Lions Gallery Black and White Photography

These were from a show of her work. Influenced by Surrealism and Dada Photographs these are images of old children's dolls in various states of decay. These bear the influence of Ha...

These were from a show of her work. Influenced by Surrealism and Dada Photographs these are images of old children's dolls in various states of decay. These bear the influence of Ha...

These were from a show of her work. Influenced by Surrealism and Dada Photographs these are images of old children's dolls in various states of decay. These bear the influence of Ha...

Andreas Feininger (American, 1906-1999), Untitled, nature subject Morning dew silver gelatin prints Hand signed in pencil "Andreas Feininger" numbered "2/100" Dimensions: 12.25"h ...

Andreas Feininger (American, 1906-1999), Untitled, nature subject Spider web silver gelatin prints Hand signed in pencil "Andreas Feininger" numbered "2/100" Dimensions: 12.25"h x...

Julio Mitchell (Cuban, b. 1942) 'Statue of Liberty' 'Statue of Liberty from Brooklyn Dated 1998 Dedicated to Chara Schreyer and Natalie for her Bat Mitzvah Fine Print 16in. x 10 1/2i...

Potsdam conference meeting depicting Josef Stalin, Winston Churchill and Harry Truman on the balcony gelatin silver print, matte finish on photograph, artist's stamp verso, approximately 11" x 15-1/2" sheet, date of printing unknown. Provenance: acquired from the estate of photographer Samariy Gurariy...

Potsdam conference meeting depicting Josef Stalin, Winston Churchill and Harry Truman (not visible) at the conference table, gelatin silver print, date of printing unknown, 16-1/2" x 22-3/4" sheet, date of printing unknown. Provenance: acquired from the estate of photographer Samariy Gurariy...

Yuri Gagarin Meeting Workers at Foundry Stankolit, depicting the famous Russian cosmonaut (Moscow, 1961) Gelatin silver print, matte finish, date of printing unknown. Provenance: acquired from the estate of photographer Samariy Gurariy...

Yuri Gagarin Meeting Workers at Foundry Stankolit, depicting the famous Russian cosmonaut (Moscow, 1961) Gelatin silver print, gloss finish, date of printing unknown. Provenance: acquired from the estate of photographer Samariy Gurariy...

Large photograph, Andy Warhol at the factory unsigned Dimensions: 20" by 16" Bears a pencil inscription Gianfranco Gorgoni verso Gianfranco Gorgoni (1941 – 2019) was an Italian ph...

Fabulous American landscape photography of a rural school house. From series "American Ruins, Ghosts on the Landscape" "Near Pomme de Terre Lake, Grant County, Minnesota," from smal...

