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31
"Amboseli Elephants" Larry Rivers, Pop Art Sculpture, Blue Sky, Animal Herd
By Larry Rivers
Located in New York, NY
Larry Rivers Amboseli Elephants, 1968 Metal with airbrushing, acrylic 26 x 36 x 5 1/4 inches Provenance Private Collection, New York. C. 1970 Estate of the above, 2025 Born in Aug...
Category

1960s Pop Art Figurative Sculptures

Materials

Metal

"Untitled" Beverly Pepper, Ultra Marine Blue and Steel Architectural Sculpture
By Beverly Pepper
Located in New York, NY
Beverly Pepper Untitled "BP" monogram stamped on the base Stainless steel and enamel 6 x 6 3/4 x 3 1/8 inches Born in 1922 in Brooklyn, Pepper trained to as a painter with Fernand ...
Category

1960s American Modern Abstract Sculptures

Materials

Enamel, Stainless Steel

"Untitled" David Hare, Surrealist, Anthropomorphic, Modernist, Ab-Ex Sculpture
By David Hare
Located in New York, NY
David Hare Untitled, circa 1949 Bronze 25 x 8 x 7 inches Provenance Kootz Gallery, New York Collection of Samuel Kootz New York Estate of the above Collection of Dr. Joyce Kootz, Ne...
Category

1940s Surrealist Abstract Sculptures

Materials

Bronze

"Middle White Sow (Wharfedale Royal Lady)" Herbert Haseltine, Pig, Farm Animal
Located in New York, NY
Herbert Haseltine Middle White Sow (Wharfedale Royal Lady), 1925 Polished bronze with opaque ochre patina 4 ⅛ x 8 ⅛ x 3 ⅝ inches Period speckled Belgian marble base: 1 ½ x 7 x 3 inch...
Category

1920s Realist Figurative Sculptures

Materials

Bronze

"Young Woman Nude" Warren Wheelock, Art Deco, Modernist Female Sculpture Form
By Warren Wheelock
Located in New York, NY
Warren Wheelock Untitled (Young Woman Nude), 1924 Incised signature and date to edge of base "© 1924 by Warren Wheelock" Bronze Sculpture: 20 h × 4½ w...
Category

1920s Art Deco Figurative Sculptures

Materials

Bronze

"Tea Cup" Mary Caroline Richards, Black Mountain College, Modernist Pottery
Located in New York, NY
Mary Caroline Richards Tea Cup, circa 1970s Glazed earthenware 2 1/2 x 2 1/2 inches Provenance Estate of Carolyn Brown, New York 2025. Mary Caroline (M. C.) Richards (1916 – 1999)...
Category

1970s Modern Abstract Sculptures

Materials

Ceramic, Glaze

"Vase" Mary Caroline Richards, Modernist, Hand-made, Black Mountain College
Located in New York, NY
Mary Caroline Richards Vase, circa 1970s Glazed earthenware 4 1/2 x 5 inches Provenance Estate of Carolyn Brown, New York 2025. Mary Caroline (M. C.) Richards (1916 – 1999) was bo...
Category

1970s Modern Abstract Sculptures

Materials

Ceramic, Glaze

"Ribbed Vase" Mary Caroline Richards, Black Mountain College Artist, Pottery
Located in New York, NY
Mary Caroline Richards Ribbed Vase, circa 1970s Glazed earthenware 4 1/2 x 6 inches Provenance Estate of Carolyn Brown, New York 2025. Mary Caroline (M. C.) Richards (1916 – 1999)...
Category

1970s American Modern Abstract Sculptures

Materials

Ceramic, Glaze

"Untitled (Bookends)" Steven Wolfe, Illusionistic Book Sculpture, Trompe-l'oeil
Located in New York, NY
Steven Wolfe Untitled (Bookends), 1990 Stamped: SW 1990 2/3 Painted Bronze 6 1/4 x 7 x 4 inches Edition 2/3 Steven Wolfe crafted sculptures and drawings of remarkable skill and vis...
Category

1990s Contemporary Figurative Sculptures

Materials

Bronze

"Aim I" Alexander Liberman, Bright Red, Large Modernist Metal Sculpture
By Alexander Liberman
Located in New York, NY
Alexander Liberman Aim I, 1980 Painted aluminum 83 high x 26 wide x 26 deep inches Edition of 15 Regarded as a groundbreaking Minimalist artist, Alexander Liberman created pieces t...
Category

