printmaker and designer, Georges Rouault created a personal style of Expressionism that gives him a highly distinctive place in Modern Art. Rouault was born in 1871, in the cellar of a house in Belleville, a working class quarter of Paris near the Père Lachaise cemetery, while the city was being bombarded by government troops quelling the Paris Commune. His father was a finisher and varnisher of pianos at a local factory. Rouault's grandfather was an amateur art...
Category
Mid-20th Century Expressionist Figurative Prints
Materials
Aquatint
Cristo, Tlacochahuaya, Oaxaca
By Paul Strand, 1890-1976
Located in San Francisco, CA
Artist: Paul Strand – American (1890-1976)
Title: Cristo, Tlacochahuaya, Oaxaca
Year: 1933, printed 1967, Da Capo Press, New York
Medium: Photogravure hand-printed from the original plates on BFK Rives paper
Publisher: Da Capo Press, 1967, New York
Sight size: 10 ¼ x 7 7/8 in. (260 x 200 mm)
Sheet size: 15 3/4 x 12 3/8 in. (402 x 313 mm)
Framed size: 17 x 14 inches
Edition:1000
Condition: Excellent
This hand-pulled photogravure is from Paul Strand’s Mexican Portfolio, first published in 1933. This photogravure is from the 2nd edition, published in 1967. It is in excellent condition. It is enclosed in a simple metal frame and Plexiglas only for protection.
A seminal work by a legendary figure in 20th century American photography, the photographs taken by the author on his travels through Mexico in 1932-33 show architecture, landscape, the indigenous people, and religious folk sculpture. Strand's work first made its appearance as "Photographs of Mexico" in a limited edition of 250 copies in 1940, with the printing of the steel-faced gravure plates by master platemaker Otto Wackernagel being supervised by Strand himself and executed by Charles Furth and the Photogravure and Color Company. The second edition used the original Wackernagel plates, printed by Albert Delong at the Andersen Lamb Company of Brooklyn. Strand was even more pleased with this version, stating "Delong has made these plates sing." The images are a celebration of the subjects' pride, dignity and endurance.
Paul Strand (1890–1976) is considered one of the most significant photographers of the 20th century. His breakthrough work in the 1910s heralded photography’s importance as a modern art form. Early in his career he broke from the soft, impressionistic Pictorialist style to produce among the first abstract images made with a camera. His questioning attitude led him to radically change his work multiple times in his career, always with the highest ambitions for the quality of his photographic prints. In 1932, Carlos Chavez, the director of the fine arts department at the Secretariat of Public Education in Mexico, invited Strand to Mexico. At this time, the Mexican government was concerned with demonstrating a national culture that was reflective of a burgeoning, modern, twentieth-century Mexico. In light of this, Chavez invited Strand to document the new social and physical environment. Over the next two years, Strand travelled around Mexico photographing...
Category
1930s Realist Black and White Photography
Materials
Paper, Photogravure
Intermission
By Barbara A. Wood
Located in San Francisco, CA
This artwork "Intermission" 1995 is an original colors serigraph by American artist Barbara A. wood, born 1926. It is hand signed and numbered 251/350 in pencil by the artist. The a...
Category
Late 20th Century Modern Figurative Prints
Materials
Screen
Untitled
By Billy Al Bengston
Located in San Francisco, CA
Artist: Billy Al Bengston – American (1934-2022)
Title: Untitled
Year: 1990
Medium: Lithograph, silkscreen on Arches paper
Sight size: 19.5 x 25.5 inches.
Sheet size: 24 x 30 inches.
Signature: Signed lower right
Publisher: Cirrus Editions, Ltd., Los Angeles, CA
Edition: 250 This one: 120/250
Condition: Excellent
This print is by Billy Al Bengston. It depicts what looks like a coyote staring out at the horizon on a full moon night. This print was created at the same time Bengston was creating his Moon paintings. The print has dark colors. As a result, my photographs are imperfect; they have a bit of glare. The print is in excellent condition. It is attached by two hinges to a matboard measuring 26 x 32 inches and has a Plexiglas frame. The frame is in fair condition with some light scratches.
Billy Al Bengston (June 7, 1934 – October 8, 2022) was an American visual artist and sculptor who lived and worked in Venice, California, and Honolulu, Hawaii. Bengston was probably best known for work he created that reflected California's "Kustom" car and motorcycle culture. He pioneered the use of sprayed layers of automobile lacquer in fine art and often used colors that were psychedelic and shapes that were mandala-like. ARTnews referred to Bengston as a "giant of Los Angeles's postwar art scene."
Early life and education
Bengston was born in Dodge City, Kansas, on June 7, 1934. His family relocated to Los Angeles in 1948. He attended Los Angeles City College in 1952. Subsequently, he studied painting under Richard Diebenkorn and Saburo Hasegawa at the California College of Arts and Crafts, in Oakland, California, in 1955 and returned to Los Angeles to study at Otis Art Institute in 1956.
Career
Bengston began showing with the Ferus Gallery in Los Angeles (founded and run by Walter Hopps and Edward Kienholz, and later Irving Blum), having five shows between 1958 and 1963. As a fixture at the gallery, he was among a cohort of artists that included Kienholz, Ed Ruscha, Larry Bell, Kenneth Price, Ed Moses, and Robert Irwin. (The gallery closed in 1966.) In a 2018 article in Vanity Fair, Bengston recalled that he and Irwin hung the 32 pieces in Andy Warhol's Campbell's soup-can paintings show at Ferus in 1962. He notably described the atmosphere of Ferus as a "macho intellectual gang bang".