Botman, Machiel (Dutch, b.1955). "Ijke, 1993" (Boy with Flower, Rainchild). Silver Print.Hand signed in pencil (beneath mat) Image: 8" x 13.25". Framed: 18.5" x 22.5". A key figure in contemporary Dutch photography, Machiel Botman is represented by the Gitterman Gallery in New York, Galerie VU in Paris and the Kahmann Gallery in Amsterdam. His books include Heartbeat (Volute, 1994), Rainchild (Schaden and Le Point du Jour, 2004) and One Tree (Nazraeli Press, 2011). His work is included in numerous institutional collections, including the Bibliotheque Nationale in Paris, the Tokyo Museum of Photography and the Frans Hals Museum in Haarlem. Machiel Botman was born in 1955 in Vogelenzang, The Netherlands. Self-taught, Botman has photographed since the age of 10. In the early 1980s he learned to print by assisting the master printer Philippe Salaün in Paris, who made prints for Willy Ronis, Izis, Robert Doisneau and others. He lives in Haarlem, the Netherlands. Select Group Exhibitions Gitterman Gallery Summer Exhibition Adam Bartos, Ferenc Berko, Machiel Botman Josef Breitenbach, Eugene Meatyard, Joseph Szabo, Edmund Teske etc. Gitterman Gallery Eclectic Bruno Barbey, Machiel Botman, Pierre Cordier, František Drtikol, Yasuhiro Ishimoto, Izis, Pierre Jahan, Helen Levitt, Tina Modotti, Josef Sudek, Roman Vishniac, Minor White, etc. Kahmann Gallery The Old Man & The Sea Nobuyoshi Araki, Machiel Botman, Henri Cartier-Bresson, André Kertész, Irving Klaw, etc. Kahmann Gallery FLAVOURS Eva Besnyö, Machiel Botman, Harry Callahan, Takeshi Shikama, Maura Sullivan, Albert Watson etc. European Photography - Reggio Emilia Mark Borthwick, Machiel Botman, Kevin Cummins, Francesco Jodice, Michael Kenna, Man Ray Alberta Pellacani, Alessandra Spranzi, Luigi Veronesi, Richard Wentworth, Alain Willaume etc. Kahmann Gallery, Imagine A collection of contemporary and vintage photographs Jehsong Baak, Eva Besnyö, Machiel Botman, Fons Brasser, etc. Museum Charlottenburg-Wilmersdorf L'Homme-paysage Dieter Appelt, Machiel Botman, William Kentridge, Javier Pérez, Giuseppe Penone, Jim Shaw Zabriskie Gallery, The Beach Machiel Botman, Esther Bubley, Harry Callahan, Joel Meyerowitz, Garry Winogrand etc. Kahmann Gallery, Dutch Nudes...

Rare vintage signed and dated silver gelatin black & white unframed photograph. (printed circa 19730-1981) signed and numbered in ink on recto. Hand developed by or under the personal direction of Micha Bar Am at the studio of acclaimed printer Thomas Consilvio in Beverly Hills, California. In 1981, the negatives were retired and donated by Bar-Am to the permanent archives of the Tel-Aviv Museum, Israel. This one has the feel of a Roman Vishniac photo. Micha Bar-Am (Hebrew: מיכה בר-עם) (born 1930 in Berlin, Germany) is an Israeli journalistic photographer. His images cover every aspect of life in Israel in the past sixty years. Since 1968 he has been a correspondent with Magnum, the photographic cooperative. From 1968 to 1992, he was the New York Times photographic correspondent from Israel. He has published several books of photography, beginning in 1957. His work is held in numerous international museums and institutes throughout the world. Born in Berlin to a Jewish family, Bar-Am moved with his parents in 1936 to then British Mandate of Palestine. He attended local schools. He was drafted in 1948 and served during Israel's War of Independence, when he was part of the Palmach Unit. Afterward, he worked several jobs, including as a locksmith and a mounted guard, before becoming a photographer. In 1949 he co-founded the kibbutz Malkia in Galilee. Later he became a member of Kibbutz Gesher HaZiv. Photography career In the early 1940s, Bar-Am started taking pictures of life on a kibbutz; he used borrowed cameras until he bought a Leica. After his military service, he began photographing more seriously. After publishing his first book, Across Sinai (1957), Bar-Am gained work as a photographic reporter and in the editorial staff of the Israeli Army magazine, Ba-Mahaneh, from 1957 to 1967. In 1961 he covered the Adolf Eichmann trial. In 1967 he covered the Six-Day War, during which time he met Cornell Capa. Many of his war images brought him renown. Since 1968, he has been a correspondent for Magnum Photos. In 1974 he helped Capa found the International Center of Photography in New York City. In 1968, Bar-Am also became the photographic correspondent from Israel for the New York Times, a position he held until 1992. From 1977-92, he was head of the department of photography at the Tel Aviv Museum of Art. He says that he has adopted Robert Capa saying, "If your photographs aren't good enough, you weren't close enough," Awards 2000--Israel Prize for photography. 1993—Enrique Kavlin Prize, Israel Museum, Jerusalem, Israel 1985-86--Nieman Fellow, Harvard University, Cambridge, Massachusetts, USA 1985—IBM Fellowship, Aspen, Colorado, USA 1985—Golden Flamingo Award for Photographic Poster, Arles, France 1985--Fulbright Grant Books Southward: Micha Bar-Am, Photographs, Israel: The Negev Museum of Art, 2013 Insight: Micha Bar-Am's Israel, London: Koenig Books / Israel: Open Museums, 2011 Israel: A Photobiography, USA: Simon & Schuster, 1998 The Last War, Israel: Keter Publishers, 1996 Painting With Light: The Photographic Aspect in the Work of E.M. Lilian, Israel: Tel Aviv Museum of Art/Dvir Publishing, 1991 Jewish Sites in Lebanon, USA: Moreshet Eretz-Yisrael/Ariel, 1984 The Jordan, Israel: Masada Ltd., 1981 Portrait of Israel, USA: New York Times/American Heritage Press, 1970 Across Sinai, Israel: Hakibbutz Hameuchad, 1957 Collections Israel Museum, Jerusalem, Israel Tel Aviv Museum of Art, Tel Aviv, Israel Haifa Museum, Haifa, Israel The Museum of the Jewish People at Beit Hatfutsot, Tel Aviv, Israel The Museum of Photography at Tel Hai, Tel Hai Kibbutz, Israel International Center of Photography, New York, USA The Museum of Modern Art, New York, USA Museum of Fine Arts, Houston, USA International Museum of Photography at George Eastman House, Rochester, USA Skirball Museum, Los Angeles, USA Minneapolis Institute of Arts, Minneapolis, USA Henry Buhl Collection, New York, USA Ludwig Museum, Cologne, Germany Folkwang Museum, Essen, Germany Bibliothèque Nationale, Paris, France Musée d'Art et d'Histoire du Judaïsme, Paris, France Collection FNAC, Paris, France Fundacion “La Caixa”, Barcelona, Spain National Maritime Museum, London, UK Magnum Photos: Photographic Collection, Harry Ransom Center, University of Texas at Austin, USA This photo is signed. It is from the height of the war. Leonard Freed, Micha Bar Am, Henri Cartier-Bresson, David Rubinger...

