JAD Antiquités Décoration Sculptures and Carvings

A sublime and rare pair of Chinese white glazed porcelain figures of Guanyin, attributed to Tang Ying (1682 - 1756), Qing Dynasty, Qianlong Period, China. This ethereal pair of white glazed porcelain figures depict the revered Buddhist Goddess of Mercy, Guanyin. Guanyin is portrayed standing, wearing heavy robes that drape beautifully around her figure. Bare feet peek out from under the hem of the robes. Her hair piled in a high chignon and covered by a cowl. The treatment of the hair, finely textured, unglazed, and with remnants of darker pigment, is typical of works by Tang Yin (1682 - 1756), who was the head of the imperial porcelain works at Jingdezhen. Guanyin's beatific face is set in a serene smile, with a small, flat nose, and downcast, heavily lidded, almond shaped eyes. A simple beaded necklace graces her chest. Her hands held out, and may have once held attributes. The hands were originally removable, but have since been permanently attached. The figures crafted of a fine porcelain and glazed all over in a supple white glaze. One figure bears a label from the Rafi Mottahedeh collection to the back. Provenance: Chinese Porcelain Company...

A fantastic piece. Wonderfully glazed and colored work of a seated man with brightly colored robes riding a mythical galloping horse. We believe this is Qing Dynasty (1644-1912) ...

19th century Chinese lacquer gaming box from the Qing Dynasty. Black and golden drawing by hand with 3 gaming lacquer boxes, in very good ...

A Chinese Qing Dynasty period carved stone foo dog guardian lion from the 19th century, on square base. Created in China during the Qing Dynasty, this st...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...

A bespoken Japanese historical hat known as Jinggasa (militant hat) that was worn by samurai in Edo period (1603-1868) circa 18-19th century. There were several subtypes of Jingasa a...

A Thai bronze head of the Buddha. Sukothai period, late 16th-early 17th century. His face with serene expression, arched eyebrows above incised eyes a...

Antique 18th century export Chinese lacquer gaming box with hand painted scenes gilt export black lacquer, there are 7 gaming boxes and 12 trays, size: ...

A petite Chinese Ming dynasty green glazed terracotta court official figurine from the 15th or 16th century, with original polychromy. Attracting our eye with its vibrant polychromy,...

An attractive carved wood figure of the Bodhisattva Avalokiteshvara, known as Guanyin in China, late Ming Dynasty, early 17th century, China. Guanyi...

A Chinese Ming Dynasty period (1368 - 1644) hand-carved stone Foo Dog guardian lion sculpture depicting a male placing his paw atop a ball. Created in Ch...

A fantastic pair of large Chinese tileworks sancai glazed Buddhistic lions and attendants, late Ming Dynasty, first half of the 17th century, Shanxi, China. Presented on custom 20th century wood and lacquer table-form stands. This pair of lions and attendants portray Buddhist lions...