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MMX Gallery Portrait Prints

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Joe Jackson; Look Sharp, 1979, Vintage Gelatin Silver Print, winklerpicker shoes
Located in London, GB
Brian Griffin Joe Jackson - Look Sharp, 1979 Vintage Gelatin Silver Print, Framed; museum mount board, antireflective art glass, oak frame Image size; 11 4/5 × 15 7/10 in 30 × 40 cm...
Category

1970s Symbolist Black and White Photography

Materials

Photographic Paper, Silver Gelatin, Bromoil, Black and White, Photograph...

IGGY POP - FROM THE ALBUM COVER SOLDIER 1980, STUDIO PORTRAIT (1979)
Located in London, GB
IGGY POP - FROM THE ALBUM COVER SOLDIER 1980, STUDIO PORTRAIT (1979), 1979 Archival Pigment Print, Framed Image size 30 x 30 cm Frame: 55 x 45.5 cm © Brian Griffin "I remember this...
Category

1970s Performance Portrait Photography

Materials

Wood, Glass, Photographic Film, Photographic Paper, Color, Archival Pigment

Jan van Eyck-Portrait of a Man 1433 (2021)
Located in London, GB
His love for painting has a major influence on his work... JAN VAN EYCK-PORTRAIT OF A MAN 1433 , 2021 Series: A Renaissance Archival Pigment Print/ Framed or Unframed available Print image size: 26 x 19 cm / Framed: 30.2 x 23.3 cm Larger dimensions prints also available - please enquire Edition of 15 + 2AP Series: A Renaissance Signed and dated About the Artist George McLeod...
Category

2010s Renaissance Portrait Photography

Materials

Photographic Paper, Color, Archival Pigment

Siren immobilised in marble locked in embrace and galleon ship in the background
Located in London, GB
Handcoloured portrait of a conjoined siren, immobilised in marble, locked in a sisterly embrace. Inspired by 19th-century cabinet cards, medical illustration, sweet singing Scottish Selkies, Lyra and her sister defend each other's isolation. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Lyra’s Lips are as White as Mine’, 2019 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag Fine Art Paper (100% cotton) 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...
Category

2010s Romantic Portrait Prints

Materials

Photographic Film, Watercolor, Photographic Paper, Archival Pigment

Hand coloured framed print of semi nude sculpture like marble statue of female
Located in London, GB
Katie Eleanor, "Cleansing a Shrike (Blackbird’s Birdbath)", 2018 Handcoloured portrait of a bird-like spirit, immobilised in marble, cleansing in a sprin...
Category

2010s Romantic Portrait Prints

Materials

Glass, Oak, Paint, Watercolor, Photographic Paper, Archival Pigment

Sweet Violet... Hand Photographic Print, in Oak frame and antireflective glass
Located in London, GB
Katie Eleanor, "Sweet Violet", 2019 Handcoloured portrait of blooming flower, immobilised in marble, featuring frozen eyes and the silky colours of Sprin...
Category

2010s Contemporary Figurative Photography

Materials

Glass, Oak, Paint, Watercolor, Archival Pigment

#1, Tree Huggers from the Future - (Man in Yellow Hazmat Suit in a Poppy field)
Located in London, GB
George McLeod, UNTITLED #1, 2021 Archival Pigment Print 30 x 46 Edition of 10 + 2 AP, Framed; white frame with antireflective art glass (Unframed options...
Category

2010s Surrealist Color Photography

Materials

Archival Pigment

Eye Infection As A Result Of Ingesting Poison - Print of the hand colour photo
Located in London, GB
© Katie Eleanor, IV., Eye Infection As A Result Of Ingesting Poison Series: Saint Wanderer's Hospital, 2015 Archival Pigment Print of the hand Coloured Photograph on cotton fine art paper, custom frame 7 1/2 × 5 7/10 in 19 × 14.5 cm (unframed print) 35 x 30.5 cm (Framed : Museum mount-board, antireflective art glass in hardwood custom frame) Edition of 15 Framed or Unframed option available Saint Wanderer’s Hospital depicts a fictional tale birthed from the artist’s inherent need to find splendour in the idea of sickness. Rooted first from her own words, Katie used the idea of illustrating as a form of personal art therapy by immersing herself in the realm of the otherworldly characters. Every aspect of each scene was created by Katie alone, from building and designing the sets to printing and hand-colouring the final images. In this act, over the year long course of the projects creation, the artist managed to make certain turmoil in her personal life bearable. In the world of the hospital, the artist adapts the role of medical photographer – creating accurate portraits of each character’s condition as a record for the hospitals future use. The final series comprises of 8 ‘specimen cased...
Category

2010s Symbolist Nude Photography

Materials

Cotton, Watercolor, Archival Pigment

#05, 1970s Nightclubs of Chicago South Side - Rare Vintage Silver Gelatin Print
Located in London, GB
"A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson...
Category

1970s Contemporary Figurative Photography

Materials

Photographic Film, Archival Paper, Photographic Paper, Silver Gelatin

Hand-coloured Print of weeping mythical sculpture angels in Walnut Frame
Located in London, GB
Hand-coloured tableau of a weeping spirit and her guardians, immobilised in marble. A disjointed narrative looking at recovery and protection, the angels shield the spirit with tender embraces and cry for her when alone. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical...
Category

18th Century Victorian Nude Photography

Materials

Cotton, Walnut, Paint, Photographic Film, Ink, Spray Paint, Watercolor, ...

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