Lions Gallery

This is for the one print listed here. Internalized Page Project. color Iris digital prints on paper, each initialed on verso and numbered from edition of 15. printed & published by ...

This is for the one print listed here. Internalized Page Project. color Iris digital prints on paper, each initialed on verso and numbered from edition of 15. printed & published by ...

This is for the one print listed here. Internalized Page Project. color Iris digital prints on paper, each initialed on verso and numbered from edition of 15. printed & published by ...

This is for the one print listed here. Internalized Page Project. color Iris digital prints on paper, each initialed on verso and numbered from edition of 15. printed & published by ...

This is for the one print listed here. Internalized Page Project. color Iris digital prints on paper, each initialed on verso and numbered from edition of 15. printed & published by ...

These are the detectives of the Belgian comic book Tintin created by Herge. FER SUCRE is a Venezuelan-born artist now in Wynwood Miami, Florida. He studied graphic design and paintin...

American painter and author Alex Beard is best known for his elaborate wildlife compositions created in his signature style of gesturalpainting, which he has coined “Abstract Naturalism.” Raised in a family that fostered philanthropy, creativity and exploration, Alex has traveled extensively around the world. The diverse cultures, colors, and climates of Africa, India, China, the Americas, and Australia have profoundly influenced both his professional and artistic practice. While earning his BA from Tufts University, he studied painting and drawing at the School of the Museum of Fine Arts in Boston. In his early twenties Alex moved to New Orleans to continue his formal training at the New Orleans Academy of Fine Arts. Fueled by curiosity about the cultures and wildlife he had been exposed to in his early years, Alex has spent much of his life traveling to the some of the world’s most remote wildlife outposts - paintbrush in hand. His time in nature enables him to continually hone his style – creating complex compositions in which abstraction and figuration collide, while exploring themes of cultural and environmental interconnectivity. Alex’s work figures prominently in several private and public collections and he has exhibited extensively throughout the United States, including solo exhibitions in New York, Los Angeles, New Orleans, and abroad in Hong Kong. An impassioned conservationist and philanthropist, in 2012 Alex established The Watering Hole Foundation – a public charity engaged in saving endangered wildlife and preserving their environments. His documentary, Drawing the Line, fused his artistic talent with his dedication to preservation, chronicling the plight of the endangered Wild African Elephant, as seen through the eyes of a conservationist artist. In addition to producing a series of short films, Alex has authored and illustrated a critically acclaimed trilogy of storybooks published by Abrams. The series, Tales from the Watering Hole, includes The Jungle Grapevine (2008), Monkey See Monkey Draw (2009), and Crocodile Tears (2010). Along with other New Orleans artists Raine Bedsole, Dr. Bob, George Dunbar, Mitchell Gaudet, Alan Gerson, Thomas Mann, Steve Martin, James Michalopoulos...

Gerard Joseph Malanga (born March 20, 1943) is an American poet, photographer, filmmaker, curator and archivist. Malanga was born in the Bronx in 1943, the only child of Italian immigrant parents. In 1959, at the beginning of his senior year at the School of Industrial Art in Manhattan, Malanga became a regular on Alan Freed's The Big Beat, televised on Channel 5 (WNEW) in New York City. He graduated from high school with a major in Advertising Design (1960). He was introduced to poetry by his senior class English teacher, poet Daisy Aldan, who had a profound influence on his life and work from then on. He enrolled at the University of Cincinnati's College of Art & Design (1960), and was mentored by the poet, Richard Eberhart who was the university's resident poet for 1961. He dropped out at the end of the Spring semester. In the fall of 1961, Malanga was admitted to Wagner College in Staten Island on a fellowship anonymously donated for the express purpose of advancing his creative abilities as a poet and artist. At Wagner he befriended one of his English professors, Willard Maas, and his wife Marie Menken...

Gerard Joseph Malanga (born March 20, 1943) is an American poet, photographer, filmmaker, curator and archivist. Malanga was born in the Bronx in 1943, the only child of Italian immigrant parents. In 1959, at the beginning of his senior year at the School of Industrial Art in Manhattan, Malanga became a regular on Alan Freed's The Big Beat, televised on Channel 5 (WNEW) in New York City. He graduated from high school with a major in Advertising Design (1960). He was introduced to poetry by his senior class English teacher, poet Daisy Aldan, who had a profound influence on his life and work from then on. He enrolled at the University of Cincinnati's College of Art & Design (1960), and was mentored by the poet, Richard Eberhart who was the university's resident poet for 1961. He dropped out at the end of the Spring semester. In the fall of 1961, Malanga was admitted to Wagner College in Staten Island on a fellowship anonymously donated for the express purpose of advancing his creative abilities as a poet and artist. At Wagner he befriended one of his English professors, Willard Maas, and his wife Marie Menken...

Perez Celis (American, Argentinian 1939-2008) Oil and mixed media on canvas 1993 Latin abstract expressionism oil painting depicting a color block and drip motif Hand signed and dated to lower left. In gilt gold frame. Approximate dimensions: canvas h. 14", w. 21"; frame h. 24", w. 31", d. 2.25". Celis Pérez (1939 – 2008) was an Argentine artist usually referred to as Pérez Celis. He earned international recognition for his paintings, sculptures, murals and engravings. Pérez was born in San Telmo on the South side of Buenos Aires, and grew up in Liniers, on the opposite end of town. Working as a newsboy during childhood, he learned the basics of drawing and painting via correspondence classes. In 1954 he entered the Manuel Belgrano National School of Fine Arts, and under the guidance of teachers like Leopoldo Presas, Santiago Cogorno, and Libero Badii, Pérez Celis developed his interest in abstraction. He first exhibited at age 17, at Galería La Fantasma. Following his entry into the professional arts world, he began using his name in a reversed form. At the start of his career he has been influenced by Hungarian artist Victor Vasarely during a 1957 retrospective of the latter's works at the National Fine Arts Museum. Some of his later works bear the influence of Gerhard Richter. He married Sarah Fernández in 1959 and relocated to Uruguay for less than a year invited by Carlos Páez Vilaró . Took part in the "Group of 8" – proponents of abstract art among the normally conservative local audiences. "Grupo de los 8", was a movement of Latin American, Uruguayan and Argentine artists formed in 1958 together with Oscar García Reino, Miguel Ángel Pareja, Raúl Pavlovsky, Lincoln Presno, Américo Sposito, Alfredo Testoni and Julio Verdie in order to promote new tendencies in painting. In 1960 they were invited by art critic Rafael Squirru to join the international exhibition at the Buenos Aires Museum of Modern Art (of which he was creator and first director) with artists such as Willem de Kooning, Roger Hilton and Lucio Fontana. He returned to Buenos Aires in 1960, and opened a downtown atelier with the support of Guido Di Tella, his first mecena. Pérez Celis explored geometric art, and builds his first mural, Fuerza América, in 1962. Indigenous patterns and colors would reappear in many of his productions during the 1960s and 1970s, and distinguished him from most other local artists, among whom pop art and figurative art was more influential. His work had a more raw, Art Brut , Brutalist feel to it. He was featured in more than 120 solo shows during his career, notably the Galerie Bellechasse, Anita Shapolsky Gallery New York, (he showed with Agustin Fernandez, Rodolfo Abularach, Giancarlo Puppo and Cuban artist Mario Bencomo) Arteconsult, Boston & Panama, Witcomb, etc. and his art was purchased for many private collections and first-rate museums, including the Museum of Modern Art in New York. He received commissions from the Argentine government, which placed his works in the Ministro Pistarini International Airport, from other governments, and from prominent individuals and businesses. In 1977, following his wife's passing in an automobile accident he remarried and lived in Caracas, Paris, New York City, and Miami in subsequent years. He shared his time between Buenos Aires and New York in 1994, a retrospective of his work was hosted at Biblioteca Nacional visited by more than 300000 persons. He continued exhibiting in Latin America, in the Sanyo Gallery in Tokyo, the Anita Shapolsky Gallery in New York City, and at numerous universities. Among his numerous recognitions in later years was the Alba Award at the 61st Salón Nacional de Artes Plásticas Argentino, and he was proclaimed a Distinguished Citizen of the City of Buenos Aires in 2001. He also created several literary illustrations, notably those for Jorge Luis Borges' Spanish-language translation of Walt Whitman's poem Leaves of Grass. A fan of the Club Atlético Boca Juniors football team, he created two murals in 1997 for the team's La Bombonera Stadium in Buenos Aires: "Idolos" (Idols) and "Mito y Destino" (Myth and Destiny), both Venetian mosaics and bronze sculpture on cement. Museum of Modern Art (MOMA), New York, NY Museum of Modern Latin American Art...