After seeing the work of Jasper Johns at the 1958 Venice Biennale he adopted the motif of a set of sergeant's stripes. This recurring chevron image was painted with industrial materials and techniques associated with the decoration of motorcycle fuel tanks and surfboards. According to Grace Glueck of The New York Times, Bengston "was among the first to ditch traditional oil paint on canvas, opting instead for sprayed layers of automobile lacquer on aluminum in soft colors, achieving a highly reflective, translucent surface."
Bengston encouraged viewers in the early 1960s to associate his art with motorcycle subculture; on the cover of a 1961 catalogue for a Ferus show, he was seen straddling a motorcycle. (He also competed in motocross competitions.) "When I painted these motorcycle paintings...
Category
1990s Pop Art Animal Prints
Materials
Paper, Lithograph, Screen
Cityscape with Bridge
Located in San Francisco, CA
This artwork "Cityscape with Bridge" c.1940 is a color etching on wove paper by Austrian/American artist Tana Kasimir Hoernes, 1887-1972. It is hand signed in pencil by the estate o...
Category
Mid-20th Century Realist Figurative Prints
Materials
Etching
Zia, State II
By Rudolph Carl Gorman
Located in San Francisco, CA
This artwork titled "Zia" State II, 1979 Is an original colors lithograph on Buff Arches paper by renown Navajo artist Rudolph Carl Gorman, 1932-2005. It is signed, dated and number...
Category
Late 20th Century Realist Figurative Prints
Materials
Lithograph
Helping with the Dress
By Malcolm Liepke
Located in San Francisco, CA
This artwork titled 'Helping with the Dress" 1996, is an original color lithograph on paper by noted American realist artist Malcolm Liepke, b.1953. It is hand signed and numbered A...
Category
Late 20th Century American Realist Figurative Prints
Materials
Lithograph
Nude Sitting
By Howard Rogers
Located in San Francisco, CA
This artwork "Sitting Nude" c.1990, is an oil painting on hardboard panel by noted American artist Howard Rogers, b.1932. It is signed at the lower right corner by the artist. The artwork (panel) size is 8.85 x 11.85 inches, framed size is 17.75 x 21 inches. Framed in original wooden gold and grey frame, with fabric liner and gold bevel. It is in excellent condition, the frame have very small minor restorations, practically invisible.
About the artist:
Howard Rogers wanted to be an artist for as long as he could remember. "I had no idea what an artist was when I was a kid," he laughs. "But I had a distant cousin who had gone to art school and I saw some of his drawings. They really impressed me." Born and raised in San Diego, California, Rogers now focuses on the future: "I kind of enjoy today and tomorrow and to heck with yesterday."
While in high school, Rogers took some art classes and served as an apprentice sign painter, eventually becoming a journeyman. He was also a member of his high school track team, competing in the high jump, the hurdles and cross-country, as well as doing some bike racing. Following a stint in the Army, he began training for the Olympics in bike racing, trying out in 1948, 1952 and 1956. Today, "I ride a stationary bike in front of my easel three times a week."
After trying out for the 1956 Olympics...
Category
Late 20th Century American Impressionist Nude Paintings
Materials
Oil
Fishing Boats
Located in San Francisco, CA
This artwork "Fishing Boats" 1966 is an oil painting on canvas linen by noted Filipino artist Cesar Buenaventura Espinosa, 1919/22-1983. It is signed and dated at the lower left corn...
Category
Mid-20th Century Impressionist Figurative Paintings
Materials
Oil
Persimmons
Located in San Francisco, CA
This artwork titled "Persimmons" 1980, is a colors woodcut on wove paper by noted Korean artist Bong Kyu Ahn, b.1938. It is hand signed, dated, titled, and numbered 10/90 in pencil b...
Category
Late 20th Century Realist Figurative Prints
Materials
Woodcut
Sunrise
By Kaiko Moti
Located in San Francisco, CA
This artwork titled "Sunrise" 1978, is an original color aquatint on rice paper by noted Indian artist Kaiko Moti, 1921-1989. It is hand signed and numbered LXXIV/LXXV in red pencil...
Category
Mid-20th Century Impressionist Landscape Prints
Materials
Aquatint
$1,500
Two Horses
By Kaiko Moti
Located in San Francisco, CA
This artwork "Two Horses" 1964, is an original color aquatint on paper by noted Indian artist Kaiko Moti, 1921-1989. It is hand signed and numbered 107/120 in pencil by the artist. ...
Category
Mid-20th Century Impressionist Animal Prints
Materials
Aquatint
Otavalo Andean Flute Player
Located in San Francisco, CA
This artwork "Otavalo Andean Flute Player" C.1970, is a pastel on paper by Ecuadorian artist Arturo Nieto Checa, 1933-1995. It is signed at the lower le...
Category
Late 20th Century Impressionist Figurative Drawings and Watercolors
Materials
Pastel
The Picnic
Located in San Francisco, CA
This artwork titled "The Picnic" c.1990, is an oil painting on canvas board by Irish artist Val McGann, 1928-2016. It is signed at the lower left corner by...
Category
Late 20th Century Realist Figurative Paintings
Materials
Oil
Ebb Tide, Kennebunport, Maine
Located in San Francisco, CA
This artwork titled "Ebb Tide, Kennebunport, Maine" c.1990, is an oil painting on canvas by Irish artist Val McGann, 1928-2016. It is signed at the lower l...
Category
Late 20th Century Realist Figurative Paintings
Materials
Oil
Sonoma County Landscape
Located in San Francisco, CA
This artwork "Sonoma County Landscape" 1901, is a watercolor on paper by noted California artist Elizabeth Hoen, 1868-1955. It is signed and dated at the lower right corner by the artist. The artwork (image) size is 6 x 7.5 inches, framed size is 12.5 x 13.65 inches. Custom framed in a gold frame, with beige matting. It is in excellent condition.
