Kenise Barnes Fine Art Landscape Drawings and Watercolors

This is an exclusive handprinted limited edition cyanotype. "Misty Sailboat Journey" is a handmade cyanotype print portraying a daytime sailboat journey...

"Georgia O'Keeffe's Studio & Fireplace" 2020 Work on paper by Japanese artist Miki Matsuyama, from her iconic artist studio study series featuring an interiors and desert landscape. ...

'Fall Fog, Approaching'. Contemporary landscape painting, Cornwall Original Artwork, Unframed _________________ Heavy skies moving in over the autumnal landscape of West Cornwall: a ...

'Ebren Ha Dor, Shifting Sky'. Contemporary landscape painting, Cornwall Original Artwork, Unframed _________________ The dancing light and rapidly changing skies, hung high above the the landscape of West Cornwall: a harshly beautiful peninsula, jutting out into the wild tireless ocean, shaped and moulded by powerful salt laden Atlantic winds. Criss-crossed by ancient, tangled hedgerows marking the stories of the leathered, labour-roughened hands worn like the granite, coloured as the bronze bracken covered land they toiled endlessly to tame, carving spaces of sanctuary against the raw elements. A plein air painting from the series 'Ebren ha Dor' (Meaning 'Sky and Earth in Cornish). In this series, Sophia's fluid expressive style captures the immediacy of the changing light in the seasonal landscapes, whilst exploring flux and balance in the nature of all things: The freedom of the air and solidity of the soil; Of human narratives written in the wild landscapes; in the sensual interplay of light and shadow. They capture an essence of the equilibrium between wild raw energy and serene stillness; chaos and harmony; and the enduring and the effervescent. Acrylic ink on handmade rough edge watercolour paper Signed in pencil to the lower right corner 30 x 30cm / 12 x 12 inches __________________________ About The Artist Sophia Milligan is a contemporary multidisciplinary artist, exploring discourses on permanence & evanescence; the eternal, cyclical absolutes of birth & death; motherhood & childhood; and ancient immutable connections. With resonating ripples of intuition and instinct Sophia illuminates the presence of the ordinary, creating moments of sublime present. 'Born among the wild cliffs and tempestuous seas of west Cornwall, I grew with the intimate details in the twisting lanes and the intense changing light throughout the turbulent seasons. I formed a primordial connection with a deep instinctual sense of being part of the natural narrative, and wherever in the world I may be, this connectivity underpins my practice. Like the wind sculpted hawthorns and sensual coves of weather worn granite, I have been shaped by the powerful energy entwined in this ancient raw environment.’ ‘We are the stories of the journeys that came before. I weave into my work the tales of transitory circumstance; of struggle and survival; of forms and textures holding records of evolutionary millennia. I paint, I draw: with marks, mixtures, photography, words; the raw earth; the restless oceans; the whispered breeze. I work with time, and the immeasurable spaces of experience within, giving subtleties of existence a pause for contemplation. There is beauty in such poignant breaths. All moments are significant, every pebble of now forms the vast mountain of yesterday, and the great realm of tomorrow's possibilities'. Sophia has a 1st class honours Bachelor of Arts Degree in Visual Arts and World History, and a Masters Degree in Contemporary Visual Arts. Her work is held in prestigious international private collections, and exhibitions of her interactive, immersive installation, photography and mixed media works include 'Tabula Rasa', London; 'Superlative', Plymouth; 'Transition', Newlyn; The Eden Project, Cornwall; The European Parliament, Brussels; Kew Gardens, London; and 'The Cameraless Film Festival', Chicago. _________________________________ Modern . Landscape . Contemporary . landscape . Stone . Cornwall . Sky . Yellow . Blue . Green . Brown . Rural...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely with our artists to take this positive and proactive step—helping collectors across the pond continue building their collections with confidence. Shizico Yi is known for her expressive and distinctive artistic style, particularly evident in her mesmerizing ink drawings. Rather than relying on photographs, Shizico paints life as the moments unfold, capturing consecutive mornings spent with her cherished cat, Sonny in a series of paintings and postcard projects. Created plein air and in situ, these scenes unfold over consecutive mornings, with Shizico's cherished cat as the captivating focal point. Set against the backdrop their garden plants, the artwork elevates daily routines into moments of awe and tranquil reflection. Offering a portal into the serene beauty of everyday life; the interplay the comforting presence of a feline companion and the natural surroundings create a captivating narrative that elevates the ordinary to the extraordinary. This Breakfast with Cat...