This piece is done in a sort of sgraffito technique with the flowers sort of etched in the paint. Born in Tokyo, Japan, Nobu Fukui Came to New York where he became a US citizen. From 1964 - 65, he studied at the Art Students League in New York City. His work has been widely exhibited in New York and California. He had his first one-man show in this country in 1965 at the Daniels Gallery in New York. That same year his works were included in the Japanese Artists in Europe and America Exhibition at the National Museum of Modern Art in Tokyo. This was followed by numerous exhibits and one-man shows in various cities in the United States and Japan - New York, Indianapolis, Ann Arbor, Pittsburgh and Yokohama, for example. Fukui's works are formal, dynamic and abstract. Form functions minimally as a symmetrical structure so as to focus on his real interest in color interaction. Fukui's work is represented in the collections of The Museum of Modern Art, New York City; Larry Aldrich Museum, Conn; Dartmouth College, NH; New York State University, Potsdam NY; Roosevelt College, Chicago IL; Westinghouse Corp, The National Museum of Modern Art, Tokyo, Japan; The New Britain Museum of American Art, New Britain, CT; The Indianapolis Museum of Art, Indianapolis, IN and The Eli and Edythe Broad Art Museum, East Lansing, MI, Indianapolis Museum of Art; National Museum of Modern Art, Tokyo and National Museum of Modern Art, Kyoto, Japan; amongst others. and other private collections. He has exhibited widely, including solo shows at Daniels Gallery, Max Hutchinson Gallery, Marisa Del Re Gallery, and Steven Haller...

Genre: Contemporary Subject: People Medium: Digital, Print Surface: Metal Country: United States This extra large montage of photographs is mounted onto aluminum from Ken Gonzales-Day's dysmorphologies series. Ken Gonzales-Day's interdisciplinary and conceptually grounded projects consider the history of photography, the construction of race, and the limits of representational systems ranging from the lynching photograph to museum display. The Searching for California Hang Trees series offered a critical look at the legacies of landscape photography in the West while his most recent project considers the sculptural depiction of race. Profiled began as an exploration of the influence of eighteenth century "scientific" thought on twenty-first century institutions ranging from the museum to the prison and extended to the sculpture and portrait bust collections of several major museums including: The J. Paul Getty Museum; The Field Museum, Chicago; The Museum of Man, San Diego; L'École des beaux-arts,Paris. The Bode Museum, Berlin, Park Sanssouci, Potsdam; The National Museum of Natural History, Paris; The Yale Center for British Art, New Haven; among others. Gonzales-Day lives in Los Angeles and is Chair of the Art Department at Scripps College. Fellowships and Grants Chercheur Accueilli, Institut National d'Histoire de l'Art (INHA); COLA Individual Artist Award; Art Mattes Grant; Mid-Career Award, California Communtiy Foundation; Durfee Fondation ACG; Graves Award for the Humanities; Visiting Scholar/Artist-in-Residence, Getty Research Institute; Senior Fellow, American Art Museum and National Portrait Gallery of the Smithsonian Institution; Fellow, Rockefeller Foundation Study and Conference Center, Bellagio, Italy; Van Lier Fellow, ISP, Whitney Museum of American Art; Rotary International. Select Solo Exhibitions Luis De Jesus Los Angeles; Galerie Steph, Singapore; The Vincent Price Museum, LA; Fred Torres Collaborations, NYC; Tufts University, Medford, MA; Las Cienegas Projects, L.A.; UCSD Art Gallery, La Jolla, CA; Steve Turner Contemporary, L.A.; LAXART, L.A.; CUE Art Foundation, NY, NY; Pomona College Museum of Art, Claremont, CA; Susanne Vielmetter Projects, L. A.; Cristinerose Gallery, NY, NY; White Columns, NY, NY, among others. Select Group Exhibitions Our America: The Latino presence in American Art, Smithsonian Institution; MDE11, Medellin, Colombia; COLA 2011, at LAMAG, Los Angeles; Spy Numbers, Palais de Tokyo, Paris;How Many Billboards, MAK Center, W.H.; State of Mind, MoPA, San Diego; Phantom Sightings, LACMA, L.A.(traveled); Encuentro Hemispherico, Bogota; Under Erasure, Temple Bar Gallery and Studios, Dublin; Under Pain of Death, Austrian Cultural Forum, NYC;ArtMediaPolitique, DIX291, Paris; Viva Mexico, Zacheta National Gallery, Warsaw (traveled); Past Over, Steve Turner Contemporary, L.A.; Crimes of Omission, ICA Philadelphia; Exile of the Imaginary, Generali Foundation, Vienna; Civil Restitutions, Thomas Dane Gallery...

sight size is irregular. size includes frame.. In scrawly pencil lines, William Anthony outlines figures that look like sock puppets with oversize heads and sausage-shaped limbs. An...

John Evans (American, b. 1945), Untitled oilstick on paper, signed in pencil lower center, gallery label (Allan Stone Gallery, New York) affixed verso, sheet: sight size is 22"h x 3...

This large format 20 x 24 Polaroid photograph is a self portrait of the photographer David Chack. This is a one-of-a- kind, " instant" color photograph. The process uses a multi-laye...

In this delicate drawing, artist Josef Levi takes reference to art history by combining figures within one composition. The two characters depicted in this composition utilize the bottom half of the great artist Raphael, gradually phasing into the portrait of lovely lady named Vera. Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levi had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

Wajih Nahlé (1932-2017), born in Beirut, Lebanon,was a Lebanese Arab abstract painter and calligrapher. He studied painting in the workshop of the Lebane...

Gregg Robinson, American (born 1948) Canvas mounted on wood board work of art depicts geometric shapes and forms with a lacquered high gloss finish. Hand signed lower left and dated 1995. Dimensions: 24 X 24 X 1.75 in. GREGG ROBINSON The universe of visual art encompasses a huge spectrum of motivation and means of expression. Examples range from the most syrupy sentimentality to extremes of moral and intellectual confrontation. For me, the creative process is, on the simplest level, an aesthetic puzzle. Elements of the puzzle include contrast, color, visual texture, graphic pattern, and in some recent work, a simple cryptic symbolism. I have never been particularly interested in lyric or pictorial content, and though some of my work does contain undeniable spatial illusion, even that tends to be a by-product rather than a goal of the primary pursuit: the balance of light and dark, pure color and organic neutrals, energy and calm, strong pattern and subtle field. Having grown up in an environment of contemporary architecture, I have always valued the classic modern synthesis of form and function exemplified by the Bauhaus movement of the early 20th century. Hence, the simplest solutions are often the most satisfying. Obviously, the modernist ideal of efficiency in form and function requires that method of execution be as well adapted to the aesthetic goal as the visual language itself. The media before you is the result of many years of experimentation that came to its current form in early 1992. I work with dry pigment over a plaster surface. My tools are broad knives, sponges, rags and masking. The finish is a high gloss alkyd resin. His prints have been published by GalleryOnline, publishers of Per Arnoldi, Ricardo benaim, Pierre Marie Brisson, Simon Bull, Fanch Ledan, Claude Gaveau and Laurent Schkolnyk and more. SELECT CORPORATE COLLECTIONS: Allstate Insurance NBC Productions Alaska Airlines...

Gregg Robinson, American (born 1948) Canvas mounted on wood board work of art depicts geometric shapes and forms with a lacquered high gloss finish. Hand signed lower left and dated 1995. Dimensions: 24 X 24 X 1.75 in. GREGG ROBINSON The universe of visual art encompasses a huge spectrum of motivation and means of expression. Examples range from the most syrupy sentimentality to extremes of moral and intellectual confrontation. For me, the creative process is, on the simplest level, an aesthetic puzzle. Elements of the puzzle include contrast, color, visual texture, graphic pattern, and in some recent work, a simple cryptic symbolism. I have never been particularly interested in lyric or pictorial content, and though some of my work does contain undeniable spatial illusion, even that tends to be a by-product rather than a goal of the primary pursuit: the balance of light and dark, pure color and organic neutrals, energy and calm, strong pattern and subtle field. Having grown up in an environment of contemporary architecture, I have always valued the classic modern synthesis of form and function exemplified by the Bauhaus movement of the early 20th century. Hence, the simplest solutions are often the most satisfying. Obviously, the modernist ideal of efficiency in form and function requires that method of execution be as well adapted to the aesthetic goal as the visual language itself. The media before you is the result of many years of experimentation that came to its current form in early 1992. I work with dry pigment over a plaster surface. My tools are broad knives, sponges, rags and masking. The finish is a high gloss alkyd resin. His prints have been published by GalleryOnline, publishers of Per Arnoldi, Ricardo benaim, Pierre Marie Brisson, Simon Bull, Fanch Ledan, Claude Gaveau and Laurent Schkolnyk and more. SELECT CORPORATE COLLECTIONS: Allstate Insurance NBC Productions Alaska Airlines...

