Kubisak Ceramics

Signed in ink: Ch. Catteau Marked in ink: D.1009 (design number) Incised: Grès Kéramis and 901 (shape number) Stamped: Boch F es La Louvière made in Belgium This vase displays Catte...

Enamel ceramic flower vase by Charles Catteau signed Boch La Louvière. Art Deco period. Belgium, circa 1920.

Belgian Boch Freres Keramis faience art pottery vase "Grues" depicting cranes feeding in a marsh. Tri-colored with enameled decoration of cranes and flowers amidst a buff matte terra...

Oversized vintage celadon glazed Vietnamese water jar vessel with elegant urn shape. The jade-green glaze, with its subtle crackle, exudes timeless sophistication. Versatile for indo...

A wonderfully hand-painted pair of Chinese blue & white ceramic spoons circa 1850. They bear double happiness signs and wonderful, sculptural shape. A gr...

19th century Lewis Jones Pittston PA. Fine 3-gallon blue cobalt decorated stoneware crock. Stamped with maker’s mark. Hand Brisked cobalt floral decor...

Vase made by hand in glazed ceramic with traditional motifs from southern Italy. Every item LA Studio offers is checked by our team of 10 craftsmen in our in-house workshop. Special...

A very stylish studio pottery porcelain mug decorated with columns design by Susan Parkinson for the Richard Parkinson Pottery and made between 1953 an...

A wonderful work by famed Los Angeles (Echo Park), California-based artist Peter Shire who was a founding member (along with Italian designer Ettore Sottsass and others) of The Memph...

A Classic Chinese underglaze ceramic lidded ginger jar with blue and yellow enamel painting depicting daisy chains, Lotus flowers and Dragon scenes. This is hallmarked for Jaiqing Dy...

Chinese oval flambe ginger jar with carved wood lid. Flambé ware captivates with beautiful irregularity and vibrant blue and purple tones. These strea...

Bowl by Per Hammarström, Sweden, 1980s / 1990s. Stoneware. Signed “Per.H” Measurements: H: 17.9 cm / 7" W: 25.3 cm / 10". Per Hammarström is one of Sweden’s most highly regarded ceramicists. Per’s work doesn’t conform to the Swedish style of simplicity; instead he loves colour and texture, and exploring the multi-faceted function of ceramics. Per began his training at the Gustavsbergs Porcelain Studio in 1978, which is sadly no longer in existence. In 1984 he opened his own studio in Strängnäs, and has worked in this manner ever since. Per’s work is characterised by organic forms and his own distinctive glazes, often in bright colours and strong contrasts. His work is unique, each piece starting out as a roughly thrown form, which is worked and transformed into bowls that are characterised by their delicacy and translucency. The organic form is embodied in the textured ceramics of Per. His works are either made from stoneware or porcelain. The inspiration of much of his work is the sea, but he also draws from flora and fauna; and the changing of the seasons. The undulating colours of the sea, sky and land manifest themselves in his delicately crafted and vividly coloured ceramics. Through elaborate dining-ware and ceramic ornaments...