About the artist:
Born in Santa Rosa, California to a pioneering California family, Elizabeth Hoen was known for her watercolor paintings, many of them landscapes, in impressionist style. Her father, Berthold Hoen started a trading post in the Carillo adobe, the first building erected in the Sonoma Valley. He also helped survey and lay out the city of Santa Rosa.
Elizabeth Hoen is not only the first painter to have their work cataloged into the Sonoma County Museum’s collection, but she was also a prolific artist in California in the late 19th and early 20th centuries and maintained a studio during a period when California art was largely dominated by men. She was from an important family in early Sonoma County history. Her father, Berthold Hoen, purchased land from the Carrillo family that would one day be...
Category
Early 20th Century American Impressionist Landscape Drawings and Waterco...
Materials
Watercolor
Sonoma County Landscape
Located in San Francisco, CA
This artwork "Sonoma County Landscape" 1901, is a watercolor on paper by noted California artist Elizabeth Hoen, 1868-1955. It is signed and dated at the lower right corner by the artist. The artwork (image) size is 5.75 x 8.65 inches, framed size is 13 x 15.65 inches. Custom framed in a silver decorated frame, with beige matting. It is in good condition, the paper have 3 vertical soft creases that cross the image.
About the artist:
Born in Santa Rosa, California to a pioneering California family, Elizabeth Hoen was known for her watercolor paintings, many of them landscapes, in impressionist style. Her father, Berthold Hoen started a trading post in the Carillo adobe, the first building erected in the Sonoma Valley. He also helped survey and lay out the city of Santa Rosa.
Elizabeth Hoen is not only the first painter to have their work cataloged into the Sonoma County Museum’s collection, but she was also a prolific artist in California in the late 19th and early 20th centuries and maintained a studio during a period when California art was largely dominated by men. She was from an important family in early Sonoma County history. Her father, Berthold Hoen, purchased land from the Carrillo family that would one day be...
Category
Early 20th Century American Impressionist Landscape Drawings and Waterco...
Materials
Watercolor
Seashore with Boats
Located in San Francisco, CA
This artwork "Seashore with Boats" 1975, is a watercolor on paper by Latvian artist Paul Duskins, 1928-1996. It is signed and dated at the lower right corner by the artist. The artwo...
Category
Late 20th Century Impressionist Figurative Drawings and Watercolors
Materials
Watercolor
Untitled (The Waiter)
Located in San Francisco, CA
This artwork "Untitled (The Waiter) " c.2020, is an oil painting on panel by American artist Teresa Saia. It is signed at the lower right corner by the artist, The artwork (Panel ) s...
Category
21st Century and Contemporary American Impressionist Figurative Paintings
Materials
Oil
Buona Sera
Located in San Francisco, CA
This artwork titled "Buona Sera" c.2020, is an oil painting on panel by American artist Teresa Saia. It is signed at the lower right corner by the artist, also titled and signed on t...
Category
21st Century and Contemporary American Impressionist Figurative Paintings
Materials
Oil
Harbor Scene
Located in San Francisco, CA
This artwork "Harbor Scene" 1975, is a watercolor on paper by Latvian artist Paul Duskins, 1928-1996. It is signed and dated at the lower right corner by the artist. The artwork size...
Category
Late 20th Century Impressionist Figurative Drawings and Watercolors
Materials
Watercolor
Otavalo Market
Located in San Francisco, CA
This artwork "Otavalo Market" C.1970, is a watercolor and pastel on paper by Ecuadorian artist Arturo Nieto Checa, 1933-1995. It is signed at the lower ...
Category
Late 20th Century Impressionist Figurative Drawings and Watercolors
Materials
Pastel, Watercolor
Untitled (Animals Scene)
Located in San Francisco, CA
This artwork "Untitled (Animals Scene)" c.1990 is a colored pencil drawing on paper by noted African American artist Roger Rice, b.1958. It is signed at the...
Category
Late 20th Century Folk Art Animal Drawings and Watercolors
Materials
Color Pencil
Untitled 2
Located in San Francisco, CA
This artwork "Untitled" c.1990 is a colored pencil drawing on paper by noted African American artist Roger Rice, b.1958. It is signed at the lower left corn...
Category
Late 20th Century Folk Art Animal Drawings and Watercolors
Materials
Color Pencil
Untitled (Religious scene)
Located in San Francisco, CA
This artwork "Untitled (Religious Scene)" c.1990 is a colored pencil drawing on paper by noted African American artist Roger Rice, b.1958. It is signed...
Category
Late 20th Century Folk Art Nude Drawings and Watercolors
Materials
Color Pencil
Northern India, Near Himalaya Range
Located in San Francisco, CA
This artwork titled "Northern India, The Himalaya Range" c.1975 is an oil painting on canvas board by noted American artist William Jack Laycox, 1921-1984. It is signed at he lower right corner by the artist. The artwork size (Canvas Board) is 8 x 10 inches, framed size is 15.5 x 17.5 inches. It is framed in a wooden ornate off -white frame, with fabric liner and gold color bevel . It is in excellent condition.
About the artist:
Jack Laycox (1921-1985) was born and grew up in Auburn, California. The eldest of 4 children, all of whom were artistically talented, it was Jack who was the shining star, constantly drawing, filling every available piece or section of paper that was available.
After earning an engineering degree from San Francisco State University, which provided the opportunity to travel throughout the United States to work on various assignments, he eventually returned to his love of the Fine Arts, specifically plein-air painting. With encouragement from his wife, sculptor Jayne Amason, he made the break from his career to become a full time artist.
