MAISON LECAN Prints
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Former Air France planisphere published by Permalux during 70's
Located in LYON, FR
This vintage travel agency planisphere published by Permalux dates from the 70s and shows the destinations covered at the time by the national co...
Category
Vintage 1970s French Prints
Materials
Plywood
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Title: Grid of French Renaissance Artistic Designs, 1887
Description:
This compilation features nine prints from the French Renaissance, illustrating the intricate typographic decorations, model printing, tapestry, and architectural ornaments that characterized the period. These prints are detailed engravings of various decorative arts, including textiles, stonework, and wood carvings, showcasing elaborate patterns and vibrant colors typical of the era.
Maker and Publication:
These prints were created by Heinrich Dolmetsch and are part of "Der Ornamentenschatz," a collection published in 1884 by Julius Hoffmann in Stuttgart. This work is an exhaustive encyclopedic compilation that includes a variety of European artistic styles and is highly valued for its precision and attention to historical detail.
Attractiveness and Decorative Appeal:
- Complexity and Detail: Each print is filled with complex geometric patterns, organic forms, and figurative representations that are meticulously crafted.
- Historical Accuracy: The authenticity in the depiction of Renaissance motifs appeals to both historians and art lovers.
- Aesthetic Diversity: The collection showcases a wide range of colors and designs, from monochrome engravings to polychrome decorations, making each print visually unique and appealing.
- Cultural Significance: These prints not only serve as decorative art but also provide insights into the cultural and artistic practices of the French Renaissance, reflecting the period’s social values and aesthetic preferences.
These elements make the prints not only valuable pieces of historical documentation but also highly decorative artworks suited for both scholarly study and aesthetic enjoyment.
The prints from Heinrich Dolmetsch's "Der Ornamentenschatz" utilize **chromolithography**, a method for making multi-color prints. This technique became very popular in the 19th century for its ability to produce vivid, detailed, and colorful images. It involves using multiple lithographic stones, one for each color, and was especially prized for its effectiveness in replicating the textures and hues of a wide range of materials, including the lustrous quality of gold.
How the Gold Highlights Were Achieved:
The gold highlights in these prints likely utilized a technique within chromolithography where a special gold ink or a layer of finely powdered bronzing was applied. This method can mimic the shimmer of real gold:
- Gold Ink: Made from various components, including a metallic powder suspended in a medium, gold ink can be used to print directly onto the image areas intended to look gilded.
- Bronzing: After printing an adhesive layer, finely powdered bronze is applied, adhering to the sticky areas and producing a gold-like effect when the excess powder is removed.
These techniques enabled Dolmetsch to replicate the opulent and intricate designs typical of the French Renaissance with a realistic metallic sheen, adding richness and depth to the prints and enhancing their decorative appeal.
When searching for prints like those in Heinrich Dolmetsch's "Der Ornamentenschatz," particularly those with intricate Renaissance designs and metallic highlights, people often use the following keywords:
1. **Chromolithography Prints**
2. **Renaissance Art Reproductions**
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