Lundgrens Antiques Art

Coastal summer landscape with red cottage in the Swedish archipelago. Oil on canvas, signed Erik Abrahamsson (1871-1907). A coastal landscape depicting a traditional red cottage set ...

This refined pastel portrait depicts a young woman, probably in her teenage years, shown in three-quarter view with her chin resting lightly against one hand. Dressed in a simple whi...

Summer Day by the Lake – A Young Boy Fishing. Signed and dated "Wh Hahn 84", oil on panel. This charming and quietly observed scene depicts a young boy standing barefoot in the shall...

Summer Landscape with Red Farmhouse and Lake, ca. 1900. This idyllic summer landscape signed by Elias Erdtman (1862-1945) depicts a gently rolling countryside under a bright blue sky...

Impressionist summer landscape with a younger woman seated in the grass next to a tree by Peter H. Wilhardt (1866-1929). Oil on canvas laid down on panel. Inscribed verso in Danish: ...

A peaceful summer landscape depicting the lake Finnsjön in Järnboås, north of Nora in the historic Bergslagen region of central Sweden. The still lake occupies the foreground, its da...

Modern art painting by Ludmila Christeseva (b. 1978), "The Sky over Stockholm" is a mixed media painting on canvas, 99 x 99 cm. Signed and dated 2020. A vibrant network of colours, f...

A fine painting depicting Copenhagen with The Church of our Saviour. This charming cityscape depicts a view across a gently rolling park landscape towards the historic skyline of Cop...

Impressionist summer landscape with river at dusk painted by Ragnar Swahn (1882-1964). Oil on canvas, signed R. Swahn. A low evening sun is reflected in the still water, creating a v...

Allegory of summer. A fine ca.1700 Italian ink wash drawing with people harvesting, eating and drinking in a rolling hills landscape, attributed to Antonio Grano (c.1669-1718). In th...

An Important Capriccio Landscape with Classical Architecture and Figures by a Fire, representing an allegory of winter, painted by the Swedish artist Johan Pasch (1706–1769. Oil on c...

Waldwiese im bay. Wald (Forest Meadow in the Bavarian Forest). An oil on canvas, signed "Johannes Schütz". This landscape depicts a forest meadow in the Bavarian Forest, where a wind...

In this painting, The Green Lamp, painted by Eva Bagge (1871-1964) presents an intimate interior scene imbued with silence and contemplation. A woman sits comfortably in an armchair,...

Summer Day with Three Birches on Rolling Fields. A bright summer landscape depicting three birch trees standing before gently rolling fields and cultivated farmland, with a lake and ...

An art deco terracotta-painted plaster sculpture of a standing partly nude woman holding a tray, signed and dated "KA (19)15" by Swedish sculptor Knut Andersson (1884–1954). This pie...

A delicate pastel portrait of Elsa Adlercreutz by Mina Carlson-Bredberg capturing not merely a likeness, but an atmosphere of quiet introspection and luminous sensitivity. The woman’...

View of the Glacier Mountain Tolpagorni in Lapland and the Kittel Stream Oil on canvas laid down on panel. Signed by Olof Walfrid Nilsson (1868–1956). In this atmospheric mountain la...

Nordic winter landscape with low growing pines and spruces rising from softly undulating snow covered ground and rocks. In the distance, dark forests and snow clad mountains emerge along the horizon beneath a pale blue sky. Executed with expressive brushwork and a restrained yet luminous palette, the painting captures the stillness and clarity of the Scandinavian winter. Oil on canvas mounted on board, signed John Öhwall. John Öhwall (1883–1957) was a Swedish painter best known for his realistic and atmospheric depictions of the Nordic landscape, particularly scenes from Bohuslän and Skåne. His art is characterized by vigorous brushwork, restrained yet expressive coloration, and a strong sensitivity to seasonal light and the quiet monumentality of the Scandinavian countryside. Öhwall was born in Skåne, and initially trained as a decorative painter before turning to fine art. In 1903 he began his artistic studies under the influential Swedish painter Carl Wilhelmson in Gothenburg, whose teaching had a lasting impact on his artistic development. Between 1908 and 1914, Öhwall undertook extensive walking journeys through Germany, Austria, Switzerland, France, and Italy while pursuing independent artistic studies. During this period he also studied for an extended time at the Academy of Fine Arts in Dresden and at Chrakovsky’s painting school in Rome. During the war years, from 1914 to 1917, he periodically continued his studies at Wilhelmson’s painting school in Stockholm. In the early 1920s he permanently settled on the Swedish west coast, a region that would provide inspiration for many of his most important landscape paintings. Öhwall made his debut as an exhibitor at Gummesons Konsthall during the 1910s, followed by solo exhibitions in Gothenburg, Oslo, and Norrköping. Together with Tor Otto Fredlin...