The first Laycox Gallery was opened in Walnut Creek, California. He become known locally and throughout northern California, as well as being represented by Royce Gallery in Los Angeles and other galleries in the U.S. Jack and Jayne had been spending time in the Monterey area, which they loved dearly, so they moved there permanently and opened up a new Laycox Gallery in Carmel. His work became increasingly popular, being sought after for both private and corporate collections. In the 1970’s he was commissioned by Delta Airlines to do all the paintings for their travel-destination posters. He also authored a Walter...
Category
Mid-20th Century American Impressionist Landscape Paintings
Materials
Oil
"Courtisane aux Yeux Baisses" from the suite "Les Fleurs du Mal""
By Georges Rouault
Located in San Francisco, CA
This artwork titled "Courtisane aux Yeux Baisses" from the suite "Les Fleurs du Mal" created in 1937, is an original color aquatint on Montval paper by renown French artist Georges Rouault, 1871-1958. It is signed and dated in the plate as issue. Published by Ambroise Vollard, Paris and printed by Lacouriere, Paris. Referenced and pictured in the artist's catalogue raisonnes by Chapon plate #276, Wofsy plate #273. The plate mark (image) is 11.75 x 8.15 inches, framed size is 20.5 x 17.25 inches. Custom framed in a wooden brownish and gold frame, with fabric matting and black fillet. Artwork and frame are in excellent condition, the colors are fresh and bright. Example of this artwork is held in many museums including The National Gallery of Art.
About the artist:
French painter, draughtsman, printmaker and designer, Georges Rouault created a personal style of Expressionism that gives him a highly distinctive place in Modern Art. Rouault was born in 1871, in the cellar of a house in Belleville, a working class quarter of Paris near the Père Lachaise cemetery, while the city was being bombarded by government troops quelling the Paris Commune. His father was a finisher and varnisher of pianos at a local factory. Rouault's grandfather was an amateur art...
Category
Mid-20th Century Expressionist Figurative Prints
Materials
Aquatint
Point Cabrillo Light Station, Mendocino
Located in San Francisco, CA
This artwork titled "Point Cabrillo Light Station, Mendocino" c.2000 is an oil painting on canvas by American artist Hope Stevenson, 1939-2015. It is signed at the lower left corner by the artist. The canvas size is 12 x 16 inches, framed size is 18.85 x 21.85 inches. framed in a wooden plein air style gold frame. it is in excellent condition.
About the artist:
Hope was born July 22, 1939, in San Juan, Puerto Rico. Her family moved to Palo Alto, California, during World War II, where her father worked at Moffett Field and later for Borg Warner...
Category
21st Century and Contemporary American Impressionist Landscape Paintings
Materials
Oil
Impressionabilita
By Marino Marini
Located in San Francisco, CA
This artwork titled "Impressionabilita" 1969, is an original color screen print on wove by noted Italian artist Marino Marini, 1901-1980. It is hand signed and numbered 93/125 in pen...
Category
Mid-20th Century Post-Modern Animal Prints
Materials
Screen
Corse (Corsica)
Located in San Francisco, CA
This artwork titled "Corse (Corsica)" c 1960, is an oil painting on hardboard by noted French artist Tony Cardella, 1898-1976. It is signed at the lower left corner by the artist. Th...
Category
Mid-20th Century Impressionist Landscape Paintings
Materials
Oil
Coast Near San Diego
Located in San Francisco, CA
This artwork titled "The Coast Near San Diego" 1949, is an oil painting on board by noted California artist Jean Martin (Eugenia Victoria Weir Martin) 1906-1986. It is signed at the lower right corner by the artist. The artwork (board) size is 16 x 20 inches, framed size is 24.35 x 28.35 inches. Framed in original wooden brown frame, with fabric liner. it is in excellent condition.
About the artist:
Eugenia "Jean" Victoria Weir Martin
1906-1986
San Diego, California
Landscapes, Seascapes artist
Eugenia Victoria Weir Martin was a painter and art instructor in Southern California. She was born in Tennessee on March 7, 1906. "Jean", as she was called, was brought to La Jolla, California as a small child by her parents, and remained in that area the rest of her life.
Her Father was a businessman in the early stages of the development of La Jolla. He operated a General Store in the early village. They resided in "Windemere", which is now the home of the La Jolla Historical Society. At the age of 10 she studied art with a Mrs. Fletcher, an artist in residence at the 1916 California Exposition in Balboa Park. She also studied at the San Diego Academy of Fine Arts.
Early in her career she also studied with Maurice Braun, Alfred Mitchell, Edward Langley...
Category
Mid-20th Century American Impressionist Landscape Paintings
Materials
Oil
Yosemite
Located in San Francisco, CA
This artwork titled "Yosemite" 1952, is an oil painting on board by noted California artist Jean Martin (Eugenia Victoria Weir Martin) 1906-1986. It is signed at the lower right corner by the artist. The artwork (board) size is 16 x 20 inches, framed size is 24.25 x 28.25 inches. Framed in original wooden gold with grey patina frame, with fabric liner. It is in excellent condition.
About the artist:
Eugenia "Jean" Victoria Weir Martin
1906-1986
San Diego, California
Landscapes, Seascapes artist
Eugenia Victoria Weir Martin was a painter and art instructor in Southern California. She was born in Tennessee on March 7, 1906. "Jean", as she was called, was brought to La Jolla, California as a small child by her parents, and remained in that area the rest of her life.
Her Father was a businessman in the early stages of the development of La Jolla. He operated a General Store in the early village. They resided in "Windemere", which is now the home of the La Jolla Historical Society. At the age of 10 she studied art with a Mrs. Fletcher, an artist in residence at the 1916 California Exposition in Balboa Park. She also studied at the San Diego Academy of Fine Arts.
