MODERN XX/ Galerie Modern Design Berlin Chairs
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Early Diamond Chair by Harry Bertoia, White and Dark Red Enameled Metal, c. 1956
Located in Berlin, DE
Early diamond chair by Harry Bertoia in white and dark red enameled metal. The chair was manufactured by Knoll Associates c. 1956.
Category
Vintage 1950s German Mid-Century Modern Chairs
Materials
Metal
Ludwig Mies van der Rohe Weißenhof Mr 10 / Mr 533 Chairs Manufactured by Thonet
By Thonet, Ludwig Mies van der Rohe
Located in Berlin, DE
A pair of original Weißenhof MR 10 / MR 533 tubular steel chairs, designed in 1927 by Mies van der Rohe and manufactured by Thonet in the 1930s. Chrome-plated tubular steel and black...
Category
Vintage 1930s German Bauhaus Chairs
Materials
Steel
Six Super Light Chiavarina Dining Chairs, Painted Wood, Wicker Seat, Italy, 1940
By Giuseppe Gaetano Descalzi
Located in Berlin, DE
Six super light 'Chiavarina' dining chairs in black lacquered beech, cherry or maple wood with original braided wicker seat. This chair, model 'Campanino' was created by Giuseppe Gae...
Category
Vintage 1940s Italian Neoclassical Chairs
Materials
Wicker, Wood
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This exceptional set of eight chairs by Ludwig Mies van der Rohe for Knoll represents the epitome of modernist design. Comprising six MR10 and twor MR20 chairs, this collection showcases Mies' commitment to simplicity, functionality, and elegance in both form and material.
Style & Usage in Interior Design
These chairs belong to the Bauhaus and International Style, characterized by clean lines, minimal ornamentation, and an emphasis on the use of modern materials. The MR10 chairs are armless, offering a sleek and unobtrusive silhouette perfect for dining or office spaces where a minimalist aesthetic is desired. The MR20 chairs, featuring a distinctive curved armrest, provide additional comfort and a more commanding presence, making them ideal as statement pieces in living rooms, lounges, or reading nooks.
In interior design, these chairs are best used in spaces that celebrate the beauty of industrial materials like steel and leather. They complement open-plan layouts, where their airy structure can be fully appreciated, and they pair well with other iconic mid-century modern pieces.
Key Differences: MR10 vs. MR20
MR10 Chairs: Armless design, characterized by a continuous steel frame that supports the seat and back. Their simplicity allows them to fit seamlessly into various spaces, from dining rooms to offices.
MR20 Chairs: Include curved armrests, adding both aesthetic and functional value. These chairs provide more support and comfort, making them suitable for longer periods of sitting or as standalone accent pieces.
Mies van der Rohe: A Brief History
Ludwig Mies van der Rohe, born in Germany in 1886, was a pioneering figure in modern architecture and design. He began his career in his family's stone-carving business, later studying architecture and working under the influential architect Peter Behrens. Mies was a leading member of the Bauhaus movement, which emphasized the integration of art, craft, and technology.
In 1938, Mies emigrated to the United States, where he became the head of the architecture school at the Illinois Institute of Technology (IIT). His work in America solidified his reputation as one of the most influential architects of the 20th century.
Architectural Legacy
Mies van der Rohe's architectural philosophy is encapsulated in his famous dictum, "Less is more." His buildings are renowned for their clarity of form, open spaces, and use of modern materials such as glass and steel. His approach sought to create structures that were both functional and aesthetically pleasing, stripping away unnecessary ornamentation to reveal the essence of the design.
Notable Works:
The Barcelona Pavilion (1929): A masterwork of modern architecture, showcasing Mies' minimalist approach with its flowing spaces and use of glass, marble, and steel.
The Farnsworth House (1951): An iconic example of his philosophy, this glass and steel structure is celebrated for its simplicity and seamless integration with the surrounding landscape.
The Seagram Building (1958): Located in New York City, this skyscraper is a landmark of the International Style, known for its clean lines, bronze facade, and innovative use of space.
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