La Galerie Cotignac Prints and Multiples
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Mid Century View of Paris - Le Pont Alexandre III et le Tour Eiffel
Located in Cotignac, FR
Mid 20th Century hand coloured lithograph of the Alexander III bridge and the Eiffel Tower by Janicotte. Signed in the plate bottom right and titled. Presented in a fine carved wood,...
Category
Mid-20th Century Landscape Prints
Materials
Ink, Watercolor
Hand Coloured 18th Century Copper engraving from "Small Riding School" No 32
Located in Cotignac, FR
Mid 18th century hand coloured copper plate engraving of an equestrian subject by Johann Elias Ridinger. Initial signed 'in the plate' bottom right. Presented in a fine gilt wood fra...
Category
Mid-18th Century Rococo Animal Prints
Materials
Ink, Watercolor
Hand Coloured 18th Century Copper engraving from "Small Riding School" No 26
Located in Cotignac, FR
Mid 18th century hand coloured copper plate engraving of an equestrian subject by Johann Elias Ridinger. Initial signed 'in the plate' bottom right. Presented in a fine gilt wood fra...
Category
Mid-18th Century Rococo Animal Prints
Materials
Ink, Watercolor
Two Hand Coloured 18th Century Engravings from "Small Riding School" No 26 & 32
Located in Cotignac, FR
Two Mid 18th century hand coloured copper plate engravings of equestrian subjects by Johann Elias Ridinger. Initial signed 'in the plate' bottom right. Presented in fine gilt wood fr...
Category
Mid-18th Century Rococo Animal Prints
Materials
Watercolor, Ink
Mid-Century Original Printed Menu, Transatlantic French Line, 'Ile de France'.
Located in Cotignac, FR
Mid-century French transatlantic liner menu with printed illustration by French artist Jean Adrien Mercier. Signed in the print, top left and dated 1956 inside centre.
This highly c...
Category
Mid-20th Century Baroque Figurative Prints
Materials
Paper, Printer's Ink
Mid-Century Original Printed Menu, Transatlantic French Line, 'Ile de France'.
Located in Cotignac, FR
Mid-century French transatlantic liner menu with printed illustration by French artist Jean Adrien Mercier. Signed in the print, top left and dated 1956 inside centre.
This highly c...
Category
Mid-20th Century Modern Figurative Prints
Materials
Paper, Printer's Ink
Piranesi, Hand Coloured Period Engraving, Vue d'un Superb Palais de Rome
By Giovanni Battista Piranesi
Located in Cotignac, FR
A fine hand coloured 18th Century engraving after the original by Piranesi (Rome 1743), published by Danisy, Paris. Presented in period gold leaf frame, under glass.
Piranesi was born in Venice, in the parish of S. Moisè where he was baptised. His father was a stonemason. His brother Andrea introduced him to Latin literature and ancient Greco-Roman civilization, and later he was apprenticed under his uncle, Matteo Lucchesi, who was a leading architect in Magistrato delle Acque, the state organization responsible for engineering and restoring historical buildings.
From 1740, he had an opportunity to work in Rome as a draughtsman for Marco Foscarini, the Venetian ambassador of the new Pope Benedict XIV. He resided in the Palazzo Venezia and studied under Giuseppe Vasi, who introduced him to the art of etching and engraving of the city and its monuments. Giuseppe Vasi found Piranesi's talent was much greater than that of a mere engraver. According to Legrand, Vasi told Piranesi that "you are too much of a painter, my friend, to be an engraver."
After his studies with Vasi, he collaborated with pupils of the French Academy in Rome to produce a series of vedute (views) of the city; his first work was Prima parte di Architettura e Prospettive (1743), followed in 1745 by Varie Vedute di Roma Antica e Moderna.
From 1743 to 1747, he was mainly in Venice where, according to some sources, he often visited Giovanni Battista Tiepolo, a leading artist in Venice. It was Tiepolo who expanded the restrictive conventions of reproductive, topographical and antiquarian engravings. He then returned to Rome, where he opened a workshop in Via del Corso. In 1748–1774, he created an important series of vedute of the city which established his fame. In the meantime Piranesi devoted himself to the measurement of many of the ancient buildings: this led to the publication of Le Antichità Romane de' tempo della prima Repubblica e dei primi imperatori ("Roman Antiquities of the Time of the First Republic...
Category
Late 18th Century Baroque Landscape Prints
Materials
Paper, Ink, Watercolor
(創作版画 Mid-Century Japanese Coloured Woodblock Print. Ploughing the Fields.
Located in Cotignac, FR
Mid-Century coloured woodblock print of 'ploughing the fields' by 20th century Japanese artist Ini Kumo. The print is hand-signed in pencil, dated 1966 and numbered 130/700 to the bottom right and presented under glass in a black wooden frame.
A beautiful woodblock printed image of a Japanese farmer in traditional attire ploughing the land with his ox. It is early evening and as the sun goes down it casts long shadows in front of the two figures. Perhaps the farmer is on his way back to the houses grouped in the distance already in shadow. The artist has carefully picked out areas of vibrant green and blue to give energy and colour to the image which contrast against the black of the ox.
