Lynx Hollow Antiques Sculptures and Carvings

A most charming fine quality antique Victorian era object of vertu magnifying glass, custom made from various earlier elements. English refinement, sophistication, and Victorian ele...

A large and most impressive Southeast Asian carved giltwood figure of a horse and mounted rider. Early 20th Century, likely from Burma (present day Myanmar) or Thailand, possibly Hi...

A large and most impressive late 19th century Swiss Black Forest style hand carved and painted wooden bear sculpture (also known as a Black Forest bear...

A rare and exceptional vintage Peruvian folk art pottery harvest vase. Hand-crafted in Peru, most likely Ayacucho region / Quinua, the South American primitive executed in distinct...

A scarce Gustavian Period (1772-1809) country Swedish farmhouse hand carved pine rocking cradle / bassinet for decorative use only (today, it could be repurposed as a wonderful firew...

A fabulous large Italian folk art fish sculpture. Hand-crafted in the 21st century using found 18th and 19th century architectural fragments and decorative antique / vintage elements...

A pair of antique Indian hand-painted figural brass head religious sculptures. Hand-crafted in the Maharashtra or Karnataka region of India in the late 19th / early 20th century, d...

A rare and exceptional antique Southeast Asian Burmese hand carved and gilded teak wood religious figure Buddhist temple -monastery sculpture. Exquisitely hand-crafted in Burma (present day Myanmar) in the late 19th century, finely sculpted from a single piece of teakwood, exceptionally executed in period Mandalay taste, highly detailed and decorated, showcasing the most exquisite craftsmanship throughout. Modeled in an exceedingly rare and unusual form, depicting a tall standing Na spirit figure, adorned in fanciful Royal dancer garment, elaborately decorated and embellished with brilliant polychrome colored mirrored glass jewel inlays, red lacquered dress tail, he stands carrying a golden stag deer around shoulders and neck, the naturalistic deer having delicate four point antlers, all over an ebonized base, resting on a custom later Thai wooden pedestal stand. Dimensions: (approx) Overall: 27"h, 9"w, 7.75"d Figure: 19.25"h, 9"w, 7.5"d Base 7.75"h, 8"w, 7.75"d; 10.5"h with post Condition: A superb museum quality example, wonderfully preserved original antique condition with nicely aged warm rich dark patina and minimal losses. *Additional photos available upon request We immediately gravitated towards it upon first sight, and have not seen another piece quite like it form, quality, or scope. It would look amazing in just about any setting, with its remarkable design and visually striking eye-catching light reflection, it's sure to become a focal point of any space, while adding a thoughtful touch of rich cultural history, sophistication, elegant warmth, tranquility and serenity to any home! Provenance / Acquisition: Personal property of Genshiro Kawamoto (b.1932), a Japanese real estate tycoon and avid decorative arts collector. To give an idea of both the size of the collection and the wealth Mr. Kawamoto had amassed, he purchased numerous (many 100s) of multi-million dollar homes in Hawaii, always paying cash. A string of homes he purchased for $2M-$20M each with the intent of using them as museums, (most people use storage units) just to house and display items from his extensive collection of antiques and artifacts. About 30 properties with a collective value of $200M in the Kāhala area of Honolulu he left vacant for decades, allowing them to fall into disrepair and get boarded up, attracting many complaints and media attention. Mr. Kawamoto was in the procession of building one of the most expensive homes ever built in Hawaii at the time of his arrest and subsequent deportation to his native country, Japan, where he was found guilty of tax evasion, sentenced to four years in prison and had his assets seized and auctioned off. We acquired this wonderful example from a prominent antiques dealer in Maui, Hawaii, who personally knew Mr. Kawamoto and procured this sculpture from the estate. Mythological History: The golden deer...

An exceptionally rare antique Native American / Indigenous Peoples hand carved and painted wooden dugout canoe model, dating to the early 20th century or earlier, likely Pacific Nort...

A finely carved Baroque period architectural element, now fashioned as a sculptural bracket shelf. Hand-crafted by a master-artisan in the 18th century, originally part of a corbel, likely from a church around the Black Forest region of Southern Germany. Exquisitely hand carved solid walnut, exceptionally executed and intricately detailed, featuring two protruding busts of cherub children with fine facial details and sculpted wavy hair, over pierced foliate floral decoration. circa 1750 Provenance / Acquisition: Property from the magnificent estate of the late T. Boone Pickens (1928 -2019). An American business magnate and financier. Acquired from the highly reputable auction house J. Garrett Auctioneers, Dallas, Texas. September 2022 More of T. Boone Pickens Estate catalog J. Garrett Auctioneers had the pleasure of presenting this item from the iconic Texas and Oklahoma oil...

A most charming pair of two rare and whimsical indigenous Nahua peoples pottery animal folk art candleholders. Handmade in the village of Chililico, Hidalgo, Central Mexico, primiti...

