Macklowe Gallery Jewelry Necklaces

Created in the 1980s, this David Webb pendant necklace is composed of 18K gold and diamonds. The oversize links of Gordian knot form suspend a scrolling flori-form pendant, convertib...

Created circa 1910 by Louis Comfort Tiffany of Tiffany & Co. with the collaboration of Julia Munson, this necklace is formed of 18K gold and plique-à-jour enamel. It is designed as a...

Created in the late 19th century, this important antique emerald and diamond snake necklace is mounted in silver-topped gold. Set with over 67 carats of diamonds, the necklace is des...

Dating from the mid-Victorian period, this snake necklace is composed of 18K gold and diamonds. Devouring its own tail, the serpent's chased and engraved head with rose-cut diamond a...

Dating from the 1990s, this Bulgari 18K gold necklace is formed of Tubogas links. It is designed as a very slightly graduating torque of flexible tubogas links. Soft and perfectly we...

Created circa 1900, this Belle Époque sapphire and diamond necklace is composed of diamonds and large sapphires, and is convertible into two bracelets. It is mounted with thirteen ov...

Created circa 1900 by the New York society jeweler, Thomas Kirkpatrick, this rivière necklace is composed of approximately 21 carats of diamonds. It is designed as a graduating line ...

This "Sliding" suite of necklace, bracelet and half hoop clip earrings of diamonds and 18K gold by the Parisian firm of René Boivin dates from circa 1975. The torque necklace and hin...

Created in 1980, this 18K gold and diamond necklace was designed by Angela Cummings and made by Tiffany & Co. It is designed as a series of cushion-shape slightly-bombé gold links of...

Designed in the late 1920s-1930s by Cartier Paris, this mechanical pencil pendant necklace is composed of 18K gold, enamel and rose-cut diamonds. The reeded telescoping cylinder with...

A work of René Lalique dating from circa 1900-1902, this ivy pendant is composed of enamel, diamonds and 18K gold. It is designed as a large and convex open form of circling vines wi...

This 18K gold necklace was created in the 1970s. It is designed as a tapering rope of formed of braided cords, themselves formed of multiple strands of ropetwist chain. Beautifully t...

Dating from circa 1900-1910, this Edwardian pendant lorgnette is composed of platinum and diamonds. The lorgnette is formed as a reeded column with pierced diamond foliate elements s...

Likely created circa 1903-1907, this plique-à-jour enamel and natural pearl pendant brooch with chain by René Lalique is set in 18K gold. The modified triangular form, composed of chased 18K gold, centers two stalks of seaweed among pale green plique-à-jour enamel seawater, symmetrically bordered by rampant lions joined at the top at the tips of their tufted tails, the reverse counter enameled, suspending a natural saltwater pear-shape pear with rose tones. A work of subtle homage to Brittany and its wild coastline, this flowing form harmoniously combines motifs evoking the marine flora and history of this noble-spirited region of France so beloved of late 19th century artists. Product Details: Item #: N-21379 Artist: René Lalique Country: France Circa: 1903-1907 Materials: 1 natural saltwater pearl (measuring approximately 9.85 x 8.62 mm); Plique-à-jour Enamel; 18K Gold Signed: LALIQUE Documentation: Accompanied by GIA report #6237144602 dated December 13, 2023, stating that the pearl is natural and of saltwater origin. Macklowe Gallery Curator's Notes: French artists like Monet and Gaugin discovered the "emerald coast" of Brittany, Western France, in the 1880s. They captured the independent spirit of the inhabitants, dressed immaculately in their distinctive regional attire, engaged in traditional rural and seaside pursuits such as haymaking, tending animals, fishing, and journeying in groups on foot through the countryside to attend mass. Another activity that captured the artists' imagination was the more unusual activity of the seaweed harvest. Gaugin and others captured these Breton "Goemoniers'" quiet dignity as they performed this backbreaking work, raking, drying and burning the massive stacks, variously employing horsedrawn carts or the more strenuous hand barrows...

Designed in 1972 by Aldo Cipullo as part of the "Rounds" collection, this Cartier necklace is composed of 18k gold and sodalite . It is designed as trace link chain highlighted by sh...

Created around 1910, this Edwardian pendant necklace is composed of diamonds, plique-à-jour enamel and platinum. The scrolling floral and foliate motif pendant is composed of old Eur...