'Ebren Ha Dor, September, Softening'. Contemporary landscape painting, Cornwall Original Artwork. Framed ready to hang _________________ The dancing light and rapidly changing skies,...

In Japan they are known as Nishikigoi, or living jewels. These brilliantly colored varieties of the Amur carp have been selectively bred by family owned fisheries for generations. When I began this series of Gyotaku (Japanese fish printing) I studied the many varieties of Koi, each with their own unique colors and patterns. My particular favorites are the Tanchos which can be identified by the distinct red spot on their heads. To create these pieces I print common carp I catch myself with sumi ink using traditional techniques used by Japanese fisherman dating back the mid 1800's. I then tint the images using watercolor. In each piece I hope to translate a sense of movement to give the viewer a sense of calm one might experience watching the living versions lazily meandering around a serene pond. —Jeff Conroy Several koi swim in a circle while autumn leaves fall on the surface of the water in this Gyo-tako method of painting by artist Jeff Conroy. After inking and taking impressions of the koi, the artist then uses watercolors to enhance their beauty. By using marbled mulberry paper to print on, he has created the illusion of water with the swirls of the mulberry paper. The paper itself has a soft hue and slightly wavy texture adding the overall feel of the artwork. This artwork is unframed. Contact gallery for framing options. Jeff Conroy Autumn Cotillion sumi ink and colored pencil on mulberry paper 25h x 37w in 63.50h x 93.98w cm JEC103 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression. It is the traditional Japanese method of printing fish, a practice which dates back to the mid-1800s. This form of nature printing was used by fishermen to record their catches, but has also become an art form of its own. Gyotaku is a Japanese method of printmaking that traditionally utilizes fish, sea creatures or similar subjects as printing "plates" in its process. The literal translation of the word is "fish stone rubbing...

ROBERTO NECCO, Turin 1969 SUMI- and , 2024 Painting in sumi-e ink and black suibokuga on handmade virgin Xuan paper (composed of mulberry fiber, wood and rice) artist's seal imprint...

Monotype

intaglio with a la poupée on Somerset paper, unframed, edition of 6 Please message us directly if you are interested in a framed print. Bio // Katie VanVliet is a sculptor and printmaker based in Philadelphia, PA. Found and collected objects are the main component of her work, as the drawn components of her prints and the physical components of her sculptures and installations. After studying at Moore College of Art & Design, she founded BYO Print as a collective studio with the mission to keep artists printing on their own time, within a reasonable budget. More than 30 printmakers have been involved with the shop over the years, with 15 current members. She studied with Shelley Thorstensen at Moore as well as at Printmakers' Open Forum in Oxford, PA. She occasionally teaches workshops about about using reclaimed objects effectively in an art practice. In her studio, she is interested in engaging her audience in narrative. Like many artists, she has always been a collector of things. Aside from unique curiosities, she collects leftovers of routines and rituals, and incorporates them into ongoing bodies of work, most notably, the pill project. "The Only Reason I'm Still on The Pill is for the Art Project" began in 2006, when classmates started giving her empty birth control...

Original mixed media composed of oil pastel and watercolor of the Maine coast by the Sarasota artist, Julee Docking. Circa 1970. Signed lower right. Titled verso. Condition is excellent; no issues. Provenance: A Sarasota, Florida estate. Julee Docking biography: Painter, Oil, Watercolor, Acrylic, Collage, Woodcuts, Charcoal, Mixedmedia, Sculptor, Clay, Mixed media. Born: Bethesda-Chevy Chase, Maryland Studied: Corcoran Art School-Washington DC High Museum,Atlanta ,GA and Private Lessons Taught: Painting and Sculpture in Atlanta and Sarasota Membership: National League of American Pen Women, Women's Caucus ofArt, Florida Artists Group member 1973 Petticoat Painters member 1975 Art Center Sarasota member 1972 Manatee Art Center Venice Art Center Artist Statement: I enjoy painting in all media, relying on "Chance" to help create the First Ecstatic Impression of either abstract or Realism Genres. A long time resident of Sarasota, Julee Docking has been listed in "A History of Visual Art in Sarasota" And was part of the fine Arts Society "Artist and Collectors Tour" in 1973 and again in 1988 AWARDS: Gold Medallion, Cornell Museum FL Hilton Leach...

'Beautiful Neglect' Original Artwork _____________________ A forgotten corner, sumptuous in its abundant web of life, all the more beautiful for it's neglected freedom. With roots i...