A rare and exceptional hand carved German Black Forest wall-mounted hanger. circa 1890 Born in the late 19th / early 20th century, featuring an intricately carved walnut figural bear's head with inset glass eyes, finely detailed gilt brass paws holding a supporting rod, affixed with chain drop hook. Dimensions: (approx) 10.75" High, 8 1/8" Wide, 5.5" Deep, A superb example of German folk art, functional and highly decorative, it's ideal for use as an entryway coat...

A large antique hand carved wooden horse sculpture on stand. Most likely from Southeast Asia, (Indonesian, Burmese, Thai) early 20th c...

A scarce antique Japanese Noh theatre hand carved and painted wooden mask of Ko-Omote. Sculpted in Japan in the 19th century, Ko-omote (literally ...

A pair of large antique Chinese polychrome ceramic attendants, Ming Dynasty (1368-1644). Outstanding 500+ year old Sancai glazed earthenware pottery tomb figures, exceptionally executed figural form, exquisitely detailed, one holding a teapot, the other holding a charger, rising on rare sculptural plinth...

A most impressive antique Spanish Colonial hand carved polychromed wood Santo Catholic church altar figure. circa 1800 Hand-crafted in the late 18th / early 19th century, exceptionally executed intricate detailing, the large scale antique religious sculpture depicting the female Saint Teresa of Avila, polychrome painted gesso over finely sculpted wood, inset glass eyes, shown in Carmelite nun habit...

A spectacular early European castle altar processional / torchiere stand. circa 1730 or earlier. Born in Continental Europe in the early 18th century or earlier, some later elements, most likely Germanic, Medieval Gothic style, hand forged iron sculptural cross form mounted with primitive push-button panel opening to reveal heraldic coat of arms embossed brass plaque, with The Nelsons family banner, royal crown crest with cross, standing mythical goat and stag heraldic supporters, shield escutcheon castle, fleur-de-lis, three diamonds and eagle shield...

A rare, likely one-of-a-kind, large antique, circa 1860s, early American hand carved, painted, and sculpted wooden patriotic barber pole advertising trade sign / open sign...

A rare European antique hand painted cast iron carnival carousel embellishment. Once decorating a 19th century country fair carousel amusement ride, the sculptural ornament depict...

A spectacular Mughal Empire Period (1526-1857) precious gemstone set gilt bronze ormolu mounted carved rock crystal vessel Buddhist altar offering bowl....

A fabulous French Empire period giltwood figural candlestick, early 19th century, now professionally electrified and fashioned as a single-light table lamp. Exquisitely hand carve...

A scarce fine quality neoclassical Empire style vasiform gilt bronze ormolu church religious relic altar monstrance reliquary. Exquisitely hand-crafted in Continental Europe in the second half of the 19th century, most likely French Napoleon III Period (1852-1870), having a fanned cross crest, above winged angel mask, central oval display...

A stunning antique Italian Baroque style silvered metal gilded wood monstrance reliquary. circa 1770-1820 Handmade in Italy in the late 18th / early 19th century, commissioned by the church to display an important religious relic, sculptural painted wood form, mounted with decorative silver repousse metal facing, open oval window where the philatory relic was once housed, rising on a gold gilt painted shaped plinth base. Dimensions: (approx) 17" High, 8" Wide, 5" Deep, 1.25lbs History: Reliquaries (also referred to as a shrine or châsse in French), are containers used to protect and display relics. A portable reliquary may be called a fereter, and a chapel in which it is housed a feretory. A monstrance, also known as an ostensorium (or an ostensory), is a vessel used in Roman Catholic, Old Catholic, High Church Lutheran and Anglican churches for the display on an altar of some object of piety, such as the consecrated Eucharistic host during Eucharistic adoration or Benediction of the Blessed Sacrament. It is also used as reliquary for the public display of relics of some saints. The use of reliquaries became an important part of Christian practices from at least the 4th century, initially in the Eastern Churches, which adopted the practice of moving and dividing the bodies of saints much earlier than the West, probably in part because the new capital of Constantinople, unlike Rome, lacked buried saints. Relics are venerated in the Oriental Orthodox, Eastern Orthodox, Roman Catholic and some Anglican Churches. Reliquaries provide a means of protecting and displaying relics. While frequently taking the form of caskets, they range in size from simple pendants or rings to very elaborate ossuaries. The relics were enshrined in containers crafted of or covered with gold, silver, gems, and enamel. These objects constituted a important form of artistic production across Europe and Byzantium throughout the Middle Ages. Many were designed with portability in mind, often being exhibited in public or carried in procession on the saint's feast day or on other holy days. Pilgrimages often centered on the veneration of relics. The faithful often venerate relics by bowing before the reliquary or kissing it; those churches which observe the veneration of relics distinguish between the honor given to the saints and the worship that is due to God alone. Sixteenth-century reformers such as Martin Luther opposed the use of relics since many had no proof of historical authenticity and objected to a cult of saints. Many reliquaries, particularly in northern Europe, were destroyed by Calvinists or Calvinist sympathizers during the Reformation...

