Mackinnon Paintings

Nude male academy. Red chalk on paper. While the artist who drew this drawing is not known, the confidence in the trait along with the fascinating perspect...

Artist: Pedro Friedeberg (Mexican, 1936-) Title:Le Tombeau D'Hemingway Year: 1963 Medium: Ink and watercolor on paper: Size: 14 3/4 x 19 1/2 plus 3 inch frame Mark: upper lef...

Florentine or Flemish school 17th century study of the Medici Lion by Flaminio Vacca. Measures: Sheet 31.7 x 48.8 cm. (12.5 x 19.2 in.) Frame...

Set of Four Hunting prints by S. Williams. No's 193,194, 195, 196. Published by S Hildesheimer & Co, London, Manchester, New York. Each picture with its own Title. 'T he Find' 'The R...

Circa 1880s by Alfred De Breanski Sr., (1852 - 1928), England. This lovely oil on canvas, using the impedimenti technique of layering and glazing...

Charles D. Hartley (British/American, 19th Century) Scottish Highlands landscape oil on canvas canvas: 30 by 18 inches Frame: 33 ½ by 21 ½ inches

Fabulous antique French portrait of a young boy, original pastel, original frame (artist unknown and apparently unsigned) Original gold leaf frame (some gilt loss noted) portrait ...

This Mughal miniature was painted at one of the princely courts of India. It depicts a raven-haired princess in a gold-trimmed saffron-colored silk sari. Under a glowering evening sky she dawdles on a white marble terrace, with a pet fawn on a leash, before a landscape dotted with buildings nestled amongst trees beyond a river. Her hair, falling loosely about her shoulders, rather than carefully dressed on her head, indicates that she is a maiden. The overall mood is one of expectancy. Perhaps walking a pet and catching an evening breeze is a pretext to escape palace scrutiny for a lovers’ assignation. In Mughal India tender sentiments were a bridge to the erotic – and if this seems contradictory, so too is the balance of realism and caricature, and naturalism with the schematic. Both are hallmarks of miniatures painted in this place and time. The earliest Mughal Indian miniatures date to the 16th century. They were inspired by those painted at the refined Moslem courts of the neighboring Persian empire. They incorporated figures in spite of the Moslem faith’s proscription against depicting the human form. Such was the nature of sophisticated courtly life everywhere that beauty and pleasure trumped systems of morality. This was no less the case at the provincial Indian courts, where our miniature, marked by a charming pictorial naiveté, was most likely painted. Yet the artist was undeniably accomplished. His command of perspective, introduced by Jesuit missionaries in the 17th century, is seen in the landscape, which rolls back to a distant horizon, contrary to the flat two-dimensional ones following Indian-painting traditions. And if Mughal artists were influenced by Western art, the compliment was returned by Rembrandt and Sir Joshua Reynolds, among others, who collected Indian miniatures (as did, perhaps, Giovanni Bellini who painted in Mughal style the famous miniature of a Persian man...

Large French painting dated 1899. Oil painting on canvas, first canvas, depicting a view of a country village with characters and animals of good...

ANTIQUE ORIGINAL FRAMED BELGIAN WATERCOLOUR PAINTING Depicting a view of Bruges, looking down the Groenerei Canal over the steep rooftops towards the dominating medieval Belfry Tower. Painted skilfully capturing light and shade extremely well and using the negative space in the paper to great effect. Unsigned but in the manner of Lucien Frank...

Early to mid 20th century French oil painting on canvas of flowers in a vase. Really beautifully painted early 20th century still life signed by artist. Not framed just stretched ...

The large Chinese watercolor on European paper depicts a starboard view of a two-master sailing ship with one man sailing the vessel while two passengers can clearly be seen inside t...