1980s Minimalist Abstract Sculptures

Materials

Metal

"Make 300 Holes with Any Implement: This Is My Gift" Takako Saito, Concept Art
Located in New York, NY
Takako Saito Make 300 Holes with Any Implement: This Is My Gift , 1965 Wood box containing wood frame with paper and stamped ink 3 3/8 × 3 3/8 × 1 1/4 Takako Saito is a Japanese ar...
Category

1960s Conceptual Abstract Sculptures

Materials

Wood, Paper, Ink

"Secret Santa" Takako Saito, Fluxus Movement Conceptual Construction, Sculpture
Located in New York, NY
Takako Saito Secret Santa , 1965 Stamped inscribed in pen recipients name Wood construction 1 1/2 x 1 1/4 x 1 1/4 inches Takako Saito is a Japanese artist closely associated with F...
Category

1960s Conceptual Abstract Sculptures

Materials

Wood

"Mystery Box (Boîte mystère)" Ben Vautier, Fluxus Movement Conceptual Sculpture
By Ben Vautier
Located in New York, NY
Ben Vautier Mystery Box (Boîte mystère), 1965 Painted wood with letterpress label 3 13/16 × 2 3/4 × 2 7/16 inches Ben Vautier was a French artist known for his text-based paintings...
Category

1960s Conceptual Abstract Sculptures

Materials

Wood, Paper

"Tapisseries du Vent" Sheila Hicks, 1973 Gold Weaving, Textile Tapestry
By Sheila Hicks
Located in New York, NY
Sheila Hicks Tapisseries du Vent, 1973 Signed on the reverse Synthetic raffia weaving with Lucite rods 56" high x 34ʺ wide x 6ʺ deep Sheila Hicks was born in Hastings, Nebraska, an...
Category

1970s Abstract Abstract Sculptures

Materials

Textile, Synthetic

"Monument 8" Calvin Marcus, Mixed Media Construction Contemporary Sculpture
Located in New York, NY
Calvin Marcus Monument 8, 2018 Wood, glass, hot glue, cardboard, plastic, paper pulp, sulfur, ash, gesso, Cel-Vinyl, flashe, watercolor and other media sculpture 22" high x 13 1/4" w...
Category

2010s Contemporary Figurative Sculptures

Materials

Glass, Plastic, Wood, Paper, Glue, Mixed Media, Watercolor, Cardboard

"Montage" Charles Green Shaw, Antique Playing Cards and Pipe Montage
By Charles Green Shaw
Located in New York, NY
Charles Green Shaw Montage, circa 1935 Labeled on verso Pipes, antique playing cards 19 x 16 inches Charles Green Shaw, born into a wealthy New...
Category

1930s American Modern Mixed Media

Materials

Mixed Media

"Have a Nice Day" Al Loving, Abstract Expressionist Colorful Mailbox Sculpture
By Al Loving
Located in New York, NY
Al Loving Have a Nice Day, 1992 Mailbox, acrylic paint, rag paper 8 1/2 inches high x 6 1/2 inches wide x 18 3/4 inches deep Al Loving studied painting at the University of Illinoi...
Category

1990s Abstract Expressionist Abstract Sculptures

Materials

Metal

"Poodles: Nora and Sheila" Herbert Haseltine, Bronze Dogs Animals Sculpture
Located in New York, NY
Herbert Haseltine Poodles: Nora and Sheila, 1944, cast 1945 Signed and dated on base Bronze with green patina 11 inches high x 17 inches wide x 6 inc...
Category

1940s Realist Figurative Sculptures

Materials

Bronze

"Kinetic Sculpture" Roger Phillips, 1985 Rotating Blue Constructivist Sculpture
By Roger Phillips
Located in New York, NY
Roger Phillips Kinetic Sculpture Painted iron and aluminum on walnut plinth base 44 1/2 inches high x 13 inches wide x 7 3/4 inches deep oger Phillips was born in New York City in ...
Category

1980s Constructivist Abstract Sculptures

Materials

Enamel, Iron

"Jules Bastien LePage" Augustus Saint-Gaudens, Bas Relief of French Painter
By Augustus Saint-Gaudens
Located in New York, NY
Augustus Saint-Gaudens Jules Bastien LePage Bronze 14 1/4 x 10 1/8 inches Augustus Saint-Gaudens was born in 1848 in Dublin, Ireland. His father, Bern...
Category

1880s Realist Figurative Sculptures

Materials

Bronze

"Sudbourne Premier: Suffolk Punch Stallion" Herbert Haseltine, 1927 Bronze
Located in New York, NY
Herbert Haseltine Sudbourne Premier: Suffolk Punch Stallion, 1927 Signed left side: © HASELTINE / MCMXXVII Bronze, dark brown patina, parcel gilding ...
Category