A thoroughly enchanting image.
Ini Kumo is a recognised Sõsaku-hanga artist. His work is included in the Metropolitan Museum of Art in New York.
Sōsaku-hanga (創作版画, "creative prints") was an art movement of woodblock printing which was conceived in early 20th-century Japan. It stressed the artist as the sole creator motivated by a desire for self-expression, and advocated principles of art that is "self-drawn" (自画 jiga), "self-carved" (自刻 jikoku) and "self-printed" (自摺 jizuri). As opposed to the parallel shin-hanga ("new prints") movement that maintained the traditional ukiyo-e collaborative system where the artist, carver, printer, and publisher engaged in division of labor.
The birth of the sōsaku-hanga movement was signaled by Kanae Yamamoto...
Category
Mid-20th Century Edo Landscape Prints
Materials
Ink, Paper
Constructivist Abstract Lithograph From Album MA 1921
By Sándor Bortnyik
Located in Cotignac, FR
A folio sheet from the Album MA by Sándor Bortnyik. Signed in pencil by the artist bottom right, numbered in pencil bottom left, number 50 from the edition of 140. Presented in plain...
Category
Late 20th Century Abstract Abstract Prints
Materials
Paper, Lithograph
Avant Garde Surrealist Abstract Female Nude Signed Limited Edition Lithograph
By Wilhelm Freddie
Located in Cotignac, FR
Avant-garde female nude lithograph on paper by Danish artist Wilhelm Freddie. Number 80 from an edition of 170. Signed, dated and titled in pencil bottom left, numbered in pencil bot...
Category
Late 20th Century Surrealist Figurative Prints
Materials
Lithograph, Paper
Set of Four, Early 19th Century Hand Coloured Engravings, Horses and Carriages
Located in Cotignac, FR
Set of four early 19th century English hand coloured caricature engravings of horses and carriages by S and J Fuller. Presented in period plain wood frames under glass.
A charming s...
Category
Early 19th Century English School Animal Prints
Materials
Paper, Ink
Pop Art, Rare Hand Signed Limited Edition, 'Pot au Feu'
Located in Cotignac, FR
A fine limited edition signed lithograph, 'Pot au Feu' by British artist Glynn Boyd Harte. The work is signed in pencil by the artist bottom right and numbered 12/125 (number 12 of 125) in pencil bottom left. Presented in a metal and wood frame under glass.
A fantastic colourful and amusing view of a group of ingredients for a 'pot au feu' (a traditional French stew) as well as a box of candied (glacé) fruits and a map of Paris and its suburbs all presented on a bright pink checked table cloth. Boyd Harte always brought an enormous amount of humour to his paintings and compositions, there are wonderful details and 'jokes' hidden in the details. A really wonderful work ideal for a kitchen or anywhere else it can be seen and admired in detail.
Glynn Boyd Harte 1948-2003 was an artist, illustrator, author, composer & pianist educated at St.Martin's School of Art and the Royal College of Art.
"Glynn Boyd Harte was one of the most brilliant and influential illustrators and painters to emerge in the post pop world of London in the early 1970s" (The Guardian, London)
Harte was born in Rochdale, his father Herbert worked as a commercial artist and later teaching. Harte always maintained that print was in his blood, his grandfather being a printer by trade and his earliest memory being a garden path made from lithograph stones. He was educated at Rochdale Grammar School, before progressing to the Rochdale School of Art. He later transferred to St Martin's School of Art, where tutor Fritz Wegner encouraged him to move from black and white to colour. He would later join the Royal College of Art in 1970 where his tutors were Brian Robb, Edward Bawden, Paul Hogarth...
Category
Late 20th Century Still-life Prints
Materials
Lithograph
Mort de l'Amour, Series of 8 Erotic Limited-Edition Wood Engravings.
By André Rouveyre
Located in Cotignac, FR
A set of 8 erotic early 20th Century wood engravings on arches paper, a limited edition, number 241 of 1000, by Andre Rouveyre. Produced by Kauffmann on...
Category
1910s Art Nouveau Nude Prints
Materials
Paper, Ink
The Harvest, Cherubs Disporting with a Goat, Fine Framed 18th Century Engraving
By Jean Jacques Lagrenée the Younger
Located in Cotignac, FR
Fine 18th century engraving by French artist Jean-Jacques Lagrenée. Presented with hand cut mount and gilt filet in fine wood and gilt 'ribbon and reed' frame.
Very charming renditi...
Category
Mid-18th Century Figurative Prints
Materials
Paper, Printer's Ink
'Chamonix' Mid-Century Hand Signed Original Lithograph.
By Joan Gardy Artigas
Located in Cotignac, FR
Mid-Century original lithograph entitled " Chamonix " hand signed by Joan Gardy Artigas and numbered 12/75 on arches vellum rag paper from the 1966-70 edition. Presented in period 19...
Category
Mid-20th Century Abstract Figurative Prints
Materials
Printer's Ink, Rag Paper, Lithograph
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