Marc Baseman is a visual artist. Marc Baseman has had several gallery and museum exhibitions, including at The Harwood Museum of Art, University of New Mexico.He has been exhibiting ...

Fantasy Nude Mermaid German outsider Naive artist born in 1922. has exhibited in Germany in 1969 worked in painting, gouache and linocuts. Expressionist Folk Art style. Art brut, pr...

5-color silkscreen on 2-ply museum board. edition of 60 hand signed and numbered. American, 1955-2014 Born in 1955, Tom Slaughter’s career began in 1983 with his first exhibition at the Drawing Center in New York City. Since, he has had more than 20 solo shows in cities including San Francisco, Miami, London, Vancouver, Cologne and Fukuoka, Japan. Slaughter had worked extensively with master printer, Jean Russell at Durham Press, creating numerous limited edition prints using his signature bold primary colors. He worked as a printmaker in collaboration with Durham Press for 25 years, and his editions are included in the permanent collections of MoMA and the Whitney Museum of American Art. He illustrated twelve children’s books, including “Boat Works,” “Do You Know Which Ones will Grow? ” – a 2011 Notable American Library Association book of the year – and collaborations with Marthe Jocelyn such as “ABC x 3,” “Same Same,” and “123.” These books have been translated into six languages. Slaughter also worked for the last ten seasons as the Art Director for the New Victory Theater. As a designer, he created everything from t-shirts to skateboard decks, beach towels as well as a line of wallpaper for Cavern Home. Tom Slaughter, an artist, designer, and illustrator, passed away on October 24, 2014. In his Pop-inflected prints, drawings, illustrations, paintings, and design work Tom Slaughter exudes a love of life. He makes few distinctions between his various artistic endeavors; “I paint, draw, cut paper, use a computer, and even an iPhone—it’s all the same hand,” he says. In a 2001 print...

body of work: “Sentiment and Vagrancy” series: “Dresden Pre Occupation” medium: Ink Jet print on Arches size: 28″ h x 30″ w Kevin Hanley was born 1969 in Sumter, South Carolina and received a Master of Fine Art from Art Center College of Design and a Bachelor of Fine Art from Otis Parsons College. Hanley is a multimedia artist and an associate professor at Art Center College of Design who also works professionally in TV broadcast and graphic design. He currently works and lives in Los Angeles. His International group exhibitions include: "The 50th International Art Exhibition, La Biennale di Venezia," Venice, Italy, "Site Santa Fe Second Biennale," Santa Fe, New Mexico, "Index," MOCA, Los Angeles and "Delta," Musee d’Art Moderne, Paris, France. His solo exhibitions include: ACME, Los Angeles, I-20, New York, Taka Ishii Gallery, Tokyo and Galerie Christian Nagel, Cologne. Articles and reviews on Hanley's work have appeared in Artforum, Contemporary, Flash Art, Frieze, Kultureflash, The Los Angeles Times and The New York Times. Selected Exhibitions: Seams Like Sometimes, ACME., Los Angeles, CA 15 year...

Ray Kass is an internationally recognized artist whose work is represented by Garvey/Simon: ART ACCESS in NYC and the Reynolds Gallery in Richmond, Virginia. His paintings have been widely exhibited and have been represented in solo exhibitions in New York City by the Allan Stone Gallery, A.V.C. Contemporary Arts Gallery, ZONE: Chelsea Center for the Arts, Baumgartner Gallery, and ir77 Contemporary Art. He has received numerous grants and awards, including individual artists grants from the Virginia Museum of Fine Arts and the National Endowment for the Arts. His paintings reside in many public and private collections. Ray Kass is Professor Emeritus of Art at Virginia Tech, and founder and director of The Mountain Lake Workshop; an ongoing series of collaborative and inter-related workshops centered in the environmental, cultural, and community resources of the Appalachian region of southwestern Virginia. The workshops have resulted in many unique, collaborative works of art that have been widely exhibited. Artists who have completed several workshops at Mountain Lake (or are currently engaged in ongoing projects) include folk-artist Howard Finster, Japanese artist & sculptor Jiro Okura, the late avant-garde composer, writer composer and artist John Cage, waste management installation-artist Mierle Laderman Ukeles (official artist in residence of the New York Sanitation Dept.), ceramic artist, poet and author M.C. Richards (author of Centering), Colorado-based “EcoArtist”, Lynne Hull, NYC East Harlem “street- artist”, James De La Vega...

Marc Baseman is a visual artist. Marc Baseman has had several gallery and museum exhibitions, including at The Harwood Museum of Art, University of New Mexico.He has been exhibiting with Dickinson Roundell and Edward Nahem in New York, and Nahem has helped him find an eager audience among collectors in London and Europe. Marc Baseman has Exhibited with these artists: Larry Bell, Lynda Benglis, Vija Celmins, Ronald Davis, Wes Mills, Lee Mullican...

This is hand signed and dated in English and appears to have Chinese (or Taiwanese) calligraphic characters above it. This depicts an Asian porcelain or pottery vase in a vibrant blue green color with a dragon motif filled with colorful flowers. This is a bold color painting...

Gate Taught Version 1991. Large format silver gelatin photo. signed and dated. Zeke Berman’s still lifes are fabrications derived from the material of ordinary and intimate experience, reconstituted to satisfy the demands of improvised play, monocular vision, and the special characteristics of photographic description. They are concerned with the pictorial aspect of sculpture and the provisional nature of realistic indication. In the central tradition of still-life art, they aim to establish an unsuspected order in the congregation of unremarkable things. Since the late 1970's Zeke Berman has been making singular, studio-based photographs. These works reflect his long standing interest in visual cognition, optics and the intersection between sculpture, photography and drawing. The formal range of his work and his sculptural use of materials is varied, original and idiosyncratic. Berman’s work has been collected and exhibited in museums such as The Museum of Modern Art, The Metropolitan, Whitney, Art Institute of Chicago and LA County Museum. His work was featured in the first New Photography Exhibition, 1984, at MoMA. Awards include Guggenheim, NEA and NYFA Arts Fellowships. Berman lives and works in New York City. from MOMA A World of Its Own: Photographic Practices in the Studio examines the ways in which photographers and other artists using photography have worked and experimented within their studios, from photography’s inception to the present. Featuring both new acquisitions and works from the Museum’s collection that have not been on view in recent years, A World of Its Own brings together photographs, films, and videos by artists such as Berenice Abbott, Uta Barth, Zeke Berman, Karl Blossfeldt, Constantin Brancusi, Geta Brătescu, Harry Callahan, Robert Frank, Jan Groover, Barbara Kasten, Man Ray, Bruce Nauman, Paul Outerbridge, Irving Penn, Adrian Piper...

Ronald Brooks Kitaj RA 1932 – 2007 was an American artist with Jewish roots who spent much of his life in England. He became a merchant seaman with a Norwegian freighter when he was 17. He studied at the Akademie der bildenden Künste in Vienna and the Cooper Union in New York City. After serving in the United States Army for two years, in France and Germany, he moved to England to study at the Ruskin School of Drawing and Fine Art in Oxford (1958–59) under the G.I. Bill, where he developed a love of Cézanne, and then at the Royal College of Art in London (1959–61), alongside David Hockney, Derek Boshier, Peter Phillips, Allen Jones and Patrick Caulfield. Richard Wollheim, the philosopher and David Hockney remained lifelong friends. "Through an earlier pre-occupation with turn-of-the-century intellectual life in Vienna (where he had started his art studies in the early 1950s), as well as an admiration for the Warburg Institute approach to the history of art-in-its-intellectual-context (since after Vienna he had moved to Oxford to study with the art historian Edgar Wind, before going on to the Royal College of Art) Kitaj has come to identify most strongly with the central European Jewish writer Franz Kafka, and with his sense of estrangement and of hidden mysteries. Illustrations to Kafka's aphorisms, imaginary portraits of his fiancée Felice and Count West-West who owned The Castle, appear in the Little Pictures, as do rapidly sketched portraits of Karl Kraus, Paul Celan, Leon Trotsky and Ludwig Wittgenstein, representations of Judeo-Christian mysteries of the hidden face of God. Kitaj settled in England, and through the 1960s taught at the Ealing Art...