1920s Realist Figurative Sculptures

Materials

Bronze

"Reclining Woman" Karl Bitter, Reclining Woman with Reddish Patina
Located in New York, NY
Karl Bitter Reclining Woman, 1897 Signed: Bitter 97 Stamped: GORHAM M F G CO. Bronze 10.25 x 10.25 x 4 inches Initially from Vienna, Karl Bitter first studied art at the city’s Kunstgewerbeschule and the Kunstakademie before being drafted into the Austrian army. He deserted his position in the military while on leave, and departed for New York City where he would discover considerable success. Early on, he won a competition for the Astor memorial bronze gates at Trinity Church, which awarded him enough capital to open his own studio. He went on to execute sculptures of Alexander Hamilton and Thomas Jefferson at the Cuyahoga Courthouse in Cleveland; he also created portraits of Jefferson for the state of Missouri and the University of Virginia. These commissions caught the attention of sculptor Richard Morris Hunt (who famously designed the façade of the Metropolitan Museum), earning Bitter the duty of producing the portrait medallions that now appear near the top of the museum’s grand face. Notably, he presented at Chicago’s 1893 World’s Columbian Exposition and directed the Pan-American Exposition in Buffalo in 1901. Over his career, his artwork became more flexible – his early academy training is easily identifiable within his work, but after moving to America, conventions of Modernism became more prevalent within his sculpture. In addition to many awards, Bitter presided over the National Sculpture Society in 1906-1907, and was a member of the National Institute of Arts and Sciences, the National Academy of Design, the American Academy of Arts and Letters, the Architectural League, and the Art Commission, New York. His public work can be found at the Biltmore Estate, Asheville, NC; Gettysburg National Military Park, Gettysburg, PA; Wisconsin State Capitol, Madison, WI; United States Naval Academy...
Category

1890s Realist Figurative Sculptures

Materials

Bronze

"Dancer" David Hare, Male Nude, Figurative Sculpture, Mid-Century Surrealist
By David Hare
Located in New York, NY
David Hare Dancer, circa 1955 Bronze with integral stand 68 high x 17 wide x 13 1/2 deep inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...
Category

1950s Abstract Figurative Sculptures

Materials

Bronze

"Untitled" Sidney Gordin, Abstract Metal Steel Sculpture
By Sidney Gordin
Located in New York, NY
Sidney Gordin Untitled, 1958 Incised with initials Welded Steel 15 x 10 1/2 x 6 inches Provenance: Eric Firestone Gallery, New York On October 24, 1918, Sidney Gordin was born in Chelyabinsk, Russia. He spent his early years in Shanghai, China. At the age of four, he moved with his family to New York. Gordin’s nephew, Eliot Nemzer recalls that when Gordin was a child he attended “a dinner party with his parents. Someone showed him a book of pictures that when thumbed through quickly made the image appear to move. This person then gave him a wad of blank papers and something to write with. Sid created a similar type of moving image with his materials. All the adults at the party became quite excited [and] praised his efforts. Sid told me he thought this was a pivotal experience in guiding him towards his vocation.” During his formative years at Brooklyn Technical High School, he briefly contemplated the idea of becoming an architect; yet, by the time he enrolled at Cooper Union, he was determined to become a professional artist. There, he studied under Morris Kantor (1896-1974) and Leo Katz...
Category

1950s Abstract Abstract Sculptures

Materials

Steel

"Hitch Hiked" Hayward Oubre, Painted Wire Sculpture, Southern Black Artist
Located in New York, NY
Hayward Oubre Hitch Hiked, 1960 Signed on Base: OUBRE 60 Painted wire sculpture 45 H. x 21 W. x 19 D. inches Provenance: Estate of the Artist Deeply at...
Category

1960s Figurative Sculptures

Materials

Wire

"The Trap" Hayward Oubre, Painted Wire Sculpture, Black Artist
Located in New York, NY
Hayward Oubre The Trap, c. 1960 Painted wire sculpture 40 H. x 16 1/2 W. x 21 D. inches Provenance: Estate of the Artist Deeply attached to his Souther...
Category

