Midmod Modern Living Paintings

Early 20th Century oil painting on canvas titled "Bullfighting" by Jose Gonzalez De La Pena. Framed measurement 40 wide by 34 high, in original gilt and ebonized frame. José de l...

Large format Vintage Mid-Century Modern painting of a Snow Leopard. The painting maintains its original frame and is signed by the artist. The theme of this painting was very popul...

Unique signed Brass/Bronze Metal plates. Black lines with burnished brass color and etching. One large painting is made up of three panels. Signed M. Pena. These were acqui...

Oil on Canvas by Maria Polo Signed MARIA POLO and dated 1968 Maria Polo (Venice, Italy, 1937 – Rio de Janeiro, Brazil, 1983). Painter, designer, engraver and vitralista. Studied at...

Peter Robert Keil was born to an artist blacksmith father whom he lost very early in his childhood during the Second World War. During the end phase of the war, Keil's mother, also a...

Sarah Leonard Krepp painting. Signed. Attached Resume... EDUCATION AND ACADEMIC EXPERIENCE Professor Emeritus and former Chair – Painting Program, School of Art and Design, University of Illinois at Urbana-Champaign Director, DIALOGUE CHICAGO, 2003-present Visiting Professor, Artist, School of the Art Institute of Chicago, Chicago, IL MFA – The School of the Art Institute of Chicago, Chicago, IL BS -- Skidmore College, Saratoga Springs, NY SELECTED SOLO AND TWO PERSON EXHIBITIONS “Sarah Krepp and Olivia Petrides: Line/Force/Burn Rubber!”, Leedy-Voulkos Art Center, Kansas City, MO, (catalog essay by Jason Foumberg, curator Thoma Foundation, Chicago), 2021 “Sarah Krepp and Olivia Petrides: Line/Force/Burn Rubber!”, Western Illinois University Gallery, Macomb, IL, 2021 “Tatting ↔︎ Tearing”, GSU Visual Arts Gallery, Governors State University, University Park, IL, 2020 “Sarah Krepp and Olivia Petrides: Line/Force/Burn Rubber!”, Brauer Art Museum, Valparaiso, IN, 2019 “Sarah Krepp and Olivia Petrides: Line/Force/Burn Rubber!”, Phipps Center for the Arts, Hudson, WI, 2018 "Deconstructing the American Landscape" (with Joel Ross), Rockford Art Museum, Rockford, IL, (catalogue essay by Lisa Wainwright, School of the Art Institute of Chicago, Dean of Faculty), 2016 - 2017 "BLOW-OUT II" (with Garry Noland), University of Northern Iowa Museum, Cedar Falls, IA, (catalogue essay by Lynne Warren, MCA Curator), 2015 “BLOW-OUT”, Chicago Cultural Center, Chicago, IL, 2012-2013 “The Walking Drawings”, Roy Boyd Gallery, Chicago, IL, 2012 “Sarah Krepp”, Gallery 175, Chicago, IL, 2011 “Sarah Krepp”, Roy Boyd Gallery, Chicago IL, 2012, 2009, 2005, 2002, 1998, 1994, 1990, 1988, 1985, 1982, 1980 “Sarah Krepp,” Indiana University Northwest, Gary, IN, 2009 Gallery K, Washington, DC, 2003 Betty Moody Gallery, Houston, TX, 1999 Hellenic American Institute, Athens, Greece, 1999 Locus Gallery, St. Louis, MO, 1997 I Space Gallery, Chicago, IL, 1996 Krannert Art Museum, Champaign, IL. 1994 Marvin Seline Gallery, Houston, TX, 1991 Lucy Berman Gallery, Palo Alto, CA, 1989 NAB Gallery, Chicago, IL, 1988 B. Z. Wagman Gallery, St. Louis, MO, 1986 ARC Gallery, Chicago, IL, 1985 Roy Boyd Gallery, Santa Monica, CA, 1983 SELECTED GROUP EXHIBITIONS “A Sense of Gravity”, Sarah Krepp, Cleveland Dean, Jesse Howard, Hofheimer Gallery, Chicago, IL 2019 “Dubque Art Museum Biennial", Dubuque Art Museum, Dubuque, IA 2017 (first prize) "Translation - Collage and Assemblage", Illinois State Museum, Chicago, IL (traveling - 3 yrs) 2015 "WHERE THE POWER GOES", visual collaboration with the Seldoms Dance Company, Museum of Contemporary Art, Chicago, IL, 2014-15 “Sarah Krepp and Firat Erdim”, Olympia Center, Chicago, IL 2013 “Wall Relief”, Roy Boyd Gallery, Chicago, IL, 2013 “Some DIALOGUE”, Illinois State Museum, Chicago, IL, 2013 “Ways of Making: Painting,” Visual Arts Gallery, Governors State University, University Park IL, 2012 “Art Chicago”, International Art Exposition, Chicago, IL (annually 1983-2011) “ Gallery Artists”, Roy Boyd Gallery, Chicago, IL (annually since 1979) “Viewing Program,” Drawing Center, New York City, NY, 2009 “Prints & Drawings: Works on Paper,” Lubeznik Center for the Arts, Michigan City, IN, 2009 “Dialogue 4: Mentoring Vision,” Metcap Bank, Chicago, IL, 2008-09 “Art Works Chicago: A Progressive Corporate Exhibition of Chicago Artists,” Metcap Bank, Chicago, IL 2007 “Icy/I See” (2-person show), Los Manos...

Decorative, midcentury painting of a lady, circa 1950. Signed by H. Quat. Framed in a gold frame with a linen liner.

Decorative wall sculpture from circa 1950. Jute fabric backing with a wood and metal sculpture of a fish. The jute fabric has some worn off edges all around.

Vintage African Folk Art Batik Fabric Painting Art with Mid Century Modern Influence and wooden outer Framing. In good vintage condition and no ...

A powerful, well-executed vintage mid century abstract painting fresh from a high-end mid century art collector's estate. ...

Pat Rini Rohrer is well established, West New York State based artist and gallery owner, who exhibited nationally in galleries and group exhibitions. She holds BA and MS in Art Educa...

Peter Robert Keil was born to an artist blacksmith father whom he lost very early in his childhood during the Second World War. During the end phase of the war, Keil's mother, also an artistically talented woman, took her son and struggled her way to West Berlin where they settled. This is where Peter Robert Keil grew up in the working-class neighborhood of Berlin-Wedding and where he discovered his interest in painting – particularly in expressionistic artists and in Pablo Picasso's work. From 1954 on, the East Berlin-based painter Otto Nagel became his mentor and taught him first craft skills and painting techniques. In 1954, he began his traineeship as an artist metal worker and between 1959 and 1961, he studied at the University of Arts in Berlin. When the Berlin Wall was built, he lost contact with his mentor Otto Nagel and from the early 60s on, Keil started to spend more and more time abroad. During his studies at the University of Arts in Berlin, he came in contact with numerous other artists who later became influential artists of their generation, like for example Georg Baselitz, Eugen Schönebeck, Markus Lüpertz and Joachim Schmettau. During his time in Mallorca, he also met with Joan Miró in his studio several times. From the early 60s on, Keil established studios in Paris, London, Berlin and in the US. Today he mainly lives and works in Zimmerau (Bavaria, Germany), Berlin and Los Angeles. This painting is painted on newspaper. It was painted in Palma Mallorca...