Justine Armchairs

Set of eight armchairs, stained mahogany, leatherette, Denmark, 1960s. The model of these chairs is angular and modest as it is build up in mainly hor...

Armchair 54, Gae Aulenti, Knoll International. This piece is attributed to the designer/manufacturer shown above. It has no attribution mark Mid-Century Style, Modern Italian, Moder...

Vintage armchair by Gae Aulenti from the 1960s. The armchair has a tubular steel frame, which makes it much more stable.The armchair is upholstered in jute and its cushions are made...

A pair of armchair by unknown designer from 1960s, in style of Jean Prouvé. Arms and legs of dark stained wood with new linen cushions. A simple and fuctional design made comfortab...

A vibrant group of swiveling armchairs having organically shaped seats with their expressive original red upholstery floating on lacquered stems rising from early four-pronged bases.

Made in Czechoslovakia Made of Fabric,Wood Wood has aged patina Original condition

We are delighted to offer extremely rare and important pair of fully restored, original, Herman Miller No1 & Herman Miller Hillie circa 1958-1960 black leather and Rosewood lounge armchairs and ottomans These are pretty much the most iconic and well known armchair and ottoman ever made, exhibited countless times, displayed in the V&A, Metropolitan Museum of Art, winners of countless awards these are the simply put the finest suite around They have been on a journey, I’ve had all pieces stripped to the bare shells, the frames have been washed back and traditionally French polished, the leather all restored and hand dyed the original nero black, they are the finest example pair anywhere in the world today One suite has the black Herman Miller No1 label, the other, the earlier redish Herman Miller Hillie label Condition wise, the restoration has been done in such a way to keep all the original charm and patina but make them gallery ready, they will have age and use related patina marks here and there but mostly they are in very fine order Dimensions armchairs Height:- 80.5cm Width:- 85cm Depth:- 86.5cm Seat height:- 41cm Dimensions ottomans Height:- 42cm Width:- 65.5cm Depth:- 53.5cm Please note all measurements are taken at the widest point, MUST READ! The Eames Lounge Chair and ottoman are furnishings made of molded plywood and leather, designed by Charles and Ray Eames for the Herman Miller furniture company. They are officially titled Eames Lounge ( 670 ) and Ottoman ( 671 ) and were released in 1956 after years of development by designers. It was the first chair that the Eameses designed for a high-end market. Examples of these furnishings are part of the permanent collection of New York's Museum of Modern Art. Design Charles and Ray Eames sought to develop furniture that could be mass-produced and affordable, with the exception of the Eames Lounge Chair. This luxury item was inspired by the traditional English club chair. The Eames Lounge Chair is an icon of Modern style design, although when it was first made, Ray Eames remarked in a letter to Charles that the chair looked "comfortable and un-designy". Charles's vision was for a chair with "the warm, receptive look of a well-used first baseman's mitt." The chair is composed of three curved plywood shells covered with veneer: the headrest, the backrest and the seat. The layers are glued together and shaped under heat and pressure. The shells and the seat cushions are essentially of the same shape, and composed of two curved forms interlocking to form a solid mass. The chair back and headrest are identical in proportion, as are the seat and the ottoman. The products have changed in various ways over time. Beginning in 1956 and running through the very early 1990s, the shells were made up of five thin layers of plywood which were covered by a veneer of Brazilian rosewood. The use of Brazilian rosewood was discontinued in the early 1990s, and current production since then consists of seven layers of plywood covered by finishing veneers of cherry, walnut, palisander rosewood (a sustainably grown wood with similar grain patterns to the original Brazilian versions), and other finishes. Small changes include the sets of spacers between the aluminum spines and the wood panels, originally of rubber, later hard plastic washers, and the number of screws securing the armrests, originally three, changed to two in second-series models, while the "domes of silence" (glides/feet) on the chair base originally had thinner screws attaching them to the aluminum base than those on later chairs, and the zipper around the cushions, either brown or black on early models, was later black only. Further, early ottomans had removable rubber slide-on feet with metal glides, and early labels are of oblong foil. History The Eames Lounge Chair first...

Pair of mushroom armchairs by Pierre Paulin for Artifort 1960s.

Early pair of Charles Eames fiberglass arm shell chairs "Elephant Hyde Grey" Herman Miller. Nice original condition, retains original ...

Reinterpreting her Sgarsul rocking chair in contemporary style, Gae Aulenti created the Locus Solus Armchair, whose tubular steel frame and bright...

Art Deco, the glamorous and influential design movement that emerged in France during the early 20th century, left an indelible mark on the world of furniture design. Characterized b...