Early in her career she also studied with Maurice Braun, Alfred Mitchell, Edward Langley...
Category
Mid-20th Century American Impressionist Landscape Paintings
Materials
Oil
Mount Tamalpais, Marin County, California
Located in San Francisco, CA
This artwork titled "Mount Tamalpais, Marin County, California" 1952, is an oil painting on board by noted California artist Jean Martin (Eugenia Victoria Weir Martin) 1906-1986. It is signed at the lower right corner by the artist. The artwork (board) size is 16 x 20 inches, framed size is 24.25 x 28.25 inches. Framed in original wooden gold with grey patina frame, with fabric liner. it is in excellent condition.
About the artist:
Eugenia "Jean" Victoria Weir Martin
1906-1986
San Diego, California
Landscapes, Seascapes artist
Eugenia Victoria Weir Martin was a painter and art instructor in Southern California. She was born in Tennessee on March 7, 1906. "Jean", as she was called, was brought to La Jolla, California as a small child by her parents, and remained in that area the rest of her life.
Her Father was a businessman in the early stages of the development of La Jolla. He operated a General Store in the early village. They resided in "Windemere", which is now the home of the La Jolla Historical Society. At the age of 10 she studied art with a Mrs. Fletcher, an artist in residence at the 1916 California Exposition in Balboa Park. She also studied at the San Diego Academy of Fine Arts.
Early in her career she also studied with Maurice Braun, Alfred Mitchell, Edward Langley...
Category
Mid-20th Century American Impressionist Landscape Paintings
Materials
Oil
Still Life with Bouquet
Located in San Francisco, CA
This artwork "Still Life with Bouquet" is an oil painting on hardboard by noted Russian/American artist Jack Pohr, 1918-2003. It is signed at the lower right...
Category
Mid-20th Century Impressionist Still-life Paintings
Materials
Oil
Les Eboulements
Located in San Francisco, CA
This artwork titled "Les Eboulements" 1981, is an oil painting on board by noted Canadian artist Terry Tomalty, b.1935. It is signed, titled and dated at the lower right corner by th...
Category
Late 20th Century Impressionist Landscape Paintings
Materials
Oil
Bouganvillia
By Ovanes Berberian
Located in San Francisco, CA
This artwork titled "Bouganvillia" c.1990, is an oil painting on Cardboard panel by noted Armenian/American artist Ovanes Berberian, b.1951. It is signed at the lower left corner by ...
Category
Late 20th Century Impressionist Landscape Paintings
Materials
Oil
"Color and Black" Large colors etching with aquatint, framed
By Sol LeWitt
Located in San Francisco, CA
This artwork titled "Color and Black #3" 1991 is a colors etching with spit bit aquatint on Somerset textured white paper by renown artist Sol (Solomon) Le Witt, 1928-2007. It is and signed and numbered 11/15 in pencil by the artist. Whit the blind stamp of the publisher/printer at the lower right corner. The image size is 22.75 x 22.75 inches, paper sheet is 40.75 x 39.75 inches, Framed size is 43.25 x 42,5 inches. Published by Crown Point Press, San Francisco. Printed by Lawrence Hamin, Lothar Osterburg, Paul Mullowney and Pamela Paulson at Crown Point Press, San Francisco. Referenced and pictured in the artist's catalogue raisonne #1991.07, plate #03. Custom Framed in a wooden black frame, floated on a white backing, with white spacer. It is in excellent condition.
About the artist:
Known for his modular white cube sculpture, geometric drawings and abstract design paintings including many wall paintings that took teams of people to execute, Sol LeWitt was a major promoter of dominant post World War II Conceptualism and Minimalism. He used geometric shapes and lines to challenge his viewers, and sometimes they seemed logical and other times they seemed to have no basis in either reason or reality.
Although he was highly active in New York City, he shied away from any semblance of art celebrity life style and spent much of his later life working from his home and studio in Chester, Connecticut. At the beginning of his career when he was gaining notoriety, conservative critics panned him fiercely. Seeking to get away from the frenetic activity of the New York art scene, he went to Spoleto, Italy in the 1980s and remained there for many years. The influence of Italian culture seemed to lend a new opulent quality to his work, and also the launching of his wall paintings, which he called drawings even though they were done with acrylic paint. "He began making colored flagstone patterns, spiky sculptural blobs and ribbons of color, like streamers on New Year's Eve, often as enormous decorations for buildings around the world. It was if he had devised a latter-day kind of Abstract Expressionism . . ." (Kimmelman)
Of his personal modesty it was written: "He tried to suppress all interest in him as opposed to his work; he turned down awards and was camera-shy and reluctant to grant interviews. He particularly disliked the prospect of having his photograph in the newspaper." (Kimmelman)
Sol LeWitt was born in Hartford, Connecticut to Russian immigrant parents. His father, a doctor, died when Sol was age six, and he and his mother then went to live with an aunt in New Britain, Connecticut. His mother encouraged his art talent, and enrolled him in classes at the Wadsworth Atheneum. LeWitt's subsequent residence in Chester, after he was a well-known artist, was near the Atheneum, and he became a strong supporter of that institution including the securing of a long time loan to it of a highly prestigious private collection of modern art.
LeWitt earned a B.F.A. degree from Syracuse University in 1949, and then was drafted in the Korean War. His special assignment was making posters for the Special Services. From 1955 to 1956, he worked as a graphic designer for architect I.M. Pei, who was beginning his career. He also did pasteups for Seventeen magazine...
