The Mannix Project Landscape Photography

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

Renowned Colorado photographer Myron Wood (1921–1999) was known for his poetic black and white images of the American Southwest. Based in Colorado Springs, Wood spent decades documen...

Mrs Hans Estin watches her children digging for clams at low tide on Black Beach, Massachusetts Bay, circa 1960 Slim Aarons Digging for Clams on Black Beach 1960 Fiber Print Estate...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

Signed print Edition 60/60 Limited edition 5x7" pigment ink prints are signed and numbered in an edition of 60 for each print. British photographer Michael Kenna’s practice is char...

'Gray Wave II' by Stuart Möller Gorgeous capture of a single wave. An exquisite Limited Edition Archival Pigment Print. Abstract seascape / landscape. Edition Size 10 Signed & N...

Vintage hand signed and stamp signed with the photographer's stamp and numbered photo of starflower. Samuel Herman Gottscho (February 8, 1875 - January 2...

Black & white vintage photo of Venice Italy in 1952 by American Abstract Expressionism artist Stanley Twardowicz (1917-2008). It depicts a reflection...

'Leaf II' Hand Signed Limited Edition Stuart Möller Beautiful Archival Pigment Print of large banana leaves. 40 x 30 inches / 101 x 76 paper size - signed and numbered by the arti...

Quiet - Limited edition pigment print - Limited Editions of 8 Field under the snow, peaceful landscape with only one tree , rural France, 2006 Signed + numbered by artist with certificate of authenticity. Archival pigment print available sizes ( Image size , the white margin is not counted): 30 x 65 cm / 11,81" x 25.59" - Edition of 8 48 x 101.6 cm / 18.89" x 40” - Edition of 8 A custom size is possible, it will be included in the nearest edition of 8 This print that is being offered is a high-quality Archival Pigment print, which has been printed on fiber-based paper. The paper used is Hahnemühle Photo Rag® Baryta 315 gsm, which is a premium quality paper that is acid-free and lignin-free. This ensures that the print will remain in pristine condition for years to come. The Hahnemühle Photo Rag® Baryta paper is a museum-quality paper that is highly resistant to aging. It is a popular alternative to analogue baryta paper, which is known for its ability to produce rich, deep blacks and vibrant colors. The Hahnemühle Photo Rag® Baryta paper is no different, as it produces stunningly vivid and lifelike prints. Overall, this Archival Pigment print is a stunning piece of art that is sure to impress. The combination of high-quality paper and inks ensures that the print will remain in pristine condition for many years, making it a great investment for any art collector or enthusiast. Sam Thomas...

Vintage hand signed and stamp signed with the photographers stamp and numbered photo of Moccasin Flower. Samuel Herman Gottscho (February 8, 1875 - January 28, 1971) was an American architectural, landscape, and nature photographer. Samuel Gottscho was born in Brooklyn in New York City. He acquired his first camera in 1896 and took his first photograph at Coney Island. From 1896 to 1920 he photographed part-time, specializing in houses and gardens, as he particularly enjoyed nature, rural life, and landscapes. After attending several architectural photograph exhibitions, Gottscho decided to perfect and improve his own work and sought out several architects and landscape architects. After twenty-three years as a traveling lace and fabric salesman, at an age when most people would have given up their youthful dreams, Gottscho became a professional commercial photographer at the age of 50. His son-in-law William Schleisner joined Gottscho in his business in 1935. During this time his photographs appeared in and on the covers of American Architect and Architecture, Architectural Record. His portraits and architectural photography regularly appeared in articles in the New York Times. His photographs of private homes in the New York and Connecticut suburbs often appeared in home decoration magazines. From the early 1940s to the late 1960s, he was a regular contributor to the Times of illustrated articles on wildflowers. the meticulous, adoring pictures of New York City architecture and interiors that he took at his creative peak in the late 1920's and early 30's are finding a new audience, placing him more firmly in the ranks of the great architectural photographers of his day, like Ezra Stoller, Julius Shulman and Ken and Bill Hedrich. the Museum of the City of New York, which has one of the largest archives of Gottscho's work, showed about 150 of his best city scenes in an exhibition called "The Mythic City: Photographs of New York...

Les Pyrénées - Limited edition pigment print - Limited Editions of 15 Mountain between France and Spain This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo ...