McNaught Fine Art Abstract Drawings and Watercolors
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'Untitled No. 1', Royal Society of Artists, Edinburgh Academy, Palo Alto
By Thomas Guise
Located in Santa Cruz, CA
'Untitled No. 1' by Thomas Guise, 1967.
Royal Society of Artists, Edinburgh Academy, Palo Alto
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Signed lower right, 'T.G.M. Guise' for Thomas Gladstone Middleton Guise (Scottish, 1916-1984) and dated 1967.
Previously with: Los Robles Gallery, Palo Alto, California.
Thomas Guise studied art at Edinburgh College of Art under Thomson Adam Bruce, RSA (1947-1949) before serving with the Royal Artillery between 1939 and 1946. After returning to Scotland, Guise began working professionally as an artist and commenced his fruitful association with the Featherhal Press. Over the course of his career, he was the recipient of numerous prizes, medals and juried awards including the Award for Life Drawing (1947). Guise exhibited internationally with success and was a member of the Royal Society of Arts, the Royal Society of British Artists and the Royal Scottish Society of Painters in Watercolor among others.
Accompanied by an artist catalogue, 'T.G.M. Guise: Propinquity', Featherhall Press Limited, Edinburgh 1996.
Selected Group Shows 1948 - 1984:
RBA, RSA, RI, RSW, RGI, SSA, NEAC.
Arun Art Centre
The Bath Festival Exhibition
Selected Solo Shows:
1966 - Randolph Gallery, Edinburgh Festival
1967 - Encina Gallery Stanford University, California, United States
1968 - Los Robles Gallery, Palo Alto, California, United States
1968 - Randolph Gallery Edinburgh Festival
1970 - Clarkson Gallery, Victoria Street...
Category
1960s Pointillist Abstract Drawings and Watercolors
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'Evening Landscape' Bay Area Abstraction, San Francisco Museum of Fine Arts, CWS
By Robert George Gilberg
Located in Santa Cruz, CA
'Evening Landscape' by Robert George Gilberg.
Bay Area Abstraction, San Francisco Museum of Fine Arts, California Watercolor Society
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Signed ...
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1960s Landscape Drawings and Watercolors
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'Roofs of Ravello', Mid-Century Abstract, Harvard Fogg Museum, SFAA, Carmel, AIC
Located in Santa Cruz, CA
'Roofs of Ravello' by Margaret Wentworth, 1959.
Mid-Century Abstract, Harvard Fogg Museum, San Francisco Art Association, Carmel, Art Institute of Chicago
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Initialed lower rig...
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1950s Abstract Geometric Abstract Paintings
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'Mid-century Abstract', NYMoMA, Paris, XXXII Venice Biennale, MALI, Lima, Peru
By Emilio Rodríguez Larraín
Located in Santa Cruz, CA
'Midcentury Biomorphic Abstract' by Emilio Rodríguez Larraín, 1964.
NYMoMA, Paris, XXXII Venice Biennale, Museo de Arte de Lima, Lima, Peru
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Signed, lower right, 'E.R. Larrain' for Emilio Rodríguez Larraín (Peruvian, 1928-2015), and inscribed 'Roma, Nov 1963, Enero 1964'. (Rome, Nov 1963-January 1964). Verso titled, "L'Homme C'est Sujet à Errer" (Man Tends to Wander), and bearing the artist's self-portrait in india ink and wash.
Exhibited: XXXII Venice Biennale, 1964. (original exhibition label verso)
Previously with Staempfli Galleries, New York. This painting is registered in the Archives of American Art as 'Staempfli Gallery, inventory #775'.
A monumental and historically distinguished work by this groundbreaking Peruvian Modernist who drew inspiration from Peruvian indigenous and pre-colonial culture. The paintings of Emilio Rodríguez Larraín are held in the permanent collections of museums worldwide including the Musée de la Ville de Paris, Peru's Museo de Arte de Lima and the Museum of Modern Art in New York. This painting was selected by the Peruvian Government for exhibition at the XXXII Venice Biennale in 1964 and is the largest single recorded work by the artist.