Category
Late 20th Century Abstract Abstract Prints
Materials
Etching, Aquatint
"Curvy Brushstrokes" Large etching with aquatint, framed
By Sol LeWitt
Located in San Francisco, CA
This artwork titled "Curvy Brushstrokes" 1997 is a colors etching with sugar lift aquatint on Somerset textured white paper by renown artist Sol (Solomon) LeWitt, 1928-2007. It is hand signed and numbered 1/15 in pencil by the artist. The image size is 29.90 x 39.90 inches, paper sheet size is 40.5 x 49.80 inches, framed size is 43.75 x 53 inches. Published by Crown Point Press, San Francisco, printed by Dana Sywulak, assisted by Dena Schneleit, Mary Andrews and Case Hudson at Crown Press, San Francisco. Referenced and pictured in the artist's catalogue raisonne, plate #1997.07. Custom framed in a wooden black frame, floated on white backing, with white spacer. It is in excellent condition, the frame has minor very small restorations, practically invisible.
About the artist:
Known for his modular white cube sculpture, geometric drawings and abstract design paintings including many wall paintings that took teams of people to execute, Sol LeWitt was a major promoter of dominant post World War II Conceptualism and Minimalism. He used geometric shapes and lines to challenge his viewers, and sometimes they seemed logical and other times they seemed to have no basis in either reason or reality.
Although he was highly active in New York City, he shied away from any semblance of art celebrity life style and spent much of his later life working from his home and studio in Chester, Connecticut. At the beginning of his career when he was gaining notoriety, conservative critics panned him fiercely. Seeking to get away from the frenetic activity of the New York art scene, he went to Spoleto, Italy in the 1980s and remained there for many years. The influence of Italian culture seemed to lend a new opulent quality to his work, and also the launching of his wall paintings, which he called drawings even though they were done with acrylic paint. "He began making colored flagstone patterns, spiky sculptural blobs and ribbons of color, like streamers on New Year's Eve, often as enormous decorations for buildings around the world. It was if he had devised a latter-day kind of Abstract Expressionism . . ." (Kimmelman)
Of his personal modesty it was written: "He tried to suppress all interest in him as opposed to his work; he turned down awards and was camera-shy and reluctant to grant interviews. He particularly disliked the prospect of having his photograph in the newspaper." (Kimmelman)
Sol LeWitt was born in Hartford, Connecticut to Russian immigrant parents. His father, a doctor, died when Sol was age six, and he and his mother then went to live with an aunt in New Britain, Connecticut. His mother encouraged his art talent, and enrolled him in classes at the Wadsworth Atheneum. LeWitt's subsequent residence in Chester, after he was a well-known artist, was near the Atheneum, and he became a strong supporter of that institution including the securing of a long time loan to it of a highly prestigious private collection of modern art.
LeWitt earned a B.F.A. degree from Syracuse University in 1949, and then was drafted in the Korean War. His special assignment was making posters for the Special Services. From 1955 to 1956, he worked as a graphic designer for architect I.M. Pei, who was beginning his career. He also did pasteups for Seventeen magazine...
Category
Late 20th Century Abstract Abstract Prints
Materials
Etching, Aquatint
Irises in Vase - Still Life
Located in San Francisco, CA
Artist: Daniel Joshua Goldstein – American (1950 -)
Title: Still Life - Irises in Vase
Year: Circa 1983
Medium: Mixed media with collage
Image...
Category
Late 20th Century Modern Mixed Media
Materials
Mixed Media
Petit Luberon II (Little Luberon II)
By Marcel Mouly
Located in San Francisco, CA
Artist: Marcel Mouly – French (1918 - 2008)
Title: Petit Luberon II (Little Luberon II)
Year: 2003
Medium: Lithograph
Image Size: 27.5 x 19.25 inches
Sheet Size: 30.5 x 22.25 inches
...
Category
Early 2000s Impressionist Landscape Prints
Materials
Paper, Lithograph
Silence
Located in San Francisco, CA
Artist: Cornelius van Fulpen– American (1905 - 1987)
Title: Silence
Year: 1984
Medium: Oil on Canvas
Size: 19.5 x 23.75 inches
Framed size: 25.5 x 29.75 inches
Signature: Signed, da...
Category
1980s American Impressionist Landscape Paintings
Materials
Canvas, Oil
State Capitol at Night, Sacramento, California
Located in San Francisco, CA
This artwork titled "State Capitol at night, Sacramento, California" c.1960 is a watercolor on paper by noted California artist William Jack Laycox, 1921-1984. It is signed at he low...
Category
Mid-20th Century American Impressionist Landscape Drawings and Watercolors
Materials
Watercolor
The Captains Table
By Charles Bragg
Located in San Francisco, CA
This artwork titled "The Captains Table" c.1990 is a color offset lithograph by noted American artist Charles Bragg, 1931-2017. It is hand signed, titled and numbered 305/950 in penc...
Category
Late 20th Century Other Art Style Figurative Prints
Materials
Lithograph
Familia Indigena III
By Francisco Zúñiga
Located in San Francisco, CA
This artwork titled "Familia Indigena III" 1983 is an original colors lithograph on Wove paper by renown Costa Rican/Mexican artist Francisco Zuniga, 1912-1998. It is hand signed, dated and numbered 67/100 in pencil by the artist. The artwork size is 22 x 29.85 inches, framed size is 28.5 x 36.5 inches. Published and printed by La Poligrafa, Barcelona, Spain. Referenced and pictured in the artist's catalogue raisonne "Zuniga The Complete Graphics, 1972-1984, by Jerry Brewster, plate #93. Beautifully framed in a custom acrylic display box, with brown fabric backing. It is in excellent condition.