A one-of-a-kind antique wrought iron sculpture, comprising 18th and 19th century architectural elements, in a rustic parcel gilt finish, including door lock, latch, and skeleton key,...

Antique English Trench Art mixed metal miniature howitzer - signal style table cannon. Hand-crafted, assembled in the early 20th century, fashioned in par...

A large, rare, and most impressive antique hand carved and painted wood and metal stylized antelope African folk art sculpture with beautifully aged distressed patina. Handmade in East Africa, dating to around the late 19th / early 20th century, possibly earlier, this scarce, one-of-a-kind, museum quality work, features a richly detailed patinated bronze head and tail with etched textural elements, tall ears and faux ringed...

Scarce Spanish Colonial era wooden boat prow. circa 1800 Born around the late 18th / early 19th century, this large sculptural hand-carved architectural salvaged ornamental ship element features a distinctive wave shape with curling volute, incised carving with decorative round medallion, and highly desirable heavily worn and weathered patina! A superb example, museum quality, the artistic Folk Art work makes for a wonderful decorative object, intriguing cultural sculpture...

A rare and incredible Indonesian hand carved and painted red deer architectural salvaged temple ornament. Dating to the 19th century or earlier, hand-...

An Oceanic "Gope" Papuan ancestral spirit board, 20th century, collected from the Gulf Province, Papua, New Guinea, Kerewa or Hohao village tribe. Hand...

A long hand carved wooden mangle board (clothing and bedding press) with beautiful patina. Handmade in Sweden, circa 1744, this Scandinavian antique with...

A monumental Hindu Nandi temple gate-guardian architectural ornament, born in India, dating to the 19th century, hand carved and painted, richly detailed, polychrome decorated, the wooden sculpture depicting Nandi, a sacred bull, gatekeeper, and vahana religious deity figure. Provenance: Acquired from The Neiman Marcus Corporate Art Collection. Details below. Dimensions: (approx) 49.5" x 43" x 12" An important religious folk art work, the Nandi is of carved wood and gessoed cloth, then hand-painted. In Hindu religion, Nandi is the mythical mount of Shiva. The four legs represent truth, righteousness, peace and love. More than a means of conveyance, Nandi is considered Shiva's constant companion on all his travels, so much so that in any temple dedicated to Shiva, there is a sculpture of Nandi. This symbol is a deity in its own right, and in India there are temples dedicated exclusively to Nandi. In Hindu symbolism, the bull represents both strength and ignorance. The white or light color of the bull symbolizes purity and justice. Symbolically, the seated Nandi towards sanctum in Shiva temples, represents an individual jiva (soul) and the message that the jiva should always be focused on the Parameshwara. From the yogic perspective, Nandi is the mind dedicated to Shiva, the absolute. In other words, to understand and absorb light, the experience, and the wisdom is Nandi, which is the guru within. The fact that Shiva uses it as a mount symbolizes how this divine figure removes ignorance while instilling strength and wisdom. A superb example, the life size work is in great overall shape, and presents wonderfully, having beautifully aged patina over the whole, highly desirable original, worn, rustic, naturally distressed, chippy paint, craquelure finish, that's delicate, and enhances the artistic antique character and rich historic depth. Detailed Condition Report: Fragile / delicate by design. Loss to one ear, age related checking and separation to carvings, fabric to hind quarters is released and tattered with minor loss, rubbing to paint throughout with wear indicative of age and use; later grey painted mounting blocks are attached to back and hooves. White glove in-home shipping/delivery available. Pickup available near Dallas, Texas Additional Provenance: Property from the Neiman Marcus Collection. Acquired from Heritage Auction, Design District Gallery, Dallas, Texas. From The Dallas Morning Newspaper; April 12th, 2021 Neiman Marcus is selling some of its history and valuables that have been displayed and stored for decades as part of the luxury retailer’s corporate art collection. The Neiman Marcus corporate art collection dates back to 1951, when Stanley Marcus (1905-2002), a life long avid art collector, purchased Mariposa, a large mobile by Alexander Calder and started a long tradition of buying original artwork for new stores as they opened. The Mariposa sold at a Sotheby’s auction last month fetching $18.2 million. The items are being offered through Sotheby's auction house, NYC, New York and Heritage Auction, Dallas, Texas. Many of the pieces were personally collected by Stanley Marcus from the 1960s through the 1980s. Some of the pieces are from corporate spaces, stores and the company’s archives, among the items are important antique textiles, tribal robes...