Born on October 1, 1924, in Plains, Georgia, Jimmy Carter was 39th president of the United States (1977-81) and served as the nation's chief executive during a time of serious proble...

My Secret Business, 1992-1993 Duotone offset litho, Lithograph Sheet measures 30.13'' x 22.5'' (76 X 56 cm). 23 1/2 × 18 in (59.7 × 45.7 cm) image. Hand-signed by artist, Signed, da...

Wang Ningde (China, b. 1972) "Some days no. 23". Size: 48'' x 64.75'', 122 x 164 cm (image); 52'' x 69'', 132 x 175 cm (frame). Chromogenic print (c-print)...

Alfredo Valente (1899-1973) was an Italian born American photographer known for his prolific career chronicling Broadway theatre. He is also credited as a singer, painter, art collector, dealer, and cultural administrator. Valente was born in Calabria, Italy where he trained as a fine artist and opera singer. In 1927, he immigrated to the United States where he performed opera in public. However, his singing career did not take off and he pivoted to focus on his photography. In 1931, he became the photographer for the newly formed Group Theater, an experimental theater company based in New York co-founded by Lee Strasberg. By the mid-1930s, Valente was regularly published by magazines and newspapers, most notably Stage, a magazine dedicated to Broadway theater. Valente was lauded as one of the leading theater photographers of the day and his use of artistic camera angles and dramatic lighting became his signature. He also became known for portraying actors and dancers in costume, but not while performing. In addition to Broadway, Valente photographed American Ballet Theatre (then known as Ballet Theatre) during the company's formative years during the 1940s. He photographed some of Ballet Theatre's most prominent dancers, such as Harold Lang...

Rare German Judaica. Arno Katz Foto for Atelier Bermann, Frankfurt, Germany. bears original stamp verso The Weimar Republic (German: Weimarer Republik [...