1960s Figurative Sculptures

Materials

Wire

"Untitled, " Seymour Fogel, Geometric Abstraction, Texas Hard-Edge
By Seymour Fogel
Located in New York, NY
Seymour Fogel Untitled Oil on illustration board construction 10 x 7 1/2 inches Provenance: Estate of the artist Charles and Faith McCracken Larry and Trish Heichel Private Collection Seymour Fogel was born in New York City on August 24, 1911. He studied at the Art Students League and at the National Academy of Design under George Bridgeman and Leon Kroll. When his formal studies were concluded in the early 1930s he served as an assistant to Diego Rivera who was then at work on his controversial Rockefeller Center mural. It was from Rivera that he learned the art of mural painting. Fogel was awarded several mural commissions during the 1930s by both the Works Progress Administration (WPA) and the Treasury Section of Fine Arts, among them his earliest murals at the Abraham Lincoln High School in Brooklyn, New York in 1936, a mural in the WPA Building at the 1939-1940 New York World's Fair, a highly controversial mural at the U.S. Post Office in Safford, Arizona (due to his focus on Apache culture) in 1941 and two murals in what was then the Social Security Building in Washington, D.C., also in 1941. Fogel's artistic circle at this time included Phillip Guston, Ben Shahn, Franz Kline, Rockwell Kent and Willem de Kooning. In 1946 Fogel accepted a teaching position at the University of Texas at Austin and became one of the founding artists of the Texas Modernist Movement. At this time he began to devote himself solely to abstract, non-representational art and executed what many consider to be the very first abstract mural in the State of Texas at the American National Bank in Austin in 1953. He pioneered the use of Ethyl Silicate as a mural medium. Other murals and public works of art done during this time (the late 1940s and 1950s) include the Baptist Student Center at the University of Texas (1949), the Petroleum Club in Houston (1951) and the First Christian Church, also in Houston (1956), whose innovative use of stained glass panels incorporated into the mural won Fogel a Silver Medal from the Architectural League of New York in 1958. Fogel relocated to the Connecticut-New York area in 1959. He continued the Abstract Expressionism he had begun exploring in Texas, and began experimenting with various texturing media for his paintings, the most enduring of which was sand. In 1966 he was awarded a mural at the U.S. Federal Building in Fort Worth, Texas. The work, entitled "The Challenge of Space", was a milestone in his artistic career and ushered in what has been termed the Transcendental/Atavistic period of his art, a style he pursued up to his death in 1984. Painted and raw wood sculpture...
Category

Mid-20th Century Abstract Geometric Abstract Paintings

Materials

Oil, Board

"Tropical Parrot with Woman, " Corneille, Carved Wood Sculpture with Bird
By Corneille
Located in New York, NY
Guillaume Cornelis van Beverloo (Corneille) Tropical Parrot with Woman, circa 1970 Signed: Corneille Edition Number: 6 of 8 Constructed and Painted wood 39" high x 40 1/2" wide x 6" ...
Category

1970s Figurative Sculptures

Materials

Wood, Paint

"Roland, " George Sugarman, Abstract Steel Sculpture
By George Sugarman
Located in New York, NY
George Sugarman (1912 - 1999) Roland, 1970 Patinated steel 17 3/8 x 16 x 5 1/4 inches Incised with the artist's signature and numbered "15/17" on the underside Manufactured by Lippin...
Category

1970s Abstract Abstract Sculptures

Materials

Steel

"Untitled (Scrap Metal 4415), " Lucien Smith Anti-War Sculpture
By Lucien Smith
Located in New York, NY
Lucien Smith (American, b. 1989) Untitled (Scrap Metal 4415), 2013 Steel 35 x 35 x 15 inches Provenance: OHWOW, Los Angeles Private Collection Wright, 2015, Lot 139 One of the most highly-regarded contemporary artists, Lucien Smith is a name whose work people (and institutions) have been paying much attention to since he graduated Cooper Union. He produced readymade sculptures that the artist has secured and appropriated from the annual Knob Creek Machine Gun Shoot in Kentucky. Consisting of propane tanks, oil drums, automobile parts, and even a full-length truck, the metal objects have all been fired on by thousands of rounds of ammunition from handguns, assault rifles, fully automatic rifles, to a powerful Gatling Gun...
Category

2010s Abstract Sculptures

Materials

Steel

"Voyage I, " Rosamond Berg, Female Contemporary Minimalist Sculpture Artist
Located in New York, NY
Rosamond Berg (American, 1931 - 2018) Voyage I, 1982 Mixed media construction including hand-dyed cotton cloth pouches 24 x 24 inches Signed, titled an...
Category

1980s Contemporary Abstract Sculptures

Materials

Cotton, Thread, Glass, Wood

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