Portrait of an Italian young woman in half length against a dark background executed with great softness and psychological subtlety. Her head inclines gently downward, her gaze withd...

This French summer landscape with surrounding river water and dense vegetation with trees is signed and dated E.P. Norselius 1923. It is painted during this Swedish artist’s years in...

This finely observed oil study of breaking waves, signed W. v Gegerfelt, captures the restless movement of the sea as it rolls toward the shore in layered, green-toned swells. The co...

This summer landscape with horses grazing in a paddock under the rays of the sun beside a rural farmstead is a finely executed drawing in brown, signed lower right by Swedish female artist Ester Almqvist (1869-1934). A winding path leads the viewer into the composition, where buildings, fences, and vegetation define a cultivated countryside. Two horses stand quietly within the enclosed field, their forms rendered with spare yet assured lines. Above them, the sun shines from a clear sky, its rays spreading outward in rhythmic, hand-drawn strokes that cover all of the sky. The composition is built through a lively and vibrating pen line, where hatching and linear repetition create both texture and luminosity. The warm sepia tone unifies the scene, while the expressive draughtsmanship conveys a sense of immediacy and presence. The motif is elevated through a distinctly personal interpretation of landscape and light. Ester Dorothea Almqvist was born in 1869 in Bromma, Stockholm and died in 1934 in Lund, south Sweden. She emerged as a significant figure in Swedish art at the turn of the twentieth century, initially associated with the National Romantic movement, before later contributing to the introduction of modernist tendencies in Sweden through a highly individual synthesis of Neo Impressionist and Expressionist elements. Her early life was shaped by a religious and intellectually engaged environment. Almqvist lived her entire life with a physical disability caused by a spinal deformity, which limited her mobility but did not prevent her from pursuing an artistic career. Following her mother’s death, Almqvist broke with her earlier environment and relocated to Skåne, where she would spend the greater part of her professional life. The landscapes of southern Sweden became central to her artistic production and provided the basis for many of her most characteristic works. Her artistic education began at Tekniska skolan in Stockholm (1888–1891), where she received foundational training in drawing and design. She continued her studies through private lessons with the history painter Gustaf Cederström, but chose not to apply to the Royal Academy of Fine Arts. Instead, she pursued further training at Valand Art School in Gothenburg, where instruction was led by prominent artists such as Carl Larsson and Richard Bergh. She also studied for a period at the Konstnärsförbundet’s school (Artists' Association), under the guidance of Per Hasselberg and Bruno Liljefors...

A delicately executed atmospheric watercolor by Vilhelm Pacht depicting morning mist in Östervold, Copenhagen. In the diffused haze, a tram passes through while two women stand besid...

Aurora over a Northern Lake, signed and dated “G Claeson 1916”, oil on canvas. This evocative landscape, executed in an expressionist manner, and on the same time almost modern, cap...

Pair of small oil paintings (studies) by Oscar Julius Paulsen (1860-1932) depicting a plum branch, the other a cherry branch with fruit. Both have light backgrounds and are mounted i...

This candle light oil painting signed “Emil Lindgren, Leksand 1930” depicts a young Dalecarlia (dalkulla, a woman from Dalarna) standing in an interior, dressed in the folk costume o...

Winter mountain landscape signed "E Cg", Elsa Celsing, (1880-1974), oil on canvas. The painting depicts a quiet winter road running through a snow-covered landscape. In the foregroun...