Rafael Ferrer (b. 1933 in San Juan) is a Puerto Rican artist. He attended the Staunton Military Academy in Virginia, where he cultivated an interest in music. In 1951 and ’52, he stu...

DANIEL J. MARTINEZ (American, b. 1955) Portrait of Two Girls Dye-destruction, circa 1995 Paper: 20 x 19-1/2 inches (50.8 x 49.5 cm) Image: 19-3/4 x 19-1/4 inches (50.2 x 48.9 cm) State: unmounted. in a matting. Daniel Joseph Martinez (born 1957), is a Los Angeles based contemporary artist. Daniel J. Martinez work can be found in public collections in the United States and abroad including the Whitney Museum of American Art in New York; Los Angeles County Museum of Art (LACMA); the Orange County Museum of Art, Newport Beach, California; Cisneros Fontanals Art Foundation, Miami, Florida; Museum of Fine Arts, Houston, Texas; and the Pace Foundation, San Antonio, Texas. Daniel Martinez has received two National Endowment for the Arts (NEA) Individual Artist Fellowships (1990–91, 1995–96) and an NEA Project Support Grant (1990); a Getty Center Foundation Individual Artist Fellowship (1997–98); a Pollock-Krasner Foundation Individual Artist Fellowship (2001–02); a California Arts Council Individual Artist Fellowship (2003–04); an ArtPace Foundation Fellowship (2005); a Peter Norton Family Foundation Project Support Grant (1991) and five Norton Foundation Artist Fellowships (1997–2001); the First Prize Grant Award of the Tijuana Biennial (2000); and a Flintridge Foundation Individual Artist Fellowship (2000–01). In 2007 Martinez was awarded the United States Artists Fellowship, and in 2008–09, he received the Rasmuson Foundation Alaska Artist in Residence Award in 2009, the Fellows of Contemporary Art Fellowship in 2009; and the 2010 FOCA Fellowship Artist Grant and exhibition. In 2014 Martinez was awarded the Alpert Award in the Arts from the Herb Alpert Foundation in collaboration with the California Institute of the Arts. In 2016, Martinez participated in the American Academy in Berlin Fellowship, Berlin, Germany. "In Conversation: Daniel Joseph Martinez with Phong Bui". The Brooklyn Rail. March 2008. "Karen Finley...

Fine piece of Florida abstract Landscape art. With a French Art Deco feel to it.

Signed, dedicated and dated by the artist on the underside. Peter Shire (born 1947) is a Los Angeles, California artist. Shire was born in the Echo Park district of Los Angeles, where he currently lives and works. His sculpture, furniture and ceramics have been exhibited in the United States, Italy, France, Japan and Poland; Shire has been associated with the Memphis Group of designers, has worked on the Design Team for the XXIII Olympiad with the American Institute of Architects, and has designed public sculptures in Los Angeles and other California cities. Shire has been honored by awards for his contribution to the cultural life of the City of Los Angeles. He is an influential LA ceramicist along with and influenced by Ken Price and Peter Voulkos. The Memphis Milano Group was an Italian design and architecture group founded in Milan by Ettore Sottsass in 1982 that designed Postmodern furniture, fabrics, ceramics, glass, and welded, painted, metal objects from 1981 to 1988. The Memphis group's work often incorporated plastic laminate and was characterized by ephemeral design featuring colorful and abstract decoration as well as asymmetrical shapes, sometimes arbitrarily alluding to exotic or earlier styles. They drew inspiration from such movements as Art Deco and Pop Art, including styles such as the 1950s Kitsch and futuristic themes. Other members included Martine Bedin Michael Graves, Javier Mariscal, Nathalie du Pasquier, Matteo Thun and Marco Zanuso. Further reading A Neglected History: 20th Century American Craft. New York, New York: American Craft Museum, 1990. Clark, Garth. American Ceramics 1907–Present. New York, New York: Abbeville Press, 1987. Domergue, Denise. Artists Design Furniture. New York, New York: Harry N. Abrams, 1984. Fiell, Charlotte and Peter. 1000 Chairs. Italy: Taschen, 2000. Herman, Lloyd E. Art that Works. Seattle, Washington: University of Washington Press, 1990. Horn, Richard. Memphis: Objects, Furniture, and Patterns. Philadelphia, Pennsylvania: Running Press, 1983. Radice, Barbara. Memphis. New York, New York: Rizzoli International Publications, 1984. Taragin, Davara S. Contemporary Crafts and Saxe Collection, The Toledo Museum of Art. New York, New York: Hudson Hills Press, 1993. Tempest in a Teapot: The Ceramic Art of Peter Shire. New York, New York: Rizzoli International Publications, 1991. Select Museum Collections: Art Institute of Chicago, Illinois Brooklyn Museum of Art, Brooklyn, New York Berkeley Museum, Berkeley, California Fresno Museum of Art, Fresno, California The Israel Museum, Jerusalem, Israel The Jewish Museum, New york city Judisches Museum, Frankfurt, Germany Laguna Art Museum, Laguna Beach, California Long Beach Museum of Art, Long Beach, California Los Angeles County Museum of Art, Los Angeles, California Metropolitan Museum of Art, New York Mint Museum of Craft and Design, Charlotte, North Carolina Museum of Arts and Design, New York Museum of Fine Arts, Houston, Texas Museum of Modern Art, Lodz, Poland Newport Art Museum, Newport Beach, California Oakland Museum of Art, Oakland, California Österreichisches Museum für Angewandte Kunst, Vienna, Austria Portland Art Museum, Portland, Oregon Sak’s Fifth Avenue, New York San Francisco Museum of Modern Art, San Francisco, California San Jose Museum of Art, San Jose, California Seattle Museum of Art, Seattle, Washington Skirball Museum, Los Angeles, California Stedelijk Museum, Amsterdam, The Netherlands Total Contemporary Art Museum, Seoul, Korea Victoria and Albert Museum, London, United Kingdom Selected Solo Exhibition venues Los Angeles County Museum of Art, Los Angeles, California Chouinard Gallery, South Pasadena, California Antonia Jannone Gallery, Milan, Italy Teapots and Drawings, Tobey C. Moss Gallery, Los Angeles, California LA Artcore Center, Los Angeles, California S.K. Josefsberg Gallery, Portland, Oregon 20th Century Collage, Dallas, Texas Toomy-Turrel Gallery, San Francisco, California Frank Lloyd Gallery, Santa Monica, California Bobbie Greenfield Gallery, Santa Monica, California Diane Nelson Fine Art, Laguna Beach, California Loyola University, New Orleans, Louisiana S.K. Josefsberg Gallery, Portland, Oregon University of Judaism, Platt Gallery, Los Angeles, California El Centro del Pueblo, Los Angeles, California Gallery Saito, Sapporo Hokkaido, Japan Morgan Gallery, Kansas City, Missouri Riva Yares Gallery, Scottsdale, Arizona Daniel Saxon Gallery, Los Angeles, California David Lawrence Editions, Beverly Hills, California Art et Industrie, New York Clara Scremini Gallery, Paris, France Design Gallery Milano, Milan, Italy Lucy Berman Gallery, Palo Alto, California Parallel Gallery, Del Mar, California Davis-McClain...

José González Veites (Mexican, born Mexico City 1957) Works in the collection of the Metropolitan Museum of New York City. Born in Mexico City, w...

John Okulick, large colorful wood wall sculpture construction "Perfect Harmony" Hand signed and dated, 1999 Dimensions: H: 52 inches:...

