MICHAEL HEROLD Vases and Vessels

This modern ice bucket is part of the egg designs Dawa luxury bar collection and is a great addition to any home cocktail bar, or simply as a place t...

Beautiful solid lucite ice bucket cube depicting the world captured in a sculpture that resembles an ice cube. The effect displays a frosted world map of continents and orbiting the ...

A European alabaster marble urn, in the Neoclassical style, circa mid-20th century, Europe (Italy or Spain.) Urn is on the smaller side; beautiful as a standalone piece decorative ob...

This beautiful post-modern double orb bowl bud vase from Studio Nova Poland in heavy gleaming lead crystal. The mouth is cut on a blunt edge, which gives this curvy piece some seriou...

This is a large scale pink transferware footbath. It is a heavy ceramic piece. It has Victorian England styling, and the transferware seems to depict an Italian village. It is unsign...

Each urn cast with frieze of classical figures, raised on a bronze-mounted rouge griotte square marble base. The lampshades are silk and custom made by Blanche Field...

Antique French Louis XVI style sienna marble and ormolu urn Elegant 19th century sienna marble and ormolu urn converted as a table lamp. The baluster shaped urn is decorated with gr...

A pair of gilt bronze Grand Tour urns mounted on marble bases.

A collection of 4 different sized aluminum ice buckets Marked with impressed stamp Made in Italy

Pair of finest quality Monumental 19 century Italian Neoclassical Carved White Marble Urns.

A contemporary studio ceramic vase made by Japanese potter Ken Matsuzaki (1950-). The vase showcases distinguished "moon flask" form with shoulder loops. The moon flask form was widely recorded first in Tang Dynasty China, most likely arrived from the Mideast countries via the silk road. It was originally used as drink vessel for the nomads and the loops were used to tie it to the horse-centered owner. The exotic form persisted in Chinese ceramic production through Ming to Qing dynasty. The form is unusual in Ken Matsuzaki's work. The artist covered the vase with a thick dripping Oribe green glaze partially revealing the unglazed part of the body, which is decorated with scrolling pattern in left by ash glaze. The work is rooted in both Yohen Shino glaze technique and Oribe tradition, but interestingly it also paid homage to Sancai pottery in Tang Dynasty when green glaze was prominently used to drip and splash onto the pottery. Viewing the vase, one can see in this harmonious piece, the innovative reinterpretation of ancient aesthetics that cross the cultures, geology and time. The base is marked with the artist's signature. The vase comes with an inscribed tomobako storage box with the artist's bio and wrapping cloth with seal. The vase measures 8.6"h x 7"w x 2"d. Ken Matsuzaki’s haptic ceramics bring a contemporary approach to traditional Japanese ceramicware, most notably 16th-century Oribe pottery...

1980's modern "Signed" studio made pottery vase, in vintage original condition with minor wear and patina due to age and use,