Interior scene from a study or collectors room signed and dated with monogram "HNH 1912", Hans Nikolaj Hansen (1853-1923) presenting a quiet yet intellectually charged space. In the foreground stands a writing desk furnished with an inkwell and a book, objects that suggest reflection, scholarship, and artistic contemplation. Beyond the desk, set against a deep red wall, rises a large neoclassical sculpture whose pale surface contrasts with the warmth of the interior. The composition balances intimacy with monumentality: the scholar’s table before us, the silent authority of antiquity behind. Executed in oil on canvas, the painting reveals Hansen’s characteristic sensitivity to historical atmosphere. Hans Nikolaj Hansen was a Danish painter and Illustrator, born in 1853, the son of wine merchant C.J.A. Hansen and Sophie. After graduating in 1872 from Borgerdydskolen on Christianshavn, he followed his early artistic inclination and enrolled at the Royal Danish Academy of Fine Arts in Copenhagen, completing his studies in 1877. He debuted the following year with the historical painting "Uden for Sigbrits Port", before travelling to Paris where he continued his education under the influential French painter Léon Bonnat. The Parisian training left a lasting imprint on his painterly discipline and compositional clarity. He also stayed in Rome for a time where he painted numerous historical and genre works. His art is distinguished by originality, narrative imagination, and a keen sense for historical character. Hansen achieved his greatest recognition as an illustrator and graphic artist. His illustrations for Gaffelen by Johan Herman Wessel...

This large engaging oil on canvas by Thomas Tom Mitchell, signed and dated Tom Mitchell 1888, captures an amusing yet dynamic moment in rural life. At its heart is a horse breeder in...

This is a sensitive small-scale study portrait of a young girl, executed in warm monochrome brown tones. Painted during the second half of the 19th century, oil on paper and mounted ...

An enchanting oval portrait capturing a young girl, curled up in an oversized Louis XIV armchair. She wears a deep blue dress, her dark hair neatly arranged and held in place by two ...

Study of Two Dancing or Playing Children in Ottoman Costume Watercolour on paper. Probably executed during the first half of the 19th century. This del...

View from Højbro Plads in Copenhagen on a winter day by Axel Möller (1862–1958), signed and dated “Axel Möller 26”, oil on canvas. The motif is taken from where Højbro Plads meets Højbro Bridge which connects with Slotsholmen Island over the Slotsholmen canal, the Nikolaj Kirke is rising in the background. In the foreground, two women wearing green skirts stand on the snow covered square. Several figures are crossing the bridge, and the church tower forms the central vertical element of the composition. The painting is presented in a contemporary gilded profiled wooden frame. Axel Möller was a Danish painter born in 1862 and active well into the 20th century. His work concentrated on urban environments, everyday street scenes, and the seasonal character of Copenhagen. Möller’s paintings...

A graphite profile portrait drawing of a woman on paper by Johannes Collin (1873-1951), signed “Johannes Collin 98” and titled “Zigenerska”. This early and unusual work by Collin presents his interest in refined drawing and capturing character even at a modest scale. It dates from 1898, a formative moment for the artist when he was studying arts and stands out as a somewhat rare example of his graphic or drawing work rather than his better known small bronzes. Johannes Collin was born in 1873 in Skåne, south Sweden. After passing his matriculation at the Cathedral School in Lund in 1892, he studied at university in 1894–96 and then turned to art studies. From 1899 to 1901 he studied at the Royal Academy of Fine Arts in Stockholm, and from 1903 to 1905 he studied sculpture in Paris. Collin settled in Lund, Skåne and pursued a career as sculptor and poet. He died in 1951 in Lund. He was the son of a farmer and raised in the Skåne countryside. Early on he developed a sensitivity to form, figure, and expression, combining his sculptural ambitions with literary leanings (he later published a small volume of poetry). Collin appears to have had an individualistic personality: he moved in student and artistic circles in Lund, but also kept a modest, sometimes even eccentric public persona. In the mid-1930s, he increasingly turned to poetry and pared back his three-dimensional work. From his early years, he gradually developed into a sculptor working in bronze and patinated materials. Much of his work consists of small‐scale bronzes with an intensity of expression. One critic (in Kulturens yearbook) wrote of Collin that “the monumental is not in the work’s external dimensions but in the attitude … your small sculptures have an inner monumentality”. Collin exhibited his works in various venues: for example he took part in the Lund Exhibition (“Lundautställningen”) in 1907. Internationally, he showed works in Munich in 1909 and 1913, where his efforts were positively reviewed. A noteworthy retrospective or exhibition was held at the museum Kulturen in Lund, when a donation of Collin’s sculptures...

A Southern Coastal Landscape by Charles Bisschops. This oil on canvas, signed L. Ch. Bisschops, depicts a southern coastal scene with a beach bordered by trees. Across the bay, mount...

Portrait of Gustaf Wilhelm Palm (1810–1890) by Lorenz Frølich (1820-1908) Signed with monogram and dated May 1849. Pencil and pastel on paper. 29.5 × 21 cm. This portrait of the Swed...