Dimensions: 18 X 12 including frame, 16" x 11." image only. Frank Aumüller is a contemporary artist. Frank Aumüller is a german male artist born in Stuttgart (DE) in 1960. Frank Aumueller had his first exhibition at Art Cologne 1989 at Koelnmesse GmbH in Cologne in 1989, and Prognose at Württembergischer Kunstverein in Stuttgart in 2021. A notable show was 2041 Endlosschleife at Württembergischer Kunstverein in Stuttgart in 2014. Other notable shows were at Villa Merkel - Galerie der Stadt Esslingen in Esslingen and Museum für Neue Kunst in Freiburg. Frank Aumüller has been exhibited with Hildegard Esslinger and Beate Baumgärtner. Aumuellers jigsaw puzzle pictures are results of a multistage production process. Expressive, partially with strong auto-lacquers created paintings form the basis. Aumueller then takes a photograph of these abstract color experiments and cuts the photo by machine into jigsaw puzzles. Afterwards he reassembles individual parts, whereby the original parts produce a new picture in a new composition, a sculpture work. At first sight the jigsaw puzzle pictures appear as a "pleasant idea": The result of time-consuming artistic creation is presented as a well-known game for children and adults. This appears to be an ironic move by Aumueller. However, irony is not the artist's concern. There is more to the jigsaw puzzles than just a nice conception: Aumueller labels his jigsaw puzzles "unstable equilibria" - a suitable description for many things in a world which in many ways appears to be stable and arranged. The jigsaw puzzle is more than just a means of formal expression. Aumueller labels his jigsaw puzzles "unstable equilibria" - a suitable description for many things in a world which in many ways appears to be stable and arranged. The jigsaw puzzle is more than just a means of formal expression. It is metaphoric message as well as a clue to the artistic intention. Solo Exhibitions Frank Aumüller: Fotografie Kunstraum Kleine Galerie, Haus am Stadtsee Bad Waldsee Germany Frank Aumüller fine arts 2219 Galerie für Kunst der Gegenwart Stuttgart Germany Group Exhibitions 2023 Bis die Bude brummt – 30-jähriges Jubiläum des Fördervereins Museum für Neue Kunst Museum für Neue Kunst Freiburg Germany. Exhibition series with: Mandana Moghaddam, Jacob Ott, Thomas Ruff, Pia Stadtbäumer, Peter Vogel, Georg Winter...

Dimensions: 19" x 13" including frame, 17.5" x 11.5" image only. Frank Aumüller is a contemporary artist. Frank Aumüller is a german male artist born in Stuttgart (DE) in 1960. Frank Aumueller had his first exhibition at Art Cologne 1989 at Koelnmesse GmbH in Cologne in 1989, and Prognose at Württembergischer Kunstverein in Stuttgart in 2021. A notable show was 2041 Endlosschleife at Württembergischer Kunstverein in Stuttgart in 2014. Other notable shows were at Villa Merkel - Galerie der Stadt Esslingen in Esslingen and Museum für Neue Kunst in Freiburg. Frank Aumüller has been exhibited with Hildegard Esslinger and Beate Baumgärtner. Aumuellers jigsaw puzzle pictures are results of a multistage production process. Expressive, partially with strong auto-lacquers created paintings form the basis. Aumueller then takes a photograph of these abstract color experiments and cuts the photo by machine into jigsaw puzzles. Afterwards he reassembles individual parts, whereby the original parts produce a new picture in a new composition, a sculpture work. At first sight the jigsaw puzzle pictures appear as a "pleasant idea": The result of time-consuming artistic creation is presented as a well-known game for children and adults. This appears to be an ironic move by Aumueller. However, irony is not the artist's concern. There is more to the jigsaw puzzles than just a nice conception: Aumueller labels his jigsaw puzzles "unstable equilibria" - a suitable description for many things in a world which in many ways appears to be stable and arranged. The jigsaw puzzle is more than just a means of formal expression. Aumueller labels his jigsaw puzzles "unstable equilibria" - a suitable description for many things in a world which in many ways appears to be stable and arranged. The jigsaw puzzle is more than just a means of formal expression. It is metaphoric message as well as a clue to the artistic intention. Solo Exhibitions Frank Aumüller: Fotografie Kunstraum Kleine Galerie, Haus am Stadtsee Bad Waldsee Germany Frank Aumüller fine arts 2219 Galerie für Kunst der Gegenwart Stuttgart Germany Group Exhibitions 2023 Bis die Bude brummt – 30-jähriges Jubiläum des Fördervereins Museum für Neue Kunst Museum für Neue Kunst Freiburg Germany. Exhibition series with: Mandana Moghaddam, Jacob Ott, Thomas Ruff, Pia Stadtbäumer, Peter Vogel, Georg Winter...

Mark Citret, American, b. 1949. "Third Story Arches", Fort Point, 1998 Silver gelatin print hand signed and editioned 1/45 in pencil along lower edge. Published: "Along the Way" Mark...

HALCYON RING SERIES, 1995, mixed media painting on wood, signed and dated and titled on verso, 24 x 24”, unidentified exhibition tag on verso, a few small nicks, line impressions upper left, otherwise good studio condition. Born in Los Angeles, California, 1951 M.F.A., Rhode Island School of Design, Providence, Rhode Island, 1977 B.A., Claremont McKenna College, Claremont, California, 1973 Lives and Works in Basalt, Colorado Selected Solo Exhibitions 2017 What Do I Know, William Campbell...

Yaacov Agam, Israeli (b. 1928) Hand signed and dated This is a great example of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best kn...

Richard Marshall Merkin (American, 1938-2009) Gladys and Half-Pint Hand signed 'Merkin' (center right), Titled, inscribed, dated, and initialed 'GLADYS BENTLEY AND FRANKIE 'HALF-PINT' JAXON 1997/R.M.' verso. Oil on canvas 37 1/2 x 72 in. (95.3 x 182.9 cm) framed 39 1/4 x 74 x 2 in. Gladys Alberta Bentley (August 12, 1907 – January 18, 1960) was an American blues singer, pianist, and entertainer during the Harlem Renaissance. Her career skyrocketed when she appeared at Harry Hansberry's Clam House, a well-known gay speakeasy in New York in the 1920s, as a black, lesbian, cross-dressing performer. She headlined in the early 1930s at Harlem's Ubangi Club, where she was backed up by a chorus line of drag queens. She dressed in men's clothes (including a signature tailcoat and top hat), played piano, and sang her own raunchy lyrics to popular tunes of the day in a deep, growling voice while flirting with women in the audience. On the decline of the Harlem speakeasies with the repeal of Prohibition, she relocated to southern California, where she was billed as "America's Greatest Sepia Piano Player" and the "Brown Bomber of Sophisticated Songs". She was frequently harassed for wearing men's clothing. She tried to continue her musical career but did not achieve as much success as she had had in the past. Bentley was openly lesbian early in her career, but during the McCarthy Era she started wearing dresses and married, claiming to have been "cured" by taking female hormones. Frankie "Half-Pint" Jaxon, born Frank Devera Jackson was an African American vaudeville singer, stage designer and comedian, popular in the 1920s and 1930s. He was born in Montgomery, Alabama, orphaned, and raised in Kansas City, Missouri. His nickname of "Half Pint" referred to his 5'2" height. He started in show business around 1910 as a singer in Kansas City, before travelling extensively with medicine shows in Texas, and then touring the eastern seaboard. His feminine voice and outrageous manner, often as a female impersonator, established him as a crowd favorite. By 1917 he had begun working regularly in Atlantic City, New Jersey and in Chicago, often with such performers as Bessie Smith and Ethel Waters, whose staging he helped design. He served slightly less than a year in the United States Army in 1918–1919 and rose to the rank of sergeant. In the late 1920s he sang with top jazz bands when they passed through Chicago, working with Bennie Moten, King Oliver, Freddie Keppard and others. He performed and recorded with the pianists Cow Cow Davenport, Tampa Red and "Georgia Tom" Dorsey, recording with the latter pair under the name of The Black Hillbillies. He also recorded with the Harlem Hamfats. In the 1930s, he was often on radio in the Chicago area, and led his own band, titled Frankie "Half Pint" Jaxon and His Quarts of Joy. Jaxon appeared with Duke Ellington in a film short titled Black and Tan (1929), and with Bessie Smith in "St. Louis Blues" (1929). Cab Calloway's "Minnie the Moocher" (1931) is based both musically and lyrically on Jaxon's "Willie the Weeper" (1927). Richard Merkin, Sometimes described as Rhode Island’s most famous New York artist, Richard Merkin has led a dual life for nearly 40 years - teaching at RISD while enjoying a celebrated painting career based in New York City. He has exhibited in countless gallery and museum shows in the US and abroad and is represented in the permanent collections of the Smithsonian Institution, The Museum of Modern Art, the Whitney Museum, the RISD museum and many others. In addition to contributing drawings and paintings to The New Yorker (along with, Art Spiegelman, Saul Steinberg, Harper’s, The New York Times Sunday Magazine and several books on Erotica and Baseball, he is a contributing editor for Vanity Fair and a former style columnist for GQ. Merkin’s honors include a Tiffany Foundation Fellowship and the Rosenthal Foundation Award from the American Academy of Arts and Letters. Museums and Selected Collections : The American Federation of Arts, New York, NY Brooklyn Museum, Brooklyn, NY Chrysler Museum of Art, Norfolk, VA First city Bank, Chicago, Ill Fisk University Art Gallery, Nashville, TN Hallmark Collections, Kansas City, MO Massachusetts Institute of Technology, Cambridge, MA Maimi-Dade Junior College, Miami, FL Michigan State University, East Lansing, MI Minnesota Museum of Art, Minneapolis, MN Museum of Modern Art, New York, NY Museum of Art, Rhode Island School of Design, RI McClung Museum, University of Tennessee, Knoxville, TN Pennsylvania Acadamy of the Arts, Philadelphia PA Prudential Insurance Company, Boston, Ma Prudential Insurance Company, Newark, NJ Rose Art Museum, Brandeis University, Waltham, MA Sara Robey Foundation, New York, NY Smithsonian Institution, Washington, DC State University of Brockport, Brockport, NY Whitney Museum of American Art, New York, NY Selected Publications : 1986-Present Contributing Editor, Vanity Fair ..1988-Present, New Yorker... 1988-Present, style column, GQ...1997, Text and Illustration for The Tijuana Bibles, published by Simon & Shuster, 1995, Illustrated book, Leagues Apart: the Men and Times of the Negro Baseball Leagues published by Morrow. 1967 Cover of the Beatles “Sgt. Peppers Lonely Hearts Club Band” Album (Mr. Merkin appears in the back row, right of center) RISD: MFA in Painting, 1963; Professor, Department of Painting special skill: Merging his role as flaneur (connoisseur of city life) with his role as painter and social historian, Merkin retrieves lost cultural artifacts – a Turkish cigarette, a gangster, a bowler and generally “things most people don’t know about” – and reconstitutes their Jazz Age virtues on canvas in cubist, comic-laced landscapes of tropical color. (ala Robert Crumb and Ben Katchor) breaking in: Perpetually on the fly from his middle-class Brooklyn background, Merkin found the perfect escape in the mid ‘60s in George Frazier, a dapper Boston columnist who inspired the emerging New York painter’s overnight reinvention of himself. The elements of structure, stability and surprise he admired in this well-dressed dandy – a cool linen suit, a splash of suspender, a polka dot scarf and pearl-handled walking stick – soon surfaced in paintings peopled by impeccable underdogs of café society along with his personal pop heroes: William Burroughs, Bobby Short and Krazy Kat...