Emilio Rodríguez Larraín received his Bachelors of Architecture in 1949 from Peru's Universidad Nacional de Ingeniería and held his first solo exhibition in Lima after visiting Europe in 1950. In 1951, he returned to Europe in the company of the artists Alfredo Ruiz Rosas and Joaquín Roca Rey...
Category
1960s Abstract Abstract Drawings and Watercolors
Materials
Fiberboard, Laid Paper, Oil
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Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil.
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My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure.
Artist CV:
EDUCATION
Master of Fine Arts in Painting
Bard College 1986
Bachelor of Science in Art History
State University College at New Paltz 1977
Additional Study: New York Studio School (Drawing Marathons)
Columbia University, School of Architecture
Women’s Studio Workshop
TEACHING
Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY
Coordinator, Interior Design Program, Florence, Italy campus
1992-present
AWARDS
NYFA Fellowship in Painting 2018
Invitational Award for Outstanding Contemporary Talent,
University of Bridgeport, CT 2000
Purchase Prize, “11th National Juried Exhibition”
College of Notre Dame of Maryland, Baltimore 1999
First Prize, “Women in the Visual Arts ‘95”
Erector Square Gallery, New Haven, CT 1995
Joseph A. Cain Memorial Purchase Award for Sculpture
Del Mar College, Corpus Christi, TX 1994
Honorable Mention, “National Juried Exhibition”
University of Bridgeport, CT 1993
Individual Artists Fellowship in Sculpture
Dutchess Arts Fund 1992/93
Tallix, Morris, Singer Internship in Sculpture
Tallix Foundry, Beacon, NY 1990/91
MEMBERSHIP Royal British Society of Sculptors
SELECTED JURIED/INVITATIONAL EXHIBITIONS
2020
“edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY
2019
“Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Mixed Media”, SITE Gallery, Brooklyn, NY
2018
“JuxtaPositions”, The Painting Center, New York, NY
“Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY
2017
“Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY
2016
“Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD
“Under, Over, After Over”, Vassar College, Poughkeepsie, NY
2015
“Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY
“Gridspace”, KMOCA, Kingston, NY
“Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Assuming Identity”, NY Institute of Technology, New York, NY
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“Modern Artists”, Carrie Haddad Gallery, Hudson, NY
“Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY
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“Contemporary Painters (Who Just Happen To Be Women)”,
Carrie Haddad Gallery, Hudson, NY
“Strange Glue: Collage at 100”, Cambridge School, Weston, MA
“Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY
“Fresher Paint”, Rockland Center for the Arts, Nyack, NY
Courthouse Gallery, Lake George Arts Project, Lake George, NY
2011
“Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College,
Newburgh, NY
“Gender Matters/Matters of Gender”, Freedman Gallery,
Albright College, Reading, PA
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Carrie Haddad Gallery, Hudson, NY
“Encaustics: Wax and Image”, Westchester Community College,
White Plains, NY
“Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY
“Spring Awakening”, NY Institute of Technology, New York, NY
“Clay City Dreams”, NY Institute of Technology, New York, NY
“Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School,
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“Collage”, NY Institute of Technology, New York, NY
“Working in Wax”, Bedford Gallery, Walnut Creek, CA
“Encaustic 2009”, College of New Rochelle, NY
“Three Artists”, Carrie Haddad Gallery, Hudson, NY
“Convergence: The Human Experience”,Howard County Center for the Arts, MD
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“Suckers and Biters: Love, Lollipops, and Exquisite Corpse”
Chashama Gallery, New York, NY
Carrie Haddad Gallery, Hudson NY
2007
“Patterns and Light”, Blue Hill Gallery, Blue Hill, ME
“Suckers and Biters”, AG Gallery, Brooklyn, NY
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“100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art,
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“On/Of Paper”,Kirkland Art Center, Clinton, NY
“The Love Show”, Manchester Community College, Manchester, CT
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The Soap Factory, Minneapolis, MN
“Small Tales”, Valdosta State University, Georgia
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“Women in the Middle: Borders, Barriers, Intersections”
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“The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery
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Halpert Bienniel, Appalachian State University, Boone, NC
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