Manolo Eirin Gallery Figurative Drawings and Watercolors
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surreal scene with magical colors, blue shadows and illuminated buildings
Located in Carballo, ES
Ventura A. Pérez (1992) is one of the most seductive artists on the contemporary Spanish scene. After earning a doctorate in contemporary art from the University of Vigo, he moved to...
Category
21st Century and Contemporary Surrealist Interior Paintings
Materials
Oil, Wood Panel
Original work made with turmeric and hammer blows on paper, full moon
Located in Carballo, ES
Special edition of the artist made with an original and unique drawing for his exhibition "1 + 1 = infinity" at the Manolo Eirin Gallery. This tension between the unlimited and the c...
Category
21st Century and Contemporary Contemporary Figurative Drawings and Water...
Materials
Rice Paper
Original work made with natural materials and hammer on paper, yellow bread
Located in Carballo, ES
Special edition of the artist made with an original and unique drawing for his exhibition "1 + 1 = infinity" at the Manolo Eirin Gallery. This tension between the unlimited and the c...
Category
21st Century and Contemporary Contemporary Figurative Drawings and Water...
Materials
Rice Paper
"Dog", Contemporary painting on organic cotton, Art Povera, Earthworks, Land art
Located in Carballo, ES
Original painting made by TUSET (1997, A Coruña) one of the main artists of the renewal of millennial painting. Influenced by the Italian art of the second half of the 60's, Arte Povera, Land Art and Post Minimalism...
Category
21st Century and Contemporary Arte Povera Figurative Paintings
Materials
Organic Material, Adhesive, Varnish, Cotton Canvas
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Fenzoni, Painting AND preparatorial Drawing, John the Baptist, Italy Renaissance
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The painting and the preparatory drawing are offered together.
Provenance
Private collection, Germany, Trier, c. 1980- 2013
Saint John the Baptist
Brown ink and wash over red chalk on oatmeal paper
31 x 20.5 cm
Inscribed: „Ferrau Fenzonio da Faenza invt. esque … imp. da Fran. Villamena …“.
bears the collector's mark of Henry Scipio Reitlinger (1882-1950; Lugt 2274a) on a tiny label glued to the verso
On the reverse is a partial drawing of a Pieta, pricked for transfer.
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The painting and the preparatory drawing resemble the composition of an engraving after Ferraù Fenzoni by Francesco Villamena. Drawing, engraving and painting are almost identical, except for minor differences. Even the measurements nearly correspond: painting (32 x 25,5 cm), drawing (30 x 20,5 cm), engraving (31,1 x 23,5 cm).
Dr. Guiseppe Scavizzi confirmed the attribution of the present panting to Fenzoni and he dates it to c. 1590.
The inscription on the drawing reads “Ferrau Fenzonio da Faenza invt. esque. . . imp. da Fran: Villamena . . .”. The engraving’s inscription also lists place and date “Ferra Fensionius inventor/F. Villamoena sculpsit Rome/Aspectu fruitur… antra puer/cum Privilegio… 1613”.
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