GATEKEEPER, 1996, color Iris print, signed in pencil, from the numbered edition 35, This is 5/35 (the picture shows 3/35) image 9 x 7 ½", full margins, printed & published by Muse X, Los Angeles. Botanical/Erotic print in the manner of Judy Chicago. A modern feminist take on the female anatomy. ANNE MARIE KARLSEN received a B.F.A. from Michigan State University and an M.F.A. from the University of Wisconsin. Her work has been featured in exhibitions throughout the United States including the Museum of Fine Arts in Boston, the UCLA Armand Hammer Museum in Los Angeles, the Brooklyn Museum in New York, and the Carnegie Institute Museum of Art in Pittsburgh. Karlsen has completed numerous commissions for libraries, transit stations, cruise lines and municipal buildings. Her public art projects have been recognized as some of the most successful in the United States by the Americans for the Arts Year in Review. Karlsen received the Westside Prize by the Westside Urban Forum for her work on the Santa Monica Boulevard Master Plan for the City of West Hollywood. She teaches at Santa Monica College. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten...

Genre: Modern Subject: Abstract Medium: Mixed Media Surface: Paper Dimensions: 19 1/2" x 19 1/2" Dimensions w/Frame: 29 1/4" x 29 1/4" Simon, an award-winning mixed media artist with four Best Of Show honors, and numerous other distinctions, has been featured in over a dozen one-woman shows and many group exhibits. She has a master's of fine arts degree from the University of Iowa, and has divided her time between Colorado, Iowa and New Zealand. The prestigious Southwest Art magazine a few years ago featured Simon on its cover along with a profile in a two-page spread. "Mine is a happy-go-lucky world where everyone gets along, cares for one another and celebrates the day," Simon remarks. "I am hoping to refine my images to the elegance of a simple Haiku, the short poem that captures a single perfect moment in time — a peaceful kingdom. "In much of my work, I enjoy thinking about what goes on in the canyons, the seas and the nighttime, when no one is watching, perhaps joy and playfulness and even deep thoughts occur during those unseen hours," she says. Simon draws on the past's creative techniques and designs to put her works into action on canvas. "Although my inspiration comes from far and wide, light, nature and the Native American Ancients are the strongest aspects in my works," Simon says...

Genre: Contemporary Subject: People Medium: Digital, Print Surface: Metal Country: United States Dimensions: 49 3/4" x 38 3/4" This extra large montage of photographs is mounted onto aluminum from Ken Gonzales-Day's dysmorphologies series. Ken Gonzales-Day's interdisciplinary and conceptually grounded projects consider the history of photography, the construction of race, and the limits of representational systems ranging from the lynching photograph to museum display. The Searching for California Hang Trees series offered a critical look at the legacies of landscape photography in the West while his most recent project considers the sculptural depiction of race. Profiled began as an exploration of the influence of eighteenth century "scientific" thought on twenty-first century institutions ranging from the museum to the prison and extended to the sculpture and portrait bust collections of several major museums including: The J. Paul Getty Museum; The Field Museum, Chicago; The Museum of Man, San Diego; L'École des beaux-arts,Paris. The Bode Museum, Berlin, Park Sanssouci, Potsdam; The National Museum of Natural History, Paris; The Yale Center for British Art, New Haven; among others. Gonzales-Day lives in Los Angeles and is Chair of the Art Department at Scripps College. Fellowships and Grants Chercheur Accueilli, Institut National d'Histoire de l'Art (INHA); COLA Individual Artist Award; Art Mattes Grant; Mid-Career Award, California Communtiy Foundation; Durfee Fondation ACG; Graves Award for the Humanities; Visiting Scholar/Artist-in-Residence, Getty Research Institute; Senior Fellow, American Art Museum and National Portrait Gallery of the Smithsonian Institution; Fellow, Rockefeller Foundation Study and Conference Center, Bellagio, Italy; Van Lier Fellow, ISP, Whitney Museum of American Art; Rotary International. Select Solo Exhibitions Luis De Jesus Los Angeles; Galerie Steph, Singapore; The Vincent Price Museum, LA; Fred Torres Collaborations, NYC; Tufts University, Medford, MA; Las Cienegas Projects, L.A.; UCSD Art Gallery, La Jolla, CA; Steve Turner Contemporary, L.A.; LAXART, L.A.; CUE Art Foundation, NY, NY; Pomona College Museum of Art, Claremont, CA; Susanne Vielmetter Projects, L. A.; Cristinerose Gallery, NY, NY; White Columns, NY, NY, among others. Select Group Exhibitions Our America: The Latino presence in American Art, Smithsonian Institution; MDE11, Medellin, Colombia; COLA 2011, at LAMAG, Los Angeles; Spy Numbers, Palais de Tokyo, Paris;How Many Billboards, MAK Center, W.H.; State of Mind, MoPA, San Diego; Phantom Sightings, LACMA, L.A.(traveled); Encuentro Hemispherico, Bogota; Under Erasure, Temple Bar Gallery and Studios, Dublin; Under Pain of Death, Austrian Cultural Forum, NYC;ArtMediaPolitique, DIX291, Paris; Viva Mexico, Zacheta National Gallery, Warsaw (traveled); Past Over, Steve Turner Contemporary, L.A.; Crimes of Omission, ICA Philadelphia; Exile of the Imaginary, Generali Foundation, Vienna; Civil Restitutions, Thomas Dane Gallery...

Steve Hurd is a Los Angeles artist that works from found source materials translating them into paintings that bring up and discuss social/politica...

