Majio at Studio Anavami Figurative Drawings and Watercolors

RINY artists Audrey Anastasi and C.Dimitri collaborated to create contemporary collage works. Born of the Covid pandemic, the team started working remotely, mailing artwork to each ...

Peter Passuntino BDSM 1960s Ink, ink wash & chalk on paper 12.25"x10" unframed unsigned Peter Passuntino b. 1936 Peter Passuntino, was born in Chicago, Illinois. At the age of 18, Passuntino was selected to be in a group show at the Carnegie Institute, and at 19 he was selected for a one-man show at the Artist Guild in Chicago. From 1954 to 1958 he attended the School of the Art Institute of Chicago. Then, upon receiving a Fulbright Fellowship in Painting, Passuntino spent time in Paris, from 1963 to 1965. While in Paris he studied art at the Istitut de Arts et Archeologie and exhibited in a solo exhibition entitled “Bad Manners, A Happening at the American Arts Center” (1963). During his time at the School of the Art Institute of Chicago, Passuntino was an organizer of the Exhibition Momentum Group, and he served as the group’s chairman in 1958. The Exhibition Momentum Group was successful in expanding the Chicago-Midwest art community and in bringing emerging and established artists from the East Coast to Chicago as panelists and jurors of the exhibitions. In 1969, The Rhino Horn Group was founded in New York City by a group of artists bound together by their dedication to figurative art and a collective notion that artistic practice should have both a critical and a social function. They critiqued the art-as-business ideology that absorbed fine arts into consumer culture in the United States during the 1960s. The seven founding members were Peter Passuntino (b. 1936), Benny Andrews (1930-2006), Jay Milder (b. 1934), Peter Dean (1934-1993), Ken Bowman (1937-2014), Michael Fauerbach (1942-2011), and Nicholas Sperakis (b. 1943). Between 1969 and 1978, active members also included Bill Barrell (b. 1932), Leonel Góngora (1932-1999), Isser Aronovici (1932-1994), June Leaf...

Portrait of Paris, 2019 by a.muse is a colorful mixed-media painting on paper, an homage to the Trojan prince in Greek mythology. Acrylic, pastel, and watercolor sticks, the paintin...

In this 16" x 20" ink and pastel drawing on paper, Simon-Gestin depicts what appears to be a young woman isolated within the darkened archway of an architectural setting. The smiling face of a larger female figure looks on from the left margin of the work - a possible 'guardian' or 'protector' of the younger girl. The ground of geometric shapes surrounding the figures are filled with organic shapes and contouring lines in warm tones or dark line. This work is from Simon-Gestin's "No Way Back...

Don Stacy "Body Hug" c. 1950 Ink wash on Strathmore paper 7.75"x 16.5" site unframed Signed in pencil lower right Came from the estate of the artist in NYC Donald Stacy (1925-2008) ...

In this mixed media work on paper, Ushio Shinohara's highly expressive depiction of form and figure through manic and brazen employment of line work suggest a spirit that is meticulo...

Orange, blue, and yellow abstract figurative portrait by Texas artist Ike E. Morgan. This pastel drawing depicts an abstract figure of George Washington against a yellow halo on a re...

This work on paper features deep hues of pink, orange and yellow. The unframed piece measures 25 by 19 inches. Lizzy Storm is an Atlanta-based Artist and educator creating weathered...

This set of drawings has been like a Covid-19 diary of one woman and her domestic realm. Simone de Beauvoir, the century's most iconic feminist scholar, called the burden of women's ...

In this mixed media drawing on paper, Ushio Shinohara's highly expressive depiction of line and form suggest a spirit that is meticulous in execution, yet unencumbered by restraint. ...

This set of drawings has been like a Covid-19 diary of one woman and her domestic realm. Simone de Beauvoir, the century's most iconic feminist scholar, called the burden of women's ...

This set of drawings has been like a Covid-19 diary of one woman and her domestic realm. Simone de Beauvoir, the century's most iconic feminist scholar, called the burden of women's ...