Milord Antiques Decorative Boxes

Beautiful handcrafted antique tinned copper decorative octagonal betel box with with lid, handle and brass latch. The metal is delicately and int...

Here is a jewelry/trinket box in Art Deco style produced during the late 1960's. The material is lucite/plexiglass with black and brown tortise decor and a white inside. The box is i...

Large box built in spring wood with ebony veneer and geometric inlays in bronze and spring wood. The influence for this piece came from Marion Dorn's design of the black and cream g...

Mark Cross leather attaché case.

Made in Italy, a beautiful chocolate brown suede and leather hinged jewelry box with lock and key by designer Mark Cross. Box interior is a brown...

Our stack sphere sculptures can be used as a decorative element on a coffee table, bookshelf, console etc. Their warm hue and curved lines add the right amount of visual interest without overwhelming additional decor. The mix of marble and resin make an incredible combo, a mix that is modern, fun and harmonious. You can place the small sphere on top of the big one or you can separate them and create a new piece. They are sold by set of two in different sizes. Material: travertine marble and traslucid brown with marbled brown resin Measurements: Small: Travertine sphere...

An art deco guilloche enamel box made in Austria. Beautiful enamel round box, created in Vienna Austria during the art deco period, back in the 1922. This beautiful antique piece wa...

Zig zag patterned cocobolo, blackwood and betel nut lidded box created by Jon Sauer of San Francisco, California. Box measures 7" in height by 3" in diameter. In excellent vintage co...

A rare lidded bronze box with a monkey's head as the knob on the lid. Designed by Nils Fougstedt in 1930s for FAK (Fabriksaktiebolaget Kronsilver), Stockholm, Sweden. Art Deco / Swed...

Burmese antique lacquerware betel box. Individual Betel Box authentic Burmese Folk Art know as Kun- It, Mandalay Period. A lacquered cylindrical body of woven turned Bamboo decorated by incised lacquer overall with Chu-pan variant motif and traditional Folk Art characters. This Betel Box has four bowls that make up the entire box. This is a complete Burmese Lacquerware Betel Box. Each bowl has a purpose. The top and base work as large containers and two shallow dishes work as small bowls. The workmanship is very unique having exquisite height details to the bottom of the base container and the two shallow bowls showcasing a complex design to the weaving. Antique Burmese Lacquerware is highly collectible, having books written on this Folk Art with museums having collections and exhibits of same. A very nice antique Burmese Betel Box...

A wonderful heavy cast bronze, hinged/lidded box, lightly polished, and glowing. Depicting ancient relief scenes / characters of Ancient Roman or Greek...

A scarce fine quality antique silver-inlaid solid brass betel nut box (Lutuan), dating to the second half of the 19th / early 20th century, hand-crafted in Mindanao, Philippines. Boxes such as this were used to store the areca nut (also known as the betel nut) which would be wrapped in a betel leaf with lime paste and other ingredients, often tobacco, for chewing. Similar to the European tea caddy, these boxes often served as a way to impress while showing off ones wealth. Betel chewing was prevalent in the southern Philippines as in much of the rest of Southeast Asia. Wealthier Maranao families on Mindanao were able to afford elaborate silver-inlaid brass betel boxes such as this example. Such boxes were used to show off to guests and from which they were offered betel and the other component such as leaves and lime to make up the betel quid. Rare large size, most extant examples of such boxes tend to measure around 5 inches in length. At slightly more than 7.75 inches the example here is larger than most. The distinctive decorative box features a very heavy strong-box like rectangular shaped chest form with canted corners, copper handles, and a conforming hinged lid, lifting open to reveal an interior divided into three compartments covered by four hinged lids. Each of these doors is inlaid with silver in stylized orchid flower patterns. Exceptionally executed throughout, the arabesque silver inlaid exterior is decorated to the top with a large orchid motif within scrolling obid-obid (stylized rope) borders. The front, back and sides are inlaid with sets of stylized tail feathers of the sari-manok bird beneath which are unusual, highly stylized whimsical zoomorphic faces that appear like cat or tiger faces. (Such stylisation is accounted for by Southeast Asian Islamic preferences to avoid the overt and this potentially idolatrous representation of animal and human forms. Designs such as these are drawn from a local design repertoire that has its origins in wood carving. Although the spread of Islam in the Philippines began in the 14th century, mostly through the influence of Muslim merchants from the western Malay Archipelago, decorative arts in this design remain exceptionally rare. This lutuan represents a fine example of Islamic metalwork from the most eastern outreach of Islamic art and civilisation: Mindanao island being significantly further east than even China – artwork from Islamic Southeast Asia remains chronically under-represented in the world’s major collections of Islamic art. PROVENANCE / ACQUISITION Acquired from highly reputable auction house, Austin Auction Gallery, established 1983, Austin, Texas. References Brownrigg, H., Betel Cutters...