Genre: Modern Subject: Landscape Medium: Mixed Media, Oil, Watercolor Surface: Canvas Country: United States Dimensions: 42" x 36" x 3/4" Dimensions w/Frame: 47 3/4" x 41 1/2" Kathi Packer EDUCATION: Hartford Art School, B.F.A in Painting, summa cum laude Simmons College, M.S. in Information Science Rhode Island College, B.S. in Dance/Theatre SOLO EXHIBITIONS: 2014 EBK Gallery [small works] Hartford, CT 2014 Bone Dry Silence, FIRST STREET GALLERY, NY 2012 Bakora: Drawings and Paintings, JAPANALIA, Hartford, CT 2011 Ngorongoro Passage, FIRST STREET GALLERY, NY Selected Work, JAPANALIA, Hartford, CT Ngorongoro Revisited, SILVER CIRCLE GALLERY, Putnam, CT 2008 Leaving Eden, EBK GALLERY, West Hartford, CT 2007 Leaving Eden, FIRST STREET GALLERY, NY Works on Paper, GALERIA NACIONAL DEL MUSEO DE LOS NINOS, Costa Rica 2006 Fractured Fables, FIRST STREET GALLERY, NY 2004 Exotic Properties, FIRST STREET GALLERY, NY Exotic Properties…Continued, ROXBURY’S MINOR MEMORIAL GALLERY, Roxbury, CT Dreams and Myth: Recent Work, FIRST STREET GALLERY, NY 2002 Director’s Choice: Dreams and Myth, SILVERMINE GUILD OF ARTISTS, New Canaan, CT 2001 New Figurative Paintings, EBK PICTURE FRAMERS AND GALLERY, West Hartford, CT 2000 Recent Work, FIRST STREET GALLERY, NY 1999 Recent Work, WASHINGTON ART ASSOCIATION, Washington Depot, CT Recent Work, UNIVERSITY OF CONNECTICUT HOMER BABBIDGE LIBRARY, Storrs, CT Recent Work, CANTON GALLERY ON THE GREEN, Canton, CT SELECTED EXHIBITIONS: 2013 Open Studio...

Color iris print, image 29 _ x 38 _", full margins, printed by Muse X, selling unframed. Provenance: University of South Florida, Contemporary Art Museum Artist Bio/Affiliation: M...

In this artwork the artist takes a child-like approach at depicting the subject using vibrant colors and painterly brushstrokes. Signed and titled on verso, GANG 2/1990.

Genre: Other Subject: Architecture Medium: Print Surface: Paper Country: Germany Dimensions: 19 3/4" x 15 3/4" Dimensions w/Frame: 22 3/4" x 19" Gerhard Merz Venedig 1997 1998 From the portfolio Sequences printed on Magnani rag paper. print 50 x 40 cm (19¾ x 15¾"), signed and numbered. Edition of 60. Gerhard Merz, born 1947 in Mammendorf near Munich, lives and works in Berlin and Pescia, Italy. Gerhard Merz, who has occasionally been labeled a modern classicist, uses the elements of art - measurement, form and light - in a careful reconsideration of modernism. These three prints document the idea, the architectural plan, and the realized art space at the German Pavillion of the Venice Biennale 1997: brick walls, plaster and fluorescent light - clarity and blankness. »The beautiful is mute and blank.« Gerhard Merz (born 25 May 1947 in Mammendorf , Kreis Fürstenfeldbruck ) is a German artist. From 1969 to 1973, he studied at the Academy of Fine Arts Munich and became a student in the masterclass of Rudi Tröger . Between 1964 and 1969, inspired by Francis Bacon and Uwe Lausen, expressive pictures emerged and subsequently metal sculptures. Since the beginning of the 1970s, he has been increasingly successful with spatial installations in which he drew references to the history of literature and art, as well as to political history, as well as the development of large-format, monochrome images with lines of pencil strokes. In the building of the Federal Foreign Office in Bonn, he designed a wall through a large polychromatic mosaic. Starting in 1977, he was represented at Documenta in Kassel four times in a row. In 1983 he was awarded the Arnold-Bode-Prize of the documenta – City of Kassel . In 1991 he received a reputation as a professor at the Kunstakademie Düsseldorf . In 1998/1999 he was commissioned to design the rooms within the framework of the old building renovation of the Federal Foreign Office in Berlin in a joint project with the architect Hans Kollhoff...

Signed, dated and titled verso. Gelfman is often praised for using unconventional approaches during the creation process. This intricate mixed media piece is no exception. Her use ...

Gregg Robinson, American (born 1948) "Cipher Bar 19" Oil on Canvasboard Panel. Artist signed, title and dated 1990 far right. Very minor rubbing to paint. Panel measures 15-1/4" H x 63-1/2" W, frame measures 24-1/4" H x 72-1/4" W GREGG ROBINSON The universe of visual art encompasses a huge spectrum of motivation and means of expression. Examples range from the most syrupy sentimentality to extremes of moral and intellectual confrontation. For me, the creative process is, on the simplest level, an aesthetic puzzle. Elements of the puzzle include contrast, color, visual texture, graphic pattern, and in some recent work, a simple cryptic symbolism. I have never been particularly interested in lyric or pictorial content, and though some of my work does contain undeniable spatial illusion, even that tends to be a by-product rather than a goal of the primary pursuit: the balance of light and dark, pure color and organic neutrals, energy and calm, strong pattern and subtle field. Having grown up in an environment of contemporary architecture, I have always valued the classic modern synthesis of form and function exemplified by the Bauhaus movement of the early 20th century. Hence, the simplest solutions are often the most satisfying. Obviously, the modernist ideal of efficiency in form and function requires that method of execution be as well adapted to the aesthetic goal as the visual language itself. The media before you is the result of many years of experimentation that came to its current form in early 1992. I work with dry pigment over a plaster surface. My tools are broad knives, sponges, rags and masking. The finish is a high gloss alkyd resin. CORPORATE COLLECTIONS: Allstate Insurance NBC Productions Alaska...

Gregg Robinson, American (born 1948) "Cipher Bar 20" Oil on Canvasboard Panel. Artist signed, title and dated 1990 far right. Very minor rubbing to paint. Panel measures 15-1/4" H x 63-1/2" W, frame measures 24-1/4" H x 72-1/4" GREGG ROBINSON The universe of visual art encompasses a huge spectrum of motivation and means of expression. Examples range from the most syrupy sentimentality to extremes of moral and intellectual confrontation. For me, the creative process is, on the simplest level, an aesthetic puzzle. Elements of the puzzle include contrast, color, visual texture, graphic pattern, and in some recent work, a simple cryptic symbolism. I have never been particularly interested in lyric or pictorial content, and though some of my work does contain undeniable spatial illusion, even that tends to be a by-product rather than a goal of the primary pursuit: the balance of light and dark, pure color and organic neutrals, energy and calm, strong pattern and subtle field. Having grown up in an environment of contemporary architecture, I have always valued the classic modern synthesis of form and function exemplified by the Bauhaus movement of the early 20th century. Hence, the simplest solutions are often the most satisfying. Obviously, the modernist ideal of efficiency in form and function requires that method of execution be as well adapted to the aesthetic goal as the visual language itself. The media before you is the result of many years of experimentation that came to its current form in early 1992. I work with dry pigment over a plaster surface. My tools are broad knives, sponges, rags and masking. The finish is a high gloss alkyd resin. CORPORATE COLLECTIONS: Allstate Insurance NBC Productions Alaska...

Large mixed media on canvas composed of torn piece of burlap on canvas painted with a landscape scene of a city street, abstract shapes and shades and finished with glittered Arabic ...

