Lucio Morini Gallery Furniture

Discover a rare and exquisite piece of European artistry with this Exceptional 18th Century Hand-Embroidered Silk and Gilt Thread Textile Panel. This magnificent piece was artistically crafted by repurposing fragments of what was once a grand hand-embroidered robe or a sacred vestment shawl, giving it a unique history and renewed purpose as a stunning decorative panel. Created in the 18th century, this textile marvel, even after three centuries, retains its remarkable beauty. The beautiful and brilliant colors of the silk threads endure, showcasing the enduring quality of 18th-century dyes and embroidery. The delicate gilt threads woven throughout the design continue to shine exquisitely under the right light, adding a luminous and regal dimension to the piece. This panel is more than just a textile; it's a tangible link to a bygone era of elaborate craftsmanship and opulent design. Its rich history and artistic re-imagination make it a truly versatile and captivating addition to any discerning interior. Display it as a magnificent tapestry wall art to celebrate its intricate details and historical narrative, or utilize it as a luxurious table runner to imbue your dining or console space with unparalleled elegance and historical charm. A testament to enduring beauty and masterful hand craftsmanship, this piece is ideal for collectors, interior design professionals, and those seeking to adorn their homes with truly unique and authentic historical treasures. Dimensions: 10.5" x 90" Date of Manufacture: Early 1700s Place of Origin: Europe Material: Silk embroidery with Gold Threads Condition: Wear consistent with age and use The Persian Knot Gallery, SKU 1374 Vintage Handwoven Tapestries, French Aubusson Tapestry, Aubusson Tapestry Pillows, French Tapestry Pillows, Antique Rug Pillows, European Embroidery,18th Century Antique French Tapestry...

This tall Chinese silk embroidery depicts Asian figures and scenes of boats, bridges and Asian landscapes. Features red, green, salmon and whit...

Chinese 19th century sideboard cabinet with orginal lacquer. Front and top with deep dark red lacquer, sides with black lacquer. Features double bi-fold doors revealing a storage...

A Chinese Qing Dynasty period elmwood altar console table from the 19th century, with red lacquer and carved apron. Created in China during the Qing Dynasty, this elmwood console tab...

With simplicity of form and an understated presence, these elegant lacquer cabinets exemplify the timeless appeal of classical Chinese furniture. Used in traditional homes in lieu of...

Late 18th century cabinet from Shanxi, China. Original red and black lacquer with a light clear surface finish, which highlights the lovely natural patina. Pair of bi-fold doors wi...

Pair of stylish Chinoiserie panels in a lacquer finish, painted in gold, red & black with landscapes with village and people. The frame also decorat...

Crafted in the mid-19th century, this striking red lacquer cabinet was likely part of a traditional wedding dowry, bestowed upon the groom by the bride's family filled with fine silk...

A exquisite, fine quality Meiji period (1868-1912) Japanese black lacquer cabinet on stand with wonderful scrolling gilded decoration. H...

A highly important Japanese export lacquer cabinet with depiction of the Dutch East India Company tradepost Deshima and the annual Dutch delegation on its way to the Shogun in Edo Edo period, circa 1660-1680 H. 88 x W. 100.5 x D. 54 cm This cabinet includes a later European japanned stand, but also a modern powder-coated steel frame. The latter can be designed and added to your specific needs. The sides and front of the rectangular two-door cabinet are embellished in gold and silver hiramaki-e and takamaki-e on a black roiro lacquer ground with a continuous design. The two doors depict a long procession of numerous figures travelling on foot and horseback along buildings and a pagoda into a mountainous landscape. This is the annual court journey, Hofreis, of the Dutch from Nagasaki to the Shogun’s court in Edo. Three horseback riders are dressed as Dutch merchants and a fourth figure, probably het Opperhoofd, is seen inside a palanquin, norimon. Just about to cross the bridge, two men are carrying a cabinet like the present one. Many Japanese figures on either side of the procession are engaged in various activities; some play musical instruments on board of small boats, others are fishing; figures inside buildings are depicted playing go, and farmers are tending to their rice paddocks. The upper part of the right door shows a large mansion, probably the local daimyo’s castle, with men kneeling before a man in the central courtyard. The court journey fits in with the foreign policy of the shogunate which accorded a role to the VOC alongside China, Korea, and the Ryukyu Islands who also had to pay tribute. However, the VOC employees were traders, having low status in Japan’s social hierarchy, and they were received with less deference than were the state embassies from Korea and the Ryukyu Islands. Nevertheless, the contacts with the Dutch were a welcome source of information to the Shogun about Europe and European science and technology. The left side of the cabinet depicts, in mirror image, a rare view of the artificial fan-shaped Deshima Island, the trading post for the Dutch in Japan. The island, where the Dutch flag flies, is surrounded by small Japanese boats and an anchored three-masted fluyt (cargo ship), flying Dutch flags, with on the stern the VOC monogram. On the bottom right a busy street of Nagasaki is shown, bordered by shops and leading up to the stone bridge. On the island the trees are beautifully painted, two cows can be seen, and the flagpole, all in very fine detail. Dutchmen and enslaved Malay are visible outside the buildings and two Japanese figures, probably guards, sit in a small hut in the centre. A maximum of fifteen to twenty Dutchmen lived on the island at any time and soldiers or women were not allowed. Restrictions on Deshima were tight, and the merchants were only allowed to leave the island by special permission. The Opperhoofd had to be replaced every year, and each new Opperhoofd had to make a court journey to pay tribute, present gifts, and to obtain permission to Margaret Barclay eep on trading. In the distance, many birds fly above the hills and a four-story pagoda can be seen. The right side of the cabinet is painted with other horse riders and their retinue journeying through mountains. The pair of doors to the front open to reveal ten rectangular drawers. The drawers are decorated with scenes of birds in flight and landscapes with trees and plants. The reverse of the left door with two thatched buildings, one with a ladder, underneath a camelia tree with large blooms; the right door with a three-story pagoda nestled among trees and both doors with a flying phoenix, ho-oo bird. The cabinet, with elaborately engraved gilt copper mounts, hinges, lock plates and brass handles, is raised on an 18th-century English japanned wood stand. A pair of large cabinets...

A Chinese wooden cabinet from the 19th century, with brass hardware. This elegant Chinese cabinet adopts a rectangular shape, standing on four straight legs. The two doors open to reveal a black interior comprising of a shelf and two drawers. All open via brass pear...

Chinese Qing Dynasty wedding cabinet in black lacquer with red accents featuring large circular brass medallion hardware on two 45 inch high doors above two drawers. The interior is...