MEITT SARASOLA Commodes and Chests of Drawers
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Chest of drawers by Franco Albini for poggi, Italy, 1958
By Franco Albini, Poggi
Located in ALHAURÍN EL GRANDE, ES
Chest of drawers
A variant of model “CM24”
Manufactured by Poggi
Italy, 1958
Walnut, black metallic wheels and patinated brass details.
Measurements
58 L cm x 43 W cm x 59 H cm
Pro...
Category
Vintage 1950s Italian Mid-Century Modern Commodes and Chests of Drawers
Materials
Brass
$1,871 Sale Price
25% Off
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Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan.
He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell.
Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”.
The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939).
During those years, He also worked for his first private villa (Pestarini).
It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”.
Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions.
Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings.
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