The Original American Colony was a colony established in Jerusalem in 1881 by members of a utopian society led by Anna and Horatio Spafford. Now a hotel in East Jerusalem, it is still known by that name today. After suffering a series tragic losses following the Great Chicago Fire of 1871 (see hymn "It is Well with My Soul"), Chicago residents Anna and Horatio Spafford led a small American contingent in 1881 to Jerusalem to form a utopian society. The "American Colony," as it became known, was later joined by Swedish Christians. The society engaged in philanthropic work amongst the people of Jerusalem regardless of religious affiliation, gaining the trust of the local Muslim, Jewish, and Christian communities.During and immediately after World War I, the American Colony carried out philanthropic work to alleviate the suffering of the local inhabitants, opening soup kitchens, hospitals, orphanages and other charitable ventures. Towards the end of the 1950s, the society's communal residence was converted into the American Colony Hotel. The hotel is an integral part of the Jerusalem landscape where members of all communities in Jerusalem still meet. In 1992 representatives from the Palestine Liberation Organization and Israel met in the hotel where they began talks that led to the historic 1993 Oslo Peace Accord. Panorama of Jerusalem, c. 1890-1920 The Colony moved to the large house of a wealthy Arab landowner, Rabbah Husseini, outside the city walls in Sheikh Jarrah on the road to Nablus. Part of the building was used as a hostel for visitors from Europe and America. A small farm developed with animals, a butchery, a dairy, a bakery, a carpenter's shop, and a smithy. The economy was supplemented by a shop selling photographs, craft items and archaeological artifacts. The American Colonists were embraced by the Jewish and Palestinian communities for their good works, among them, teaching in both Muslim and Jewish schools. Photography Around 1900, Elijah Meyers, a member of the American Colony, began taking photographs of places and events in and around the city of Jerusalem. Meyers's work eventually expanded into a full-fledged photographic division within the Colony, including Hol Lars (Lewis) Larsson and G. Eric Matson, who later renamed the effort as the Matson Photographic Service. Their interest in archeological artifacts (such as the Lion Tower in Tripoli pictured here), and the detail of their photographs, led to widespread interest in their work by archeologists. The collection was later donated to the Library of Congress. World War I When the Ottoman Empire entered World War I as an ally of Germany in November 1914, Jerusalem and Palestine became a battleground between the Allied and the Central powers...

The Original American Colony was a colony established in Jerusalem in 1881 by members of a utopian society led by Anna and Horatio Spafford. Now a hotel in East Jerusalem, it is still known by that name today. After suffering a series tragic losses following the Great Chicago Fire of 1871 (see hymn "It is Well with My Soul"), Chicago residents Anna and Horatio Spafford led a small American contingent in 1881 to Jerusalem to form a utopian society. The "American Colony," as it became known, was later joined by Swedish Christians. The society engaged in philanthropic work amongst the people of Jerusalem regardless of religious affiliation, gaining the trust of the local Muslim, Jewish, and Christian communities.During and immediately after World War I, the American Colony carried out philanthropic work to alleviate the suffering of the local inhabitants, opening soup kitchens, hospitals, orphanages and other charitable ventures. Towards the end of the 1950s, the society's communal residence was converted into the American Colony Hotel. The hotel is an integral part of the Jerusalem landscape where members of all communities in Jerusalem still meet. In 1992 representatives from the Palestine Liberation Organization and Israel met in the hotel where they began talks that led to the historic 1993 Oslo Peace Accord. Panorama of Jerusalem, c. 1890-1920 The Colony moved to the large house of a wealthy Arab landowner, Rabbah Husseini, outside the city walls in Sheikh Jarrah on the road to Nablus. Part of the building was used as a hostel for visitors from Europe and America. A small farm developed with animals, a butchery, a dairy, a bakery, a carpenter's shop, and a smithy. The economy was supplemented by a shop selling photographs, craft items and archaeological artifacts. The American Colonists were embraced by the Jewish and Palestinian communities for their good works, among them, teaching in both Muslim and Jewish schools. Photography Around 1900, Elijah Meyers, a member of the American Colony, began taking photographs of places and events in and around the city of Jerusalem. Meyers's work eventually expanded into a full-fledged photographic division within the Colony, including Hol Lars (Lewis) Larsson and G. Eric Matson, who later renamed the effort as the Matson Photographic Service. Their interest in archeological artifacts (such as the Lion Tower in Tripoli pictured here), and the detail of their photographs, led to widespread interest in their work by archeologists. The collection was later donated to the Library of Congress. World War I When the Ottoman Empire entered World War I as an ally of Germany in November 1914, Jerusalem and Palestine became a battleground between the Allied and the Central powers...

