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Jean-Michel Basquiat hand-painted sweatshirt 1979/1980
By Jean-Michel Basquiat
Located in NEW YORK, NY
Jean-Michel Basquiat (untitled), 'MAN MADE Sweatshirt', c. 1979:
Basquiat produced this rare original hand-painted sweatshirt (among others, with only few known to have survived) for the purposes of selling these on his own and through the historic downtown fashion boutique, Patricia Field’s. Basquiat was captured wearing a similar example in the well publicized 1979 photo, 'Basquiat Dancing at The Mudd Club' by Nicholas Taylor of Gray. This double-sided work notably features Basquiat’s ‘MANMADE’ tag - Basquiat’s alias after he took to the streets to declare “SAMO is Dead”.
The work is further highlighted by Basquiat’s ‘BAD’ motif - uniquely paralleling his consideration to naming his band, ‘Bad Fools’ prior to Gray. In trademark Basquiat style, we also find the vertically spaced ‘E’ on both sides of the piece, as well as dashed lines which would appear in many of the artist’s Anti-Product cards, early drawings and more. The work emanates directly from the collection of world renowned author Lucy Sante (formerly Luc Sante). As it is well publicized, Basquiat worked with Sante in 1979/80 on the downtown-art scene publication, ‘Stranded’ (New York, 1980).
Medium: Acrylic on cotton sweatshirt (double-sided artwork). Executed circa 1979/1980.
Dimensions: 16.5 x 22 inches (outstretched cuff to cuff: 50 inches & sleeve length: 18 inches).
Condition: In good overall vintage condition. Bright well-preserved colors; some minor discoloration in several areas due to normal age related wear and use; scattered stains located on the hem, inner arm area(s) and cuffs; scattered minor pilling; loose thread on the reverse of hem. Basquiat's artwork throughout remains fully intact.
Unique. One of a kind. Signed ‘MANMADE’ and numbered 5/100 on the reverse.
Provenance: Gifted by Basquiat to Lucy Sante; obtained directly from the former. Sante's relationship to Basquiat is well documented in three publications (see below literature/references for more). Accompanied by a letter of provenance from Sante.
Literature/References:
-'Boom for Real: The Late Teenage Years of Jean-Michel Basquiat,' by Sarah Driver - this 2018 documentary features an in-depth section devoted to Basquiat's 'Man Made' clothing, featuring an interview with designer Patricia Field & artist Kenny Scharf.
- 'Basquiat Before Basquiat' (MCA Denver; see Sante, p.40-43 ).
- 'Stranded' issue four index (Spring 1980). Basquiat's identity is confirmed as 'Man-Made' midway on page.
- 'Zeitgeist: The Art Scene of Teenage Basquiat' (Howl Arts 2018; essay: 'Stranded' by Lucy Sante).
- 'An Intimate Look at Jean-Michel Basquiat's Early Days' by Lucy Sante (Village Voice 2/8/17).
-'Man Made by Basquiat' (MinnieMuse) May 2019.
-'Exploring Jean-Michel Basquiat's 1970's Clothing Collection, 'Man Made.'' Vice Magazine, May 2019.
- ‘The Jean-Michel Basquiat Reader’ (Moore pg. 334) discusses Basquiat’s Man Made painted clothing.
- 'Basquiat Dancing at The Mudd Club' photograph by Nicholas Taylor of Gray (Basquiat wears a similarly painted sweatshirt).
Basquiat’s use of ’MAN MADE', see:
- Glenn O'Brien "Graffiti '80;" High Times, June 1980 (p. 53-54); "Jean-Michel Basquiat who is known to many as SAMO, had changed his alias to Man Made".
- Jean-Michel Basquiat: 1981, the Studio of the Street (Diego Cortez; 2007 p. 80).
- The Last Time I Saw Basquiat (NYR Daily 9/3/16; essay by Lucy Sante).
- Basquiat: Boom For Real (Barbican; Nairne, Buchhart & Johnson p.26).
- Sotheby's S2 Catalog & Sale, "Man Made" (May 2013).
Intertextual References:
Basquiat's 'BAD' motif further appears in the following 1979 works:
- "Stupid Games, Bad Ideas" (color xerox; see Basquiat: Boom For Real pg. 108).
- Basquiat (untitled) "Test Pattern" (original drawing and xerox; see Basquiat: Boom For Real pg. 147).
- Basquiat (untitled) "Gumby Is Bad" t-shirt (worn on camera by the artist at Canal Zone...
Category
1980s Pop Art More Art
Materials
Acrylic
Damien Hirst Spin Painting (Damien Hirst Skull spin painting)
By Damien Hirst
Located in NEW YORK, NY
Damien Hirst Spin Painting, 2009 (Damien Hirst Skull):
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Damien Hirst Spin Painting (Damien Hirst shark spin painting)
By Damien Hirst
Located in NEW YORK, NY
Damien Hirst Spin Painting 2009:
A mesmerizing Damien Hirst Spin painting with explosions of vivid color amidst the timeless, mysterious form of a shark. This Damien Hirst Spin painting originates from Hirst’s ‘Spin Workshop’ - a public event hosted by the artist to celebrate the opening of his heralded 2009 exhibition: ‘Requiem’ at the PinchukArtCentre, Ukraine.