Cloud study by a rocky coastline overlooking the sea. To the right of the composition stands a large maritime marker, while in the lower left a few ship masts emerge in the distance....

Arvid Mauritz Lindström (1849–1923), a Fall Landscape The painting presents a vast autumn landscape illuminated by the soft glow of a setting sun. At the center, a stream winds its w...

A finely worked watercolour on paper depicts a mounted cavalry officer—formal in bearing and costume—painted with the delicate clarity for which Egron Lundgren is best known. The she...

This painting presents a winter twilight in Värmland: snow-capped mountains rise in the distance while a foaming rapid cuts through a dense spruce forest. Signed “H. Hertzhoff,” the ...

Oval Portrait of a Young Boy (Johan Gustaf Moll, 1843–1912), attributed to Carl Ferdinand Sohn (1805–1867) An intimate oval portrait of a young boy. Mounted in an oval gilt wood peri...

A nordic light nocturnal scene by Rolf Mellström (1896–1953) Two Eurasian woodcocks cross above the dark forest, their compact bodies reading as quick silhouettes against a late blue...

A painted watercolor of joyous village festivity with music playing and dancing people by Walter Goodall, signed and dated 1862. In the foreground, a young girl in a white dress danc...

A finely tuned oval drawing by the Finnish artist Ester Helenius depicting a young woman in profile seated on a chair. The room is suggested only by a diffuse background. Signed and ...

A serene, wind‑still sunset scene in watercolor: a woman and a man in a small boat moored to a wooden pier both with their backs to the viewer as they tend to their fishing nets. The...

This is a beautiful and highly decorative watercolor painting, featuring a charming garden scene filled with pink and white hollyhocks alongside blooming roses. Nestled among the del...

The Portrait of a Bearded Man is an early work by Swedish artist Rune Kurt Haries Lagerbrink, who occasionally signed his works as "R. Lager." Painted in oil on cardboard. The old fr...

Oil study by a lake and mountains during sunset by Edward Rosenberg (1858-1934). This is a an oil study for a larger painting that Rosenberg did. A te...

A fine small Italian 17th/18th century sepia ink study of 6 putti in different positions. Paper mounted on paper. A tergo written "Scuola Lombarda". A putto/putti are figure in a wo...

A magnificent view of Stockholm, featuring a steamboat gliding slowly passing by Skeppsbron, (the bridge) with Södermalm and Katarina Church illuminated in the soft light of dusk. Th...

"After the Storm" is the title of this oil painting on canvas by the Swedish artist Hjalmar Berghcrantz (1889–1961). Signed and dated 1917. The artwork depicts a rugged landscape whe...

A vibrant painting depicting an avenue lined with poplar trees in fall colors, prominently featuring a very large, centrally placed yellow poplar. Possibly an American poplar. The artist, Agda Holst, has employed a diverse palette of colors to the poplars, creating a dynamic and colorful composition. This oil on panel is signed and dated by Holst in 1948. The work exemplifies her use of color and form, characteristics that defined her artistic practice throughout her career. Agda Holst was a Swedish modernist painter known for her precise study of form, stylized compositions, and ability to merge structured geometry with expressive color. Her works, often still lifes, portraits, and figure studies, reflect a balance between naturalistic representation and modernist influences such as Cubism and New Objectivity. Holst's artistic journey began in 1907 at the Académie Colarossi in Paris, where she studied under Christian Krohg. Seeking further refinement, she moved to Munich between 1910 and 1911, studying with Julius Exter, known for his teachings in portrait and genre painting. In 1911–1912, she returned to Paris to study under Kees van Dongen, whose bold use of color and strong contrasts left a lasting impression on her work. The early 1920s marked another period of study in Paris, this time under André Lhote, who instilled in her a structured approach to composition and geometric clarity. Holst’s first public exhibition took place in 1916, when she displayed paintings in a bookstore...

A fine small plein air study of three women picking flowers on the meadow next to white cliffs and sea. In the horizon where the sky ends, the contours of mainland is visible as a sh...

This captivating painting from around 1890 depicts a Swiss Golden Eagle in a dramatic mountain landscape, fending off Carrion Crows. Oil on canvas, signed F. Furet. Francois Furet...

A female and male Goosander bird on ice floes. In the center, a small opening in ice covered waters. This painting, by Christian Berg (1893-1976) is quite interesting and unusual for...