The Original American Colony was a colony established in Jerusalem in 1881 by members of a utopian society led by Anna and Horatio Spafford. Now a hotel in East Jerusalem, it is still known by that name today. After suffering a series tragic losses following the Great Chicago Fire of 1871 (see hymn "It is Well with My Soul"), Chicago residents Anna and Horatio Spafford led a small American contingent in 1881 to Jerusalem to form a utopian society. The "American Colony," as it became known, was later joined by Swedish Christians. The society engaged in philanthropic work amongst the people of Jerusalem regardless of religious affiliation, gaining the trust of the local Muslim, Jewish, and Christian communities.During and immediately after World War I, the American Colony carried out philanthropic work to alleviate the suffering of the local inhabitants, opening soup kitchens, hospitals, orphanages and other charitable ventures. Towards the end of the 1950s, the society's communal residence was converted into the American Colony Hotel. The hotel is an integral part of the Jerusalem landscape where members of all communities in Jerusalem still meet. In 1992 representatives from the Palestine Liberation Organization and Israel met in the hotel where they began talks that led to the historic 1993 Oslo Peace Accord. Panorama of Jerusalem, c. 1890-1920 The Colony moved to the large house of a wealthy Arab landowner, Rabbah Husseini, outside the city walls in Sheikh Jarrah on the road to Nablus. Part of the building was used as a hostel for visitors from Europe and America. A small farm developed with animals, a butchery, a dairy, a bakery, a carpenter's shop, and a smithy. The economy was supplemented by a shop selling photographs, craft items and archaeological artifacts. The American Colonists were embraced by the Jewish and Palestinian communities for their good works, among them, teaching in both Muslim and Jewish schools. Photography Around 1900, Elijah Meyers, a member of the American Colony, began taking photographs of places and events in and around the city of Jerusalem. Meyers's work eventually expanded into a full-fledged photographic division within the Colony, including Hol Lars (Lewis) Larsson and G. Eric Matson, who later renamed the effort as the Matson Photographic Service. Their interest in archeological artifacts (such as the Lion Tower in Tripoli pictured here), and the detail of their photographs, led to widespread interest in their work by archeologists. The collection was later donated to the Library of Congress. World War I When the Ottoman Empire entered World War I as an ally of Germany in November 1914, Jerusalem and Palestine became a battleground between the Allied and the Central powers...

Marc Chagall (born Moïche Zakharovitch Chagalov; 6 July [O.S. 24 June] 1887 – 28 March 1985) was a Russian-French artist of Belarusian Jewish origin. An early modernist, he was assoc...

Marc Chagall (born Moïche Zakharovitch Chagalov; 6 July [O.S. 24 June] 1887 – 28 March 1985) was a Russian-French artist of Belarusian Jewish origin. An early modernist, he was assoc...

Baril, Tom (American, b. 1952) Large format silver gelatin print still life of flowers photo. hand signed and dated 1997 by Baril in pencil below image. black and white photograph. i...

Andreas Bernhard Lyonel Feininger (December 27, 1906 – February 18, 1999) was an American photographer and a writer on photographic technique. He was noted for his dynamic black-and-...

Andreas Bernhard Lyonel Feininger (December 27, 1906 – February 18, 1999) was an American photographer and a writer on photographic technique. He was noted for his dynamic black-and-...

