Margit Wittig Paintings

Vintage festive abstract oil on canvas with a simple lathe frame bu Barbara Tuch.

Oil painting is composed of vibrant orange tones mingled with neutral brown and grey tones. Verso is titled and signed illegibly. Canvas measures approximate 20 inches squared in height and width. Signed original artwork, abstract Modernist art...

This is a massive piece of modern art that makes a huge statement. Measuring in at 8ft 2in, it’s a beast, the equivalent of a mural. Add a huge pop of color to your space today.

This painting has heavily textured acrylics in multicolored on wood. The artist created the piece using multiple techniques like palet knife, brush and pencil. The series is call...

Midcentury abstract oil painting on canvas. Colorful Mid-Century Modern abstract impasto oil painting on canvas. This stunning square ...

A large oil on canvass depicting an stylized, almost abstracted to the basic organic forms, landscape. Beautiful harmonic colors with an interesting poetic design. Signed illegibly a...

Abstract painting by Antonio Ferri.

Signed and dated "PLUM 2016" recto and verso of the canvas; canvas size - 36" x 48" x 1.5" profile. Andrew Plum was born in Lancashire, England in 1965 and moved to Canada at the age...

This work is signed and dated PLUM 2011 recto and verso of the canvas; Canvas Size - 24" x 24" x 1.5" profile; Framed Size - 25.5" x 25.5" Black synthetic float frame included. Andr...

Abstract Acrylic painting, titled:' Siesta Sunrise Big Sur' Acrylic on Canvas painting; California painting; Signed verso: PLUM; Canvas size 8" x 10"; Dated: April 2014. Andrew Plum ...

Rare abstract oil on canvas painting by the Swedish artist Bertil Berntsson made in 1964. In good vintage condition with small signs of use. Framed in a pine frame. 129 x 120 x 2 cm.

Excellent example of a large oil on canvas abstraction by Fred Hocks from 1957. This painting was included in the 1976 retrospective at the Fine Arts Gallery in San Diego which later became the San Diego Museum of Art. No painter embodies San Diego’s early avant-garde more than Fred (Ferdinand) Hocks, a German-born painter who began visiting San Diego in the late 1920s after studies at the California School of Fine Art in San Francisco and the Art Students League in New York. Fellow painter Dan Dickey credited Hocks in 1947 with “opening up pathways for future, more enlightened generations (of artists),” and predicted that Fred Hocks would be “esteemed a master.” During the post-war years Hocks was assistant director of the San Diego School of Arts and Crafts, a private art school in La Jolla, and was instrumental in keeping affordable artist’s studios in Spanish Village. Along with modern architect Lloyd Ruocco, Fred Hocks co-founded the dynamic Allied Artists Council with Belle Baranceanu, Everett Gee Jackson, Dan Dickey and John Olsen. The well-travelled Hocks exhibited in San Francisco, Oakland, Los Angeles, Long Beach, Pasadena, Paris, Mallorca and Guadalajara, had several one-person shows at the Art Center La Jolla/La Jolla Museum of Art and at the Fine Arts Gallery (SDMA). The San Diego Museum of Art held a major retrospective of his painting in 1976, just a few years before his death. He brought a continental element to the local art scene and is described in Bruce Kamerling’s 100 Years of Art in San Diego as “one of the most adventurous local artists…an intelligent and articulate defender of modern tendencies in art.” Local arts and architecture writer James Britton called Fred Hocks “the dean of the San Diego moderns...