Madex Marian Gora Wall Decorations

W. Kruegner- summerly high mountain landscape with alpine Lake and Watzmann An impressionistic oil painting depicting a high mountain landscap...

Early 19th century oil portrait of a handsome young man An original painting of a young man wearing his best suit of clothes. Original oil on ...

Wonderful naive oil painting of a girl. Fabulous muted colors. The austerity of the image is matched by the simplicity of the antique bleached oak frame. I have chosen not to resto...

A 19th century American folk art oil painting on canvas depicting a river scene at dawn with a horse and rider on a bridge over a waterf...

ABOUT An original 19th century Mexican folk retablo "Veronica's Veil" or "El Divono Rostro" in Spain . Oil paint on tin. The Veil of Veronica, known in Italian as the Volto Santo or Holy Face, is a Roman Catholic Relic which, according to legend, bears the likeness of the Face of Jesus that was imprinted on it prior to Jesus' crucifixion. According to Roman Catholicism, Saint Veronica encountered Jesus in Jeruselum on the way to Calvary. When she paused to wipe the sweat (Latin, suda) off his face with her veil, his image was left on the veil. In the small village of Osa de la Vega in Spain, there lived a couple who led a very pious life. They were Gregorio de la Torre and Isabel Corral. From their father, Juan Montilla, they inherited a picture of the Face of Jesus or the Divino Rostro. A story that is told one day, to the amazement of many who confirmed its veracity, the picture began to perspire with living blood. News of this extraordinary event spread swiftly and widely throughout the land. CREATOR Unknown. DATE OF MANUFACTURE c.1880. MATERIALS AND TECHNIQUES Oil Paint on Tin. CONDITION Good. Wear consistent with age and use. DIMENSIONS H 14 in. W 10 in. HISTORY Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar.' This unique genre of art, deeply rooted in European history, was brought to Mexico with the arrival of the Spanish and then ultimately adopted by New World mestizo natives to become what is known today as the Mexican folk retablo. The retablo was an art form that flourished in post conquest Mexico and then ultimately, with the introduction of inexpensive mediums such as tin, reached its pinnacle of popularity in the last quarter of the 19th century. With some exceptions, mostly untrained artists from the provinces worked to produce and reproduce these sacred images; some subjects painted more prolifically than others. A typical "retablero" may have reproduced the same image hundreds, if not thousands of times in his or her career. These oil paintings were sold to devout believers who displayed them in home altars to honor their patron saints. There are virtually hundreds of saints, each invoked to remedy a different situation. "San Ysidro Labrador," the patron saint of farmers, is venerated for good weather...

Wonderful naive oil painting of a girl. Fabulous muted colors. The austerity of the image is matched by the simplicity of the antique bleached oak frame. I have chosen not to resto...

Mid-20th century Balinese painting on silk fabric, framed. Vintage large Balinese art painting, from Ubud, Bali acrylic on silk. Beautiful artwork by the Indonesian artist from Ubud. Painted in Peliatan, Ubud Bali by W. Kurpelir as signed on the bottom left hand corner. Balinese Folk Festival ceremonial procession, Ink and acrylic paint on canvas. Batuan painting evolved in the 1930s after a group of local villagers tested different forms with ink-washed paintings upon black backgrounds. These paintings often reveal Batuan’s cultural life, directly through their elements of line, shape, and tone. Meticulous design, craftsmanship, and strong visual impression are characteristic of the style. The painting comprise individual shapes which are painted in a precise and systematic manner that does not leave any empty space. The complexity of the paintings is inevitable as each of the strokes, lines, gradations, the characters or the subjects forms a delicate unity that finely balances the figure-filled canvas. Various gradations of colors separate different sections of the painting. The landscape is enticing and endless. About Bali Art...

Superb Ammi Phillips American Folk Art Portrait painting, circa 1840 We are proud of our acquisition of this authentic masterpiece by Ammi Phillips (1788-1865). The finely rendered portrait depicts an attractive young girl in a delightful lifelike quality. The pretty face is a refreshing change from the stern expressions of most of the paintings showing mature female or male sitters. Phillips palette is dark with a strikingly dramatic use of light to her face. The painting, on its original stretchers, is in untouched condition. The frame is period. This painting is unsigned, as are most of his works, but bares the unmistakable characteristics of a Phillips painting. Portrait of a young girl holding a book and wearing a golden whistle. From the New England estate of the renowned Folk Art Collector and scholar, John Bauer...

The five pen-and-ink drawings by Lauzon represent various aspects of a summer concert of the Boston Symphony Orchestra at Tanglewood, Lenox, MA: the co...

Mid 20th Century Balinese Painting on silk fabric, Framed. Vintage large Balinese art painting, from Ubud, Bali acrylic on silk. Beautiful artwork by the Indonesian artist from Ubud. Painted in Peliatan, Ubud Bali by VJ. Kupur as signed on the bottom left hand corner. Balinese Folk Festival ceremonial procession, Ink and acrylic paint on canvas. Batuan painting evolved in the 1930s after a group of local villagers tested different forms with ink-washed paintings upon black backgrounds. These paintings often reveal Batuan’s cultural life, directly through their elements of line, shape, and tone. Meticulous design, craftsmanship, and strong visual impression are characteristic of the style. The painting comprise individual shapes which are painted in a precise and systematic manner that does not leave any empty space. The complexity of the paintings is inevitable as each of the strokes, lines, gradations, the characters or the subjects forms a delicate unity that finely balances the figure-filled canvas. Various gradations of colors separate different sections of the painting. The landscape is enticing and endless. About Bali Art...

Ancient Ethiopian painting imported to Italy by a diplomat during the Italian occupation of Ethiopia, in the late 1930s. This genre scene painting is divided into eighteen squares bordered by a black frame and divided into three lines. The scene depicts the story of a couple with three children through the stories of their domestic life and their rural activity; each box has a caption written in the Amharic language. In the first line: they grind; they drink; …illegible… while they spin; they bring water. In the second line: comb, cut your hair; treats your teeth; grind; they bring the wood; they bring water. In the third section: they prepare beer; they prepare bread; they cook bread; they prepare lunch; while they eat; while they drink. This canvas is painted in shades of ocher and is mounteed on a ebonized frame. Dates back to the late 1930s. The canvas show minimal tears and signs of wear but we can customize a restoration. The human figures are characterized by unrealistic proportions of the head and body and depicted in static positions. This sense of fixity and the narration in successive chapters in domestic environments make the paintings easily intelligible and suggestive. A particularly fascinating aspect of Ethiopian art...

A captivating and intriguing early 20th century Southern American folk art panel, found in Mississippi, depicting a figure with what appears to be African tribal headgear, and wearing a white collared shirt with black suit jacket. The line work and attention to detail is extraordinary and mysterious, with the artist choosing to incorporate a natural knot in the board to form the mouth of the figure, and the left half of the drawing showing shading, but seemingly left unfinished. The frame is not terribly old, and is constructed from splatter-painted boards...