Andreas Bernhard Lyonel Feininger (December 27, 1906 – February 18, 1999) was an American photographer and a writer on photographic technique. He was noted for his dynamic black-and-...

Photos pictured of information cards after the images of the black and white photos are not included. La Chute D'Icare (The Fall of Icarus) is a original, black and white photograp...

Photos pictured of information cards after the images of the black and white photos are not included. La Chute D'Icare (The Fall of Icarus) is a original, black and white photograp...

Photos pictured of information cards after the images of the black and white photos are not included. La Chute D'Icare (The Fall of Icarus) is a original, black and white photograp...

Photos pictured of information cards after the images of the black and white photos are not included. La Chute D'Icare (The Fall of Icarus) is a original, black and white photograp...

Photos pictured of information cards after the images of the black and white photos are not included. La Chute D'Icare (The Fall of Icarus) is a original, black and white photograp...

Photos pictured of information cards after the images of the black and white photos are not included. La Chute D'Icare (The Fall of Icarus) is a original, black and white photograp...

Photos pictured of information cards after the images of the black and white photos are not included. La Chute D'Icare (The Fall of Icarus) is a original, black and white photograp...

Photos pictured of information cards after the images of the black and white photos are not included. La Chute D'Icare (The Fall of Icarus) is a original, black and white photograp...

Photos pictured of information cards after the images of the black and white photos are not included. La Chute D'Icare (The Fall of Icarus) is a original, black and white photograp...

Photos pictured of information cards after the images of the black and white photos are not included. La Chute D'Icare (The Fall of Icarus) is a original, black and white photograp...

Photos pictured of information cards after the images of the black and white photos are not included. La Chute D'Icare (The Fall of Icarus) is a original, black and white photograp...

Printed by Muse X in Los Angeles. These are unsigned from a small edition. sepia-toned platinum palladium photographs on paper by Skip Arnold, show the always attractive artist, nude...

Printed by Muse X in Los Angeles. These are unsigned from a small edition. sepia-toned platinum palladium photographs on paper by Skip Arnold, show the always attractive artist, nude...

Printed by Muse X in Los Angeles. These are unsigned from a small edition. sepia-toned platinum palladium photographs on paper by Skip Arnold, show the always attractive artist, nude...

Printed by Muse X in Los Angeles. These are unsigned from a small edition. sepia-toned platinum palladium photographs on paper by Skip Arnold, show the always attractive artist, nude...

Printed by Muse X in Los Angeles. These are unsigned from a small edition. sepia-toned platinum palladium photographs on paper by Skip Arnold, show the always attractive artist, nude...

Printed by Muse X in Los Angeles. These are unsigned from a small edition. sepia-toned platinum palladium photographs on paper by Skip Arnold, show the always attractive artist, nude...

Adolph Studly, Swiss born American photographer. His work is kept in the Photographic Archive at The Museum of Modern Art Archives, New York. He was known for his gallery photograp...

Adolph Studly, Swiss born American photographer. His work is kept in the Photographic Archive at The Museum of Modern Art Archives, New York. He was known for his gallery photograp...

Adolph Studly, Swiss born American photographer. His work is kept in the Photographic Archive at The Museum of Modern Art Archives, New York. He was known for his gallery photograp...

Adolph Studly, Swiss born American photographer. His work is kept in the Photographic Archive at The Museum of Modern Art Archives, New York. He was known for his gallery photograp...

Adolph Studly, Swiss born American photographer. His work is kept in the Photographic Archive at The Museum of Modern Art Archives, New York. He was known for his gallery photograp...

Adolph Studly, Swiss born American photographer. His work is kept in the Photographic Archive at The Museum of Modern Art Archives, New York. He was known for his gallery photograp...

Adolph Studly, Swiss born American photographer. His work is kept in the Photographic Archive at The Museum of Modern Art Archives, New York. He was known for his gallery photograp...