April Gornik (American, b. 1953) Cascading Waterfall, 1998, Soft ground etching and spit bite aquatint, hand signed, titled and dated '98 in pencil. Sheet dimensions: 22 x 30 in. Cascading Waterfall, is an etching and aquatint on copper plate, printed on Arches paper. Its image dimensions are 14 3/4 by 23 1/2 inches. It is included in the collection of the Museum of Art, MoMA NYC. Commissioned by the print club of Cleveland, Ohio. April Gornik (born 1953, Cleveland, Ohio) is an American artist who paints American landscapes. Her realist yet dreamlike paintings and drawings embody oppositions and speak to America's historically conflicted relationship with nature. While she doesn't categorize herself as an environmental artist, she is a passionate supporter of environmental causes and has said, "I have no problem with people reading an ecological message into my work." Biography Gornik received in 1976 her B.F.A. from the Nova Scotia College of Art and Design (now called NSCAD University), and while attending the school she met her future husband, painter Eric Fischl. Art dealer Ed Thorp hosted her first solo exhibition in 1981, after having caught sight of her paintings while viewing Fischl's work. She is influenced by the feminist consciousness-raising of the late 20th century and, in speaking about female artists who have worked in the shadows of better known male artists, including Elaine de Kooning and Lee Krasner, she has said, "It's a problem. Women artists still receive lower prices for their art and remain less shown than their male counterparts." In 2014, FigureGround Press published the monograph April Gornik: Drawings, an extensive look at charcoal drawings done since the mid 1980s. The book includes essays by Steve Martin and Archie Rand, an interview with Lawrence Weschler, and a digital download of a piano and cello composition by composer Bruce Wolosoff, played by Wolosoff and Sara Sant'Ambrogio of the Eroica Trio. Gornik has remained committed to helping her community and making a difference, Gornik and her husband invested in 26 acres of land in which they donated in 2017 to the town of North Haven to preserve land. She also adds her funds to the Southampton Animal Shelter as well as being involved with the Eastville Historical Society. Collections Various permanent art collections include Gornik's work, including: Smithsonian American Art Museum, Metropolitan Museum of Art (the Met), the Museum of Modern Art (MoMA), Hood Museum of Art, Whitney Museum of American Art, Nasher Museum of Art, The Museum of Fine Arts, and many others. Two of her paintings, Virga (1992) and Storm and Fires (1990) are held in the Smithsonian American Art Museum collection. In 2007, the Smithsonian Art Collectors Program commissioned Gornik to produce a print to benefit the educational and cultural programs of the Smithsonian Associates. The lithograph, entitled Blue Moonlight hangs in the ongoing exhibition Graphic Eloquence in the S. Dillon Ripley Center in the National Mall, Washington, D.C. Awards Gornik has received several awards: the Neuberger Museum of Art Annual Honoree (2004), the 18th annual Lifetime Achievement in the Arts Honoree (2003) by the Guild Hall of East Hampton, and the Award of Excellence for Artistic Contributions to the Fight Against AIDS from the American Foundation for AIDS Research (amfAR) Recent Group Exhibitions 2022 “Boil, Toil & Trouble” (curated by Zoe Lukov), Art in Common, Miami, FL (with Ana Mendieta, Bruce Nauman, Maya Lin, Marina Abramović, Nicole Eisenman, Niki De Saint Phalle etc.) “COMPETERE: An Exhibition of Artist Couples,” The Bo Bartlett Center, Columbus State University, GA 2019 “That 80s Show,” Nassau County Museum of Art, Roslyn Harbor, NY (The East Village scene; Keith Haring, Jean-Michel Basquiat, Julian Schnabel, Cindy Sherman, April Gornik, Kenny Scharf, Robert Mapplethorpe, and Robert Longo“ LandEscape,” Katonah Museum of Art, Katonah, NY 2017 “Black & White,” Tripoli Gallery, Southampton, NY “Photography of Place,” Palm Beach Photographic Center Museum, West Palm Beach, FL 2015 “Seeing Nature: Landscape Masterworks from the Paul Allen...

In this piece, Baiju Parthan elaborates in the workings of a mysterious inner universe through his mixed media composition. Here, the artist explores the imagery of mandalas and Tibe...

Gary Denmark (American, born 1953). A monotype art print on Arches paper. Titled, "Being in Salgadoland," produced 1993. An abstract work with shapes and designs, including flora, honeycomb patterns, and other forms. Hand signed lower right Gary. Provenance: Hunsaker Schlesinger Fine Art, Santa Monica, CA. Bears gallery label with title, details verso. The artist's work is in the permanent collection of the Smithsonian American Art Museum (Washington,D.C.). Work Size: 29 x 29 in. Framed dimensions: 31.5 X 31.5 X 1.5 in. Gary Denmark, California, 1953- Education: M.F.A. Degree, 1981, Graphics, University of Wisconsin, Madison B.F.A. Degree, 1976, Fine Arts, San Diego State University He worked as a master printer in Monotype, Lithograph, serigraph and monoprint techniques at Aurobora Press (they published Roberto Juarez, Lynda Benglis and Pat Lipsky...

Betsy Podlach (American, born 1964.) Still life with Fruit, a Bowl of Apples Framed 25 X 26 24 X 25 inches Betsy Podlach graduated from Harvard, cum laude, (she studied at Harvard with Alfred Decreido and William Reimann as well as Carlos Fuentes continuing her studies at the New York Studio School of Drawing, Painting, and Sculpture, Ms. Podlach was awarded an art fellowship and residency at The International School of Art in Umbria, Italy. Betsy Podlach is an American painter who considers the Italian Venetians and the american abstract expressionist painters her mentors. The two painters she is most inspired by are Titian and Jackson Pollock, Both use the picture plane and abstraction and space, light, movement and form to communicate a physicality built entirely on the principals of painting, in the “classical” sense of a flat plane and lines, color, shape, space and light applied to that flat surface to create magic – light, space, form, emotion, force, movement, the physical and the spiritual. She describes her work as a figurative version of abstract expressionism. She was influenced by many of the abstract expressionists from the NY school...

Betsy Podlach (American, born 1964.) Still life with Fruit and Glass Bottle Framed it measures 26.5 X 21.5 Canvas is 21.5 X 16.5 Betsy Podlach graduated from Harvard, cum laude, (she studied at Harvard with Alfred Decreido and William Reimann as well as Carlos Fuentes continuing her studies at the New York Studio School of Drawing, Painting, and Sculpture, Ms. Podlach was awarded an art fellowship and residency at The International School of Art in Umbria, Italy. Betsy Podlach is an American painter who considers the Italian Venetians and the american abstract expressionist painters her mentors. The two painters she is most inspired by are Titian and Jackson Pollock, Both use the picture plane and abstraction and space, light, movement and form to communicate a physicality built entirely on the principals of painting, in the “classical” sense of a flat plane and lines, color, shape, space and light applied to that flat surface to create magic – light, space, form, emotion, force, movement, the physical and the spiritual. She describes her work as a figurative version of abstract expressionism. She was influenced by many of the abstract expressionists from the NY school...

Betsy Podlach (American, born 1964.) Still life with Tin Cup, 1996 17.5 X 16.5 inches. Framed it measures 18.25 X 17.25 Betsy Podlach graduated from Harvard, cum laude, (she studied at Harvard with Alfred Decreido and William Reimann as well as Carlos Fuentes continuing her studies at the New York Studio School of Drawing, Painting, and Sculpture, Ms. Podlach was awarded an art fellowship and residency at The International School of Art in Umbria, Italy. Betsy Podlach is an American painter who considers the Italian Venetians and the american abstract expressionist painters her mentors. The two painters she is most inspired by are Titian and Jackson Pollock, Both use the picture plane and abstraction and space, light, movement and form to communicate a physicality built entirely on the principals of painting, in the “classical” sense of a flat plane and lines, color, shape, space and light applied to that flat surface to create magic – light, space, form, emotion, force, movement, the physical and the spiritual. She describes her work as a figurative version of abstract expressionism. She was influenced by many of the abstract expressionists from the NY school...

Genre: Contemporary Subject: People Medium: Oil Surface: Canvas Dimensions: 24" x 18" Yuri Yefimovitch Brusovany was born on November, 15th 1949 in Leningrad (St. Petersburg) Russia. His father was a Jew from Gomel. His mother descended from the prominent family of Samoiloff Actors. This family was well-known all over Russia for a long time. Since 1820 names of the actors from the Samoiloffs' Dynasty never left the theatre posters. It was the largest family tree in the history of Russian scenic art. The central figure in the dynasty was V.V. Samoiloff (1834 - 1877) lived at the same time with Feodor Dostoevsky, Karl Brullov and Leo Tolstoy. V.V. Samoiloff, P.V. Samoiloff and V.A. Michurina-Samoilova were buried at the Alexander Nevsky...

Genre: Judaica Subject: Abstract Medium: Oil Surface: Canvas Country: United States Dimensions: 24" x 16" Yuri Yefimovitch Brusovany was born on November,15th 1949 in Leningrad (St. Petersburg). His father was a Jew from Gomel. His mother descended from the prominent family of Samoiloff Actors. This family was well-known all over Russia for a long time. Since 1820 names of the actors from the Samoiloffs' Dynasty never left the theatre posters. It was the largest family tree in the history of Russian scenic art. The central figure in the dynasty was V.V. Samoiloff (1834 - 1877) lived at the same time with Feodor Dostoevsky, Karl Brullov and Leo Tolstoy. V.V. Samoiloff, P.V. Samoiloff and V.A. Michurina-Samoilova were buried at the Alexander Nevsky...