L'Art More Candle Holders

Pair of elegant pewter candlesticks by Niels Fougstedt. Clean cut lines and decorative details.

Sculptural organically shaped candlesticks in solid brass. They have an almost fluid shape. Unknown Danish maker circa 1960s-70s in a style reminiscent of Pierre Forsell, Henning Kop...

Brass hammered candleholder for 4 candles, circa 1950s Original condition.

Unique candleholder from the mid-century modern design era. Produced in Czechoslovakia in 1970s. The holder is made of mainly copper with two brass rods going through the design. Bea...

Rare candlestick designed by Josef Frank. Produced by Svenskt Tenn in Sweden.  

The Brick votive from Kosta Boda has a square shape inspired by something so simple: a brick. Its style, which is created through the separation of color in the votive holder, gives ...

Pierre Forssell - 3 Brass Star Candleholders for Skultuna, Sweden, 1960s Maker's mark and signature on bottom. Pierre Forsell (1925 - 2004) grew up in central Stockholm. He was...

Candelabra designed by Erik Höglund. Made by hand in iron at Boda smide and clear glass prisms from Boda glass. Three arms and six glass shards. Very good vintage condition with ligh...

A beautiful brass candle holder with amazing patina. Designed by Josef Frank in 1938 and made by Firma Svenskt Tenn, Stockholm, Sweden. Excellent condition. Architect and designe...

A beautiful three glass votive candleholder in hand hammered iron by Erik Hoglund for Kosta Boda, circa 1960s. The piece is in very good vintage condition with no chips or cracks to...

Beautiful candelabra by Erik Höglund, made from wrought iron and glass. The rustic iron stem is adorned with four pear shaped glass medallions that bring rain drops on a bare tree to mind. Fits regular candles. Erik Höglund was one of Sweden’s foremost glass artists, whose innovative designs and glass making techniques revolutionized the scene of both art glass and serve ware in the 1950s. His bold and personal designs gave him and the glassworks Boda worldwide acclaim. Erik Höglund is considered the most influential Swedish glass artist of the 1950s and 1960s, alongside Ingeborg Lundin. Höglund was admitted to the prestigious school Konstfack at the age of 16, first studying to become an art teacher, but later changing to the sculptor’s line. He rebelled against many of what he considered to be conventional ideas at the school, and was almost expelled. His nonconformism would follow him through his career, aiding him in following his own path and repeatedly breaking new ground. Erik Höglund started working at Boda glassworks in 1953. At the time, Boda focused on producing high-quality serve ware in ethereal, cut-glass designs under the direction of Fritz Kallenberg. Höglund brought new perspectives and ideas, experimenting with the glass mass to give it a bubbly look and introducing colored glass and irregular finishes. These ideas were in direct opposition to the traditional ideas of what quality glass is, and Höglund was initially met with skepticism. He created rustic designs that allowed for everyday, multiple uses of glass, allowing it to be both functional and aesthetic. This down-to-earth IDEA appealed to both critics and collectors, although it took some years into the 1950s to win over the general public. In 1955, Erik Höglund’s glass was presented at the H55 Exhibition and one of his vases, whilst considered scandalous due to its suggestive decor, was purchased by the Swedish king. In 1957 he was awarded the Lunning Prize, its until then youngest awardee. Following that, his glass was exhibited in the Georg Jensen store on 5th Avenue in New York, making Erik Höglund and Boda world renowned. Erik Höglund was a master of all artistic trades. His glass murals...

Candlestick (the knot of friendship) in brass designed by Josef Frank. Produced by Svenskt Tenn in Sweden.