Manfred Schotten Antiques Books

This book was published on the occasion of an exhibition in May 2011 held at Demish Danant Gallery, New York. Philippon and Lecoq joined forces in 1955 after having worked in Marcel ...

A hardback book with original dust jacket. Chinoiserie is one of the strongest, mostt consistent strains in western taste. It has affected every area of decor and design from Chippen...

A beautifully produced book by Franco Maria Ricci, one of a limited edition of 3,000 numbered copies, this being 388. 175 pages with tipped in color plates with additional drawings and sketches, the text is in English. Arcimboldo has become best known for his portraits of human heads made up from vegetables, plants, fruits, sea creatures and tree roots, which were greatly admired by his contemporaries and remain of great fascination to this day. each was carefully constructed and as can be seen with the main image, the Librarian...

It is impossible to understand the architecture of the 20th century and of our own time without first coming to terms with Le Corbusier (1887-1965). His buildings can be found from P...

Unusual antique two-handled silver trophy cup with cast and hand chased detail including a cavalry horse riding scene depicting a competition of horsemanship inside an arena. There i...

Vintage Boho 'The Art of Florence' Book: A timeless journey through Florence's artistic heritage, blending rustic charm and scholarly insight. Perfect for the cultured American home.

A Monograph on this most important Brazilian furniture designer and maker from the mid-20th century. He opened his factory in 1943 and one of his main clients was the architect Oscar Niemeyer, for whose designs a number of original pieces were commissioned. He was well-known for making use of indigenous...

Earth’s Mightiest Heroes Assembling the definitive Marvel Age Avengers anthology By early 1963 the foundations of the Marvel Universe had been laid. Following the introduction of the Fantastic Four in 1961 came the amazing (Spider-Man), the astonishing (Ant-Man), the strange (Doctor, that is), the incredible (Hulk), the invincible (Iron Man) and the mighty (Thor). Still, Marvel editor in chief Stan Lee realized something was missing. “I was writing these characters and I thought it would fun to put them together in a team,” he recalled. So Lee and artist Jack Kirby assembled Iron Man, Ant-Man and the Wasp, Thor, and the Hulk...

When the cinematic Bond was born. The most complete account of the making of the first James Bond film, Dr. No (1962). “Bond, James Bond.” Since Sean Connery uttered those immortal...

G: Forever Green By: Carlos Mota An exuberant celebration of the color green, in nature, art, interiors, and design Green is like water: it is everywhere and we can’t live without i...

David Netto By: David Netto Illustrations by Mita Bland The first monograph of a distinctive voice in American design whose work, a blend of sophisticated...

The definitive monograph of Oehlen's work to date. Limited to 1,000 numbered copies, each signed by Albert Oehlen. Also available: An Art Edition limited to 100 copies, each signed by the artist and accompanied by an original artwork. Often wryly funny and just as smart, Albert Oehlen’s paintings play the medium for all it’s worth and then some. After realizing that the so-called death of painting freed him to explore "the number of aspects through which one could expand painting," Oehlen started work on a wide variety of figurative and non-objective offerings, in what he has called his "post-non-figurative" art. The artist continuously challenges himself, setting up rules that force him to overcome convention and his own routine in order to arrive at a satisfying image. During his career he has chosen to paint in primary colors only or in gray, to integrate mirrors into his canvases, or to start on computer paintings when the first PCs became available. In his most recent work Oehlen expands painting through the use of advertising posters whose in-your-face aesthetics he transforms with subtle brushwork. Never without a touch of tongue-in-cheek humour, his work seems to be winking at us as it dares us to change the way we perceive an image. This XL monograph covers the entire Scope of Oehlen’s oeuvre: Roberto Ohrt discusses the early years, when Oehlen came into his own alongside Kippenberger, Bu¨ttner, and others, part of a scene that broke rules in art and rock music. Klaus Kertess examines the years from 1988 onwards, when Oehlen saw himself more self-consciously as a painter and started his first abstract works, then continued to probe the limits of the medium. Martin Prinzhorn and John Corbett...