About the artist:
Internationally acclaimed sculptor and printmaker Francisco Zuñiga was born in Costa Rica. He studied drawing, stone sculpture, and engraving at the School of Fine Arts in San Jose. Later, in 1936, he studied stone carving at La Esmeralda in Mexico City. He was appointed to the faculty of La Esmeralda where he remained until his retirement in 1970.
Zuniga's art reflects a love and respect for Central American people and traditions. In 1972, he created his first lithograph. As a complement to his emotionally powerful sculpture, Zuniga's prints articulate the sensitivity and sensuality of the human figure. He has been the recipient of numerous international prizes and awards. His work is exhibited frequently in prominent galleries throughout the world and may be found in the permanent collections of twenty-nine museums, including the Metropolitan Museum of Art in New York, the Los Angeles County Museum, the Mexican Museum in San Francisco, and the Phoenix Art Museum.
In 1936, Francisco Zuniga left San Jose, Costa Rica, where he had studied drawing at the School of Fine Arts and worked as an assistant in his father's studio, a workshop which produced religious sculpture for the churches and convents in and around the city. His destination was Mexico City. It was from there that he would begin an illustrious career as a sculptor and draftsman. Zuñiga's exploration into the nuances of volume, in line and space, are demonstrated in this, the most complete exhibition of his work to be shown in more than a decade.
Mexico City in 1936 was, even then, one of the major art centers of the Americas. As such it witnessed and participated in many of the frenzied and controversial art movements which reflected the political and intellectual climate of the first three decades of the twentieth century. Muralism, the graphic arts, the incorporation of in-ternational movements had produced an artistic climate, which would eventually attract to Mexico international artists and intellectuals such as Sergei Eisenstein...
Category
Late 20th Century Realist Figurative Prints
Materials
Lithograph
Saint Emilion
By Wayne Ensrud
Located in San Francisco, CA
This artwork titled "St Emilion" c.1970, is a watercolor by American artist Wayne Ensrud, b.1934. It is signed at the lower right side by the artist. The artwork size is 19 x 24 inches, framed size is 22.75 x 27.5 inches. Custom framed in a wooden ornate gold frame. It is in excellent condition.
About the artist:.
Wayne Ensrud was born in Minnesota where he received his BFA from the Minneapolis Institute of Art. As a student he met Oskar Kokoschka, the artist-in-residence at the Institute, who profoundly influenced Ensrud's work and has remained his friend and mentor ever since.
When Pablo Casals conducted his Master Class Series at Berkeley. Wayne Ensrud had the honor ot being invited to execute drawings of the great cellist during those sessions. and this year when the New York Chamber Society celebrated its 10th anniversary.Ensrud was asked to sit in on rehearsals and sketch the world famous violinists ltzhak Perlman and Pinchas Zukerman. Actress Jayne Mansfield, novelist Alex Waugh, wine connoisseur Alexis Lichine are among others who have been portrayed by Ensrud.
Mr. Ensrud has been a free-lance art director and animator for ABC, CBS, and IRM IBM contracted him to he the series, "Computer and the Mind of Man", which has been translated into 18 languages and won several international awards. For ABC he created the film animations for the Gemini Space Programs. He taught film animation at Pratt Institute for tour years. Ensrud was Art Director at the University of California at Berkeley for the Department of Motion Pictures and Television and he was Executive Art Director of Channel 13-TV, New York City. Mr. Ensrud has art directed over 30 films and lust completed a film for television starring Richard Basehart. He has illustrated the writings of Odgen Nash, John O'Hara, and John Fowles...
Category
Late 20th Century American Impressionist Landscape Drawings and Watercolors
Materials
Watercolor
Dancing for Rain
Located in San Francisco, CA
This artwork titled "Dancing for Rain" c.1990 is a watercolor, with gold addition and with the decorated hand carved and painted frame by southwestern artist Fran Larsen, b.1937. It ...
Category
Late 20th Century Post-Impressionist Landscape Drawings and Watercolors
Materials
Mixed Media, Watercolor
Course de Chevaux a Longchamp (Horses Race in Longchamp)
By Gabriel Dauchot
Located in San Francisco, CA
This artwork "Course de chevaux a Lonchamp (Horses Race in Lonchamp) c.1960, is an oil painting on canvas by noted French artist Gabriel Dauchot, 1917-1990. It is signed at the lower right corner by the artist. The canvas size is 18.65 x 7.5 inches, framed size is 21.85 x 11.85 inches. Custom framed in a wooden green frame. It is in excellent condition, the frame have a minor scratch a the lower side, barely visible.
About the artist:
Gabriel Dauchot was born on May 10, 1927 in Livry-Gargan 4 . Supported by the encouragement of his father, an architect, and painting from the age of fourteen 5 , Gabriel Dauchot, whose admiration goes to Maurice Utrillo and Chaïm Soutine 5 , received advice in 1940 from Émile Othon Friesz and Yves Brayer at the Académie de la Grande Chaumière , then entered the École nationale supérieure des beaux-arts in 1942 . He participated in Parisian Salons from his youth and was not yet twenty when the Katia Granoff 6 gallery , then the Cardo 7 gallery , organized his first personal exhibitions.
“The winner is under thirty years old” observes Claude Roger-Marx , who does not fail to note “the atmosphere of disguise which is dear to him” as well as “the muted truculence which he gives to the opaque backgrounds where sing with distinction cold grays, greens, carmines and saffron” 8 when in 1951 the prize from the Society of Collectors and Art Lovers was awarded to Gabriel Dauchot.
Waldemar George observed in the 1950s that if "his early works were treated in a realistic style which sometimes borders on populism, the painter tries to free himself from it and reacts against a literary art...