Adolph Studly, Swiss born American photographer. His work is kept in the Photographic Archive at The Museum of Modern Art Archives, New York. He was known for his gallery photograp...

Adolph Studly, Swiss born American photographer. His work is kept in the Photographic Archive at The Museum of Modern Art Archives, New York. He was known for his gallery photograp...

Adolph Studly, Swiss born American photographer. His work is kept in the Photographic Archive at The Museum of Modern Art Archives, New York. He was known for his gallery photograp...

Adolph Studly, Swiss born American photographer. His work is kept in the Photographic Archive at The Museum of Modern Art Archives, New York. He was known for his gallery photograp...

Marc Vaux, a figure of Montparnasse, pro­duced a trove of pho­tographs which are cur­rently held in the col­lec­tion of the Centre Pompidou in Paris, France. Marc Vaux was com­mitted equally to sup­porting artists, notably by cre­ating the Foyer des Artistes (1946-70) and, in 1951, the first Musée du Montparnasse at 10, rue de l’Arrivée. Marc Vaux was born on February 19, 1895 in Crulai, Normandy Thanks to the color mer­chant from whom he bought his plates and his pho­to­graphic equip­ment, he met the sculptor Charles Desvergnes winner of Prix the Rome and author of var­ious memo­rials who was looking for someone to pho­tographs his works. Two of Marc Vaux’s first clients were his neigh­bors of 21 Avenue du Maine- Marie Vassilieff and Maria Blanchard...

Marc Vaux, a figure of Montparnasse, pro­duced a trove of pho­tographs which are cur­rently held in the col­lec­tion of the Centre Pompidou in Paris, France. Marc Vaux was com­mitted equally to sup­porting artists, notably by cre­ating the Foyer des Artistes (1946-70) and, in 1951, the first Musée du Montparnasse at 10, rue de l’Arrivée. Marc Vaux was born on February 19, 1895 in Crulai, Normandy Thanks to the color mer­chant from whom he bought his plates and his pho­to­graphic equip­ment, he met the sculptor Charles Desvergnes winner of Prix the Rome and author of var­ious memo­rials who was looking for someone to pho­tographs his works. Two of Marc Vaux’s first clients were his neigh­bors of 21 Avenue du Maine- Marie Vassilieff and Maria Blanchard...

Marc Vaux, a figure of Montparnasse, pro­duced a trove of pho­tographs which are cur­rently held in the col­lec­tion of the Centre Pompidou in Paris, France. Marc Vaux was com­mitted equally to sup­porting artists, notably by cre­ating the Foyer des Artistes (1946-70) and, in 1951, the first Musée du Montparnasse at 10, rue de l’Arrivée. Marc Vaux was born on February 19, 1895 in Crulai, Normandy Thanks to the color mer­chant from whom he bought his plates and his pho­to­graphic equip­ment, he met the sculptor Charles Desvergnes winner of Prix the Rome and author of var­ious memo­rials who was looking for someone to pho­tographs his works. Two of Marc Vaux’s first clients were his neigh­bors of 21 Avenue du Maine- Marie Vassilieff and Maria Blanchard...

Marc Vaux, a figure of Montparnasse, pro­duced a trove of pho­tographs which are cur­rently held in the col­lec­tion of the Centre Pompidou in Paris, France. Marc Vaux was com­mitted equally to sup­porting artists, notably by cre­ating the Foyer des Artistes (1946-70) and, in 1951, the first Musée du Montparnasse at 10, rue de l’Arrivée. Marc Vaux was born on February 19, 1895 in Crulai, Normandy Thanks to the color mer­chant from whom he bought his plates and his pho­to­graphic equip­ment, he met the sculptor Charles Desvergnes winner of Prix the Rome and author of var­ious memo­rials who was looking for someone to pho­tographs his works. Two of Marc Vaux’s first clients were his neigh­bors of 21 Avenue du Maine- Marie Vassilieff and Maria Blanchard...