Acrylic on paper. 2009.
19.25 x 26.5 inches.
Excellent overall condition.
Unique; one of. Features a stamped (printed) signature on the reverse and inscription: © Damien Hirst.
A beautifully rendered Damien Hirst painting defined by strong colors, classic Hirst motifs & a unique overall presence.
Artist Bio:
Damien Hirst is a British Conceptual artist known for his controversial take on beauty and found-art objects. Along with Liam Gillick, Tracey Emin, and Sarah Lucas, Hirst was part of the Young British Artists movement that rose to prominence in the early 1990s. “I have always been aware that you have to get people listening before you can change their minds,” he reflected. “Any artist's big fear is being ignored, so if you get debate, that's great.” Born on June 7, 1965 in Bristol, United Kingdom, Hirst was raised in Leeds. As a student at Goldsmiths College in London, his work caught the eye of the collector and gallerist Charles Saatchi, who became an early patron. Hirst’s The Physical Impossibility of Death in the Mind of Someone Living (1991)—a large vitrine containing an Australian tiger shark suspended in formaldehyde—was financed by Saatchi and helped to launch the artist’s career. Hirst went on to win the coveted Turner Prize in 1995. In 2012, he showed what went on to be one of his most controversial work in decades, the installation In and Out of Love, which consisted of two white windowless rooms in which over 9,000 butterflies flitted around and died. In 2015 Hirst opened the Newport Street Gallery in London, which grew from his long-term ambition to share his art collection with the public. The artist lives and works in London, United Kingdom. His works are held in the collections of the Tate Gallery in London, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., and the Rubell Family Collection in Miami.
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By Keith Haring
Located in NEW YORK, NY
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Richard Hambleton Drawings 2016 (set of 3 works)
By Richard Hambleton
Located in NEW YORK, NY
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Curtis Kulig Love Me on Canvas (Love Me by Curtis Kulig)
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Located in NEW YORK, NY
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"Love Me" Black and White Painting by Curtis Kulig (Oil on Linen)
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Located in NEW YORK, NY
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Curtis Kulig Love Me on Canvas (Yellow and Red)
By Curtis Kulig
Located in NEW YORK, NY
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Takashi Murakmai flowers drawing 2018 (Murakami The Octopus Eats its Own Leg).
By Takashi Murakami
Located in NEW YORK, NY
Takashi Murakmai Flowers Drawing 2018:
A unique Takashi Murakami hand-drawing featuring the artist’s 2 most iconic motifs: Flowers & DOB. This work was executed in 2018 on the interior front page of the 2018 exhibition catalogue: Takashi Murakami: The Octopus Eats Its Own Leg. Hand signed and dated.
Medium: Felt tip marker drawing on a removed interior exhibition catalog page (Takashi Murakami: The Octopus Eats Its Own Leg).
Approximate Dimensions. 11.25 x 9.5 inches.
Signed and dated in ink on the lower edge. Unique.
Very good overall condition.
Provenance:
Private collection, Washington, D.C.
Swann Auction galleries New York.
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Morris Katz painting 2002
By Morris Katz
Located in NEW YORK, NY
Morris Katz Painting 2002:
Oil paint on wood board. Unique.
8x10 inches.
Very good overall vintage condition.
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Curtis Kulig Love Me Painting (Curtis Kulig Love Me Smiley canvas)
By Curtis Kulig
Located in NEW YORK, NY
Curtis Kulig Blue Love Me Painting, 2019:
Using a most universal symbol, 'The Smiley', Curtis Kulig replaces the eyes with his world renown signature mark, 'Love Me'. At 18 inches in diameter, this hand signed painting, is the perfect piece for decorative and collecting purposes.
Medium: Acrylic on Linen Canvas.
Measures 18 inches in diameter.
Unique. Hand-signed on the verso.
Obtained directly from artist.
Excellent condition.
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Curtis Kulig Scottish Stone mixed media work
By Curtis Kulig
Located in NEW YORK, NY
Curtis Kulig, "Scottish Stone," 2016
Acrylic and charcoal on paper
25.5 x 19.5 inches
Hand signed on the verso in pencil
Unique. One of.
Excellent condition with the exception of some minor signs of handling commensurate with medium
About the Artist
Artist Curtis Kulig lives and works in New York City where he first gained notoriety with his signature manifesto 'Love Me'. His work is a celebration of humanity in a voice that ranges from the poignant to the playful through a wealth of mediums: rich canvases, scintillating neon, 16mm films, typewritten poems, and ubiquitous prints; in cities ranging from New York to London, Istanbul to Los Angeles, Tokyo to Berlin.
As a painter, photographer and illustrator, Kulig has collaborated with Colette, DKNY, Pendleton, Vans and Uniqlo among others, making him internationally distinguished in both the fine art and commercial domain.
He has been featured in the New York Times, Wall Street Journal, Vanity Fair, and contributes regularly to charities including Free Arts, Art of Elysium and Hilarity for Charity.
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