Category
Mid-20th Century Expressionist Landscape Paintings
Materials
Oil
Still Life with Flowers and Pitcher
Located in San Francisco, CA
This artwork "Still Life with Flowers and Pitcher" c.1970 is an oil painting on canvas by German/American artist Eva Sikorski, 1917-1990. It is signed at the lower left corner by the...
Category
Late 20th Century Impressionist Figurative Paintings
Materials
Oil
Mother and Child
Located in San Francisco, CA
This artwork "Mother and Child" c.1970 is an oil painting on canvas by German/American artist Eva Sikorski, 1917-1990. It is signed at the lower left corner by the artist. The canvas...
Category
Late 20th Century Impressionist Figurative Paintings
Materials
Oil
Firenze
Located in San Francisco, CA
This artwork titled "Firenze" c. 1990 is an oil painting on canvas by noted Italian artist Lido Bettarini, 1927-2019. It is signed at the lower left cor...
Category
Late 20th Century Impressionist Figurative Paintings
Materials
Oil
Au Cafe (Three Women Sitting)
By Isaac Maimon
Located in San Francisco, CA
This artwork "Au Cafe (Three Women Sitting)" is an oil painting on canvas by noted Israeli artist Isaac Maimon, b.1955. It is signed at the lower right corner by the artist. The canvas size is 19.75 x 23.75 inches, framed size is 37.75 x 33.75 inches. It is custom framed in a gold frame, with double liner. It is in excellent condition.
About the artist:
Painting in bold colors society scenes, Isaac Maimon was born in Israel in 1951 to French-speaking parents, and in his artwork, he shows much influence of the "boulevard culture" of French society and the Paris school of art...
Category
Late 20th Century Modern Figurative Paintings
Materials
Oil
Amalfi
Located in San Francisco, CA
This artwork titled "Amalfi" c. 1990 is an oil painting on canvas by noted Italian artist Lido Bettarini, 1927-2019. It is signed at the lower right cor...
Category
Late 20th Century Impressionist Figurative Paintings
Materials
Oil
Isla d'Alba
Located in San Francisco, CA
This artwork titled "Isla d'Alba" c. 1990 is an oil painting on canvas by noted Italian artist Lido Bettarini, 1927-2019. It is signed at the lower righ...
Category
Late 20th Century Impressionist Figurative Paintings
Materials
Oil
Mujeres de Mexico
By Francisco Zúñiga
Located in San Francisco, CA
This artwork titled "Mujeres de Mexico" 1973 is an original colors lithograph on Wove paper by renown Costa Rican/Mexican artist Francisco Zuniga, 1912-1998. It is hand signed, dated and numbered XX/XXV in pencil by the artist. The artwork size is 22.25 x 30.75 inches, framed size is 34.5 x 42.25 inches. Published by Editions Press, San Francisco, with their blind stamp at the lower right corner. Referenced and pictured in the artist's catalogue raisonne by Brewster plate #5. Beautifully custom framed in a wooden gold frame, with fabric matting and gold color bevel. It is in excellent condition, the frame have some light discoloration at the left side, please see picture #1.
About the artist:
Internationally acclaimed sculptor and printmaker Francisco Zuñiga was born in Costa Rica. He studied drawing, stone sculpture, and engraving at the School of Fine Arts in San Jose. Later, in 1936, he studied stone carving at La Esmeralda in Mexico City. He was appointed to the faculty of La Esmeralda where he remained until his retirement in 1970.
Zuniga's art reflects a love and respect for Central American people and traditions. In 1972, he created his first lithograph. As a complement to his emotionally powerful sculpture, Zuniga's prints articulate the sensitivity and sensuality of the human figure. He has been the recipient of numerous international prizes and awards. His work is exhibited frequently in prominent galleries throughout the world and may be found in the permanent collections of twenty-nine museums, including the Metropolitan Museum of Art in New York, the Los Angeles County Museum, the Mexican Museum in San Francisco, and the Phoenix Art Museum.
In 1936, Francisco Zuniga left San Jose, Costa Rica, where he had studied drawing at the School of Fine Arts and worked as an assistant in his father's studio, a workshop which produced religious sculpture for the churches and convents in and around the city. His destination was Mexico City. It was from there that he would begin an illustrious career as a sculptor and draftsman. Zuñiga's exploration into the nuances of volume, in line and space, are demonstrated in this, the most complete exhibition of his work to be shown in more than a decade.
Mexico City in 1936 was, even then, one of the major art centers of the Americas. As such it witnessed and participated in many of the frenzied and controversial art movements which reflected the political and intellectual climate of the first three decades of the twentieth century. Muralism, the graphic arts, the incorporation of in-ternational movements had produced an artistic climate, which would eventually attract to Mexico international artists and intellectuals such as Sergei Eisenstein...
Category
Late 20th Century Realist Figurative Prints
Materials
Lithograph
Price Upon Request
"Madre Juchiteca" Large original color lithograph.
By Francisco Zúñiga
Located in San Francisco, CA
This artwork titled "Madre Juchiteca" 1973 is an original colors lithograph on Arches paper by renown Costa Rican/Mexican artist Francisco Zuniga, 1912-1998. It is hand signed, dated...
Category
Late 20th Century Realist Figurative Prints
Materials
Lithograph
Price Upon Request
"Silvia" Large original color lithograph
By Francisco Zúñiga
Located in San Francisco, CA
This artwork titled "Silvia" 1980 is an original colors lithograph on Wove paper by renown Costa Rican/Mexican artist Francisco Zuniga, 1912-1998. It is hand signed, dated and number...
Category
Late 20th Century Realist Figurative Prints
Materials
Lithograph