Created by Marina B in 1987, this necklace is made of 18K gold. It is composed of two lines of hexagonal links, one designed as solid forms surmounting overlapping open links. Streamlined and ingeniously constructed, this sleek necklace offers flexibility and soft edges for everyday wear, as well as a subtle complexity that lends it unusual visual interest. Product Details: Item #: N-20593 Artist: Marina B. Country: Italy Circa: 1987-88 Dimensions: 15.75" length x 0.50" width Materials: 18K Gold Signed: Marina B Italy 1988. A149. 750. MB makers marks Literature: A rendering of this necklace, belonging to the design group described as "Triangles and Symmetrical Geometry", appears in Marina B: The Art of Jewelry, by Viviane Jutheau Witt, page 45. Macklowe Gallery Curator's Notes: Marina Bulgari left the family firm to found her own house in 1976, attracting independent women such as Princess Grace and others who made purchasing decisions for themselves. While she invented new cuts of gems...

Created in the 1980s, this Cartier Paris necklace is composed of 18K gold and approximately 29.00 carats of diamonds. The necklace is formed of ...

Made in England around 1880, this necklace is composed of bi-color 15K gold. The 20 inch geometric chain is composed of plain polished rose-gold circular links interspersed with brus...

Made around the end of the Georgian period in 1830, this long chain necklace is formed of 18K gold. Of endless form, it is composed of oval polished links edged by ribbed trace link ...

This antique Victorian 15K gold demi-parure comprising pendant earrings and pendant brooch with chain is set with over 10.00 carats of cabochon almandine garnets. The elongated pendant earrings are designed as scrolling leaf motif tops, each with an oval cabochon garnet, flexibly suspending a reverse-tapering drop of floral and foliate form set with pear-shape and oval cabochon garnets, en suite with a conforming pendant brooch and delicate rectangular trace link chain. Still stylish today, the lightly voluminous, repoussé forms have an easy, gentle sway, while their soft bloomed gold and saturated red garnets enliven the eyes and face. Product Details: Item #: STE-20655 Artist: James W. Lyon, Edinburgh Country: Scotland Circa: 1860's Dimensions: Earpendants: 3" length; Pendant Brooch: 2.5" length; Chain: 13.5" length Materials: Cabochon almandine garnet (with approximate total weight 6.10 carats); Cabochon almandine garnet (with approximate total weight 4.05 carats); 15K Gold; fitted original box from James W. Lyon, Edinburgh. Literature: A substantially similar demi-parure in the collection of the Victoria and Albert Museum, London, is pictured in Jewellery in the Age of Queen Victoria, by Charlotte Gere and Judy Rudoe, p.17. The image of the demi-parure is accompanied by an image of a lithograph of a young Queen Victoria wearing a substantially similar demi-parure. Macklowe Gallery Curator's Notes: Queen Victoria, whom the artistic record shows owned a substantially similar demi-paure, was deeply interested in couture and jewelry. Often, she chose to wear jewelry by British makers, in many cases work that was historically inspired and/or sentimental, knowing that her choices were closely observed by the public. These jewels were often relatively modest in value, and accessible to aspiring women of the British middle class. Blood-red cabochon-cut gems have been known throughout history as "carbuncles", and their use in gold jewelry was highly popular in the sentimental, symbolism-loving Victorian period in England. In the 19th century, the new study of of archaeology had revealed that the garnet was a favorite precious stone of the Hellenistic Greeks, who centered carbuncles in wedding jewelry such as gold bracelets and garment appliqués fashioned...

Dating from the 1970s, this Pisces pendant by Van Cleef & Arpels is composed of 18K gold, diamond, and emeralds. The ribbed bail suspends a circular pendant, within ropetwist frame, ...

Dating from the late 19th century, this bloomed gold lorgnette necklace is set with demantoid garnet highlights. Enclosing folding spring loaded len...

Composed of gold, this French Art Nouveau long chain necklace was created around 1900. The fancy elongated links each contain an interlocking se...

An English Antique 15 karat gold necklace with amethyst, diamond and natural pearl. The necklace has an oval cut amethyst approximately 9.50 carats, 30 old mine-cut diamonds with an ...

An English antique 18 karat gold pendant locket with diamonds. The pendant locket has 1 old mine-cut diamond with an approximate total weight of .18 carat, which is surrounded by a seed pearl-set garland. The locket is suspended from an antique 18 karat chain...

This impactful Art Deco collar necklace from 1929 is an early Art Moderne jewel by Mauboussin, a French maison daringly led by Georges and his engineer...

An English Victorian 18 karat gold and amethyst parure of a rivière necklace and drop earrings. The rivière features 20 deeply-colored oval amethysts o...

A French Art Nouveau 18 karat gold and enamel pendant by André Rambour. The pendant is designed as a maiden within an enamel iris which is suspended by ...

An American late-19th Century 14 karat gold pendant with moonstone and rubies. The pendant has a cabochon moonstone with an approximate tot...