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Leighton Fine Art Ltd Figurative Drawings and Watercolors

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Portrait of Berthe Lipchitz - Modern Portrait Pencil Drawing - Amedeo Modigliani
By Amedeo Modigliani
Located in Marlow, Buckinghamshire
Signed pencil on paper portrait drawing by Italian artist Amedeo Clemente Modigliani. The portrait is of Berthe Lipchitz who was the wife of Modigliani's friend, the sculptor Jacques...
Category

1910s Modern Portrait Drawings and Watercolors

Materials

Paper, Pencil

Sur la plage de Deauville - Impressionist Figurative Watercolor by Eugene Boudin
By Eugène Louis Boudin
Located in Marlow, Buckinghamshire
Signed watercolour on paper landscape circa 1865 by French impressionist painter Eugene Boudin. This work depicts an artist painting a portrait of an elegant couple on the beach at D...
Category

1860s Impressionist Figurative Drawings and Watercolors

Materials

Paper, Watercolor

Le Lever - Impressionist Figures in Interior Pastel by Jean Louis Forain
By Jean Louis Forain
Located in Marlow, Buckinghamshire
Signed impressionist figurative pastel on board circa 1895 by sought after French impressionist painter Jean Louis Forain. The piece depicts a man asleep in a bed while a woman stands at the foot of the bed getting dressed. The room is dimly lit by the bedside lamp. Signature: Signed upper right Dimensions: Framed: 22"x26" Unframed: 15"x19" Provenance: Galerie Jean-Claude Bellier Jean Forain was the son of a painter and decorator and was apprenticed to a visiting card engraver. He studied briefly under Gérôme and Carpeaux at the École des Beaux-Arts in Paris and regularly visited the Louvre, where he copied works by the masters. It is said that for a time he made a precarious living by selling small drawings in the style of Grévin. He went on to collaborate on various publications as a draughtsman and columnist, starting in 1876 on La Cravache and then collaborating on the newspapers Le Journal Amusant, Le Figaro and L'Écho de Paris. This introduced him to the diverse worlds of Paris society - the world of the theatre, of shows, and of literature - where he wryly noted the habits and shortcomings particular to each. This led him to follow a route very characteristic of this period, already seen in the work of Steinlen, Caran d'Ache and Toulouse-Lautrec in the journals La Pléiade, La Vogue and La Revue Blanche. His work draws a picture of the society of the period, not in a strictly imitative fashion but in the form of the 'dessin-charge' or mild caricature. In 1880 he illustrated Parisian Sketches...
Category

Late 19th Century Impressionist Figurative Paintings

Materials

Pastel, Board

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