Lemon Chairs

Incredible wood and woven chair by Charles Dudouyt from France 1950's. Solid and chunky tapered legs with beautiful wavy carved wood back and large wood ball details. Original woven ...

Chair made of solid oak (+ linseed oil) (Outdoor use OK) Dimensions: H. 82 x 48 x 48 cm (SH 45 cm) Warm furniture’s made by Russian designer Denis Milovanov from "Soha" studio. Sim...

Willy Van Der Meeren for Tubax, chairs, metal, oak, Belgium, 1957. This pair of industrial chairs is designed by the Belgian designer Willy ...

Afra & Tobia Scarpa "Africa" dining chairs for Maxalto, reddish brown leather, walnut and burl, Italy, 1975 Originally hand finished and assembled one-by-one, "Africa" presents a su...

Pair of compas counter stools or high chairs, wood and rope. In the mood of Pierre Jeanneret, Chandigarh, Le Corbusier, Jean Prouvé, Charlotte Perriand, Gio Ponti, Osvaldo Borsani.

Afra & Tobia Scarpa "Africa" dining chairs for Maxalto, black leather, walnut and burl, Italy, 1975, set of two. Originally hand finished and assembled one-by-one, "Africa" present...

Contemporary Black Stool in Iroko Wood, Senufo by Arno Declercq Material: Iroko Wood and Burned Steel Dimensions: Dimensions: 50 cm H x 30 cm W Made by hand, in Belgium. Arno Decl...

Set of two stools with three legs entirely realized in black stained wood, designed in the style of Charlotte Perriand and manufactured in the 1950s. Charlotte Perriand (1903-1999) is one of the most important female furniture designers of the mid 20th century. As early as 1927 Perriand produced a number of critically acclaimed innovative pieces of metal furniture, which drew the attention of Le Corbusier and Pierre Jeanneret. The result was the beginning of a work relationship that lasted many years. At Le Corbusier’s studio Charlotte Perriand developed a series of tubular steel chairs, among them the famous adaptable chaise longue, which was produced by Thonet two years later. Perriand’s work continued to evolve and in the mid 1930s, she started to experiment with natural materials such as wood and cane. She traveled to Japan in 1940 as an official advisor on industrial design to the Ministry for Trade and Industry to advise the government on how to raise standards of design in order to develop products for export to the West. Perriand adapted local techniques of woodwork and weaving - straw, bamboo and twigs becoming her materials of choice. It was especially after World War II, when Charlotte Perriand developed a new concept for the way of living by increasingly integrating the human dimension into her productions. Through flexible use of materials she achieved recognition with her pure and powerful style – as exemplified in her free form massive wood table models. Conscious of economic and social realities, she decided to opted upon large-scale production, and finding a new synthesis between tradition and industry. “Always concerned with innovation rather than trying to affirm a formula for renovation”, she designed various housing developments such as the Unité d’Habitation in Marseilles, with Le Corbusier in 1949, as well as rooms at the International Students’ Residence in Paris in 1953. Included was a library built in...

Incredible wood and woven chair by Charles Dudouyt from France 1950's. Solid and chunky tapered legs with beautiful wavy carved wood back and large wood ball details. Original woven ...

Afra & Tobia Scarpa "Africa" dining chairs for Maxalto, black leather, walnut and burl, Italy, 1975, set of six. Originally hand finished and assembled one-by-one, "Africa" present...

Member of one of the most exquisite gentlemen’s clubs in London, the Brook’s, Spencer Cavendish has the distinction of having served as leader of three political parties. The 8th Duke of Devonshire...

Inspired by the noble praying mantis, the signature stance and powerful limbs of this chair offers a study in contrasts. Strong and elegant, sharp and curved, thick and thin, the Mantis is sturdy and solid, yet visually light. Designer Craig Bassam conceived the chair to be a new American Classic, an object that possessed measurable gravitas and wasn’t overly indebted to the Classic dining chairs associated with midcentury Europe. From certain angles, the Mantis chair...