MAISON LECAN Prints

Reproduction of beautiful blue and green mid-century Air France world map on four individual panels. The charming illustrations evoke an era of international jet-set style. May be pu...

Antique map titled 'Chart of the World, according to Mercators Projection'. This world map shows the various discoveries of Captain James Cook during his 3 voyages between 1768 and 1780, and the English and French Explorers who followed immediately thereafter, including Vancouver and La Perouse. This edition of the map is significantly revised from the editions issued immediately after the official report of Cook's Voyages were integrated into the map, showing better detail in New Zealand, Australia, the Northwest Coast of America and North East coast of Asia, along with Greenland. A new large lake also appears for the first time in the Western part of North America, shortly before the commencement of the Lewis...

Reproduction of a beautiful green and blue mid-century Air France world map on four individual panels. The charming illustrations evoke an era of international jet-set style. May be ...

Antique map titled 'Planisphere Celeste'. Planisphere with various constellations. This map originates from 'L'Usage des globes célestes et terrestres et des sphères (..)' by N. Bion...

French Courtly Costume Lithographs 18th Century Elegance - 1745, 1770, 1783 Description: These exquisite French courtly costume lithographs, created by Pauquet Frères after the work...

Title: "Maid of the 15th Century: Daily Grace" Description: This print portrays a servant or maid from the 15th century, captured in a moment of stillness, perhaps while going about...

Outstanding 19th-century French map designed and published by the French National Geographic Institute following the Aïtoff Wagner cartographic projection, a type of projection used...

The image is a hand-colored engraving titled "Louis IX," representing the 13th-century King of France, also known as Saint Louis, renowned for his Christian zeal and justice. It is p...

A very attractive late 19th century French fashion plate which was published by La Mode Illustrée. La Mode Illustrée was published in Paris in the...

A very attractive early 20th century French fashion plate which was published by La Mode Illustrée. La Mode Illustrée was published in Paris in the 1...

Title: Grid of French Renaissance Artistic Designs, 1887 Description: This compilation features nine prints from the French Renaissance, illustrating the intricate typographic decorations, model printing, tapestry, and architectural ornaments that characterized the period. These prints are detailed engravings of various decorative arts, including textiles, stonework, and wood carvings, showcasing elaborate patterns and vibrant colors typical of the era. Maker and Publication: These prints were created by Heinrich Dolmetsch and are part of "Der Ornamentenschatz," a collection published in 1884 by Julius Hoffmann in Stuttgart. This work is an exhaustive encyclopedic compilation that includes a variety of European artistic styles and is highly valued for its precision and attention to historical detail. Attractiveness and Decorative Appeal: - Complexity and Detail: Each print is filled with complex geometric patterns, organic forms, and figurative representations that are meticulously crafted. - Historical Accuracy: The authenticity in the depiction of Renaissance motifs appeals to both historians and art lovers. - Aesthetic Diversity: The collection showcases a wide range of colors and designs, from monochrome engravings to polychrome decorations, making each print visually unique and appealing. - Cultural Significance: These prints not only serve as decorative art but also provide insights into the cultural and artistic practices of the French Renaissance, reflecting the period’s social values and aesthetic preferences. These elements make the prints not only valuable pieces of historical documentation but also highly decorative artworks suited for both scholarly study and aesthetic enjoyment. The prints from Heinrich Dolmetsch's "Der Ornamentenschatz" utilize **chromolithography**, a method for making multi-color prints. This technique became very popular in the 19th century for its ability to produce vivid, detailed, and colorful images. It involves using multiple lithographic stones, one for each color, and was especially prized for its effectiveness in replicating the textures and hues of a wide range of materials, including the lustrous quality of gold. How the Gold Highlights Were Achieved: The gold highlights in these prints likely utilized a technique within chromolithography where a special gold ink or a layer of finely powdered bronzing was applied. This method can mimic the shimmer of real gold: - Gold Ink: Made from various components, including a metallic powder suspended in a medium, gold ink can be used to print directly onto the image areas intended to look gilded. - Bronzing: After printing an adhesive layer, finely powdered bronze is applied, adhering to the sticky areas and producing a gold-like effect when the excess powder is removed. These techniques enabled Dolmetsch to replicate the opulent and intricate designs typical of the French Renaissance with a realistic metallic sheen, adding richness and depth to the prints and enhancing their decorative appeal. When searching for prints like those in Heinrich Dolmetsch's "Der Ornamentenschatz," particularly those with intricate Renaissance designs and metallic highlights, people often use the following keywords: 1. **Chromolithography Prints** 2. **Renaissance Art Reproductions** 3. **Antique Art Prints...

A very attractive early 20th century French fashion plate which was published by La Mode Illustrée. La Mode Illustrée was published in Paris in the 1...