Molto Collectibles Center Tables

Perret et Vibert bamboo side table. The two trays in bamboo veneer with a black lacquered center. France, circa 1880.

Spanish church table or altar from the 19th century with wooden columns and top with a fine line of hand carved marquetry. An unusual shape with a nice shiny patina. Good size for...

A stunning early 19th century English Regency Pollard Oak drum /centre table Attributed to Gillows Of Lancaster & London. The circular top, inset with a gilt tooled leather writing s...

Pietra Paesina is one of the most scarce and wondrous stones on earth, and the surface of this exceptional early 19th-century center table is inset with...

A finely detailed French 19th century Empire st. Lemon and patinated wood center table. This very unique oval table is raised by four statement making legs displaying large scale paw...

A magnificent 19th century French hand-carved chinoiserie style mahogany center-table with mother-of-pearl inlaid marquetry top attributed to Gabriel Viardot. This magnificent mahogany table has been hand-carved with Chinese chinoiserie decor depicting chinoiserie figures holding umbrellas and other Chinese motif inlaid. Around the edges of the rectangular table is magnificently detailed and adorned open wood work, which gives the piece a different dimension of class and elegance. The top of the table is beautifully designed with a mother-of-pearl inlaid marquetry. Tinted wood table with rectangular tray with Asian decor inlaid with mother-of-pearl depicting peaches and beauties holding umbrellas. The carved openwork crosses of Chinese motifs rests on four magnificently carved curved legs with lions feet holding up the table. Found at the top of each leg are beautifully chased doré bronze mounts depicting foo dog masks. France, circa 1890. Gabriel Viardot is a famous Parisian cabinetmaker who inherited the family factory in around 1860. He manufactured carved wood furniture...

An antique gilt wood and metal coffee table with glass top. This gorgeous piece features gilded carved wood ends with scroll design joined by two gold leafed metal rods with hammered...

One of the most important early nineteenth century specimen hardstone table tops ever created, with 373 specimens, mounted on a beautifully designed and constructed base by Gillow. ...

19th century, French Extending Wood Table Measures H 77 x W 160 x D 140 cm (closed) H 77 x W 160 x D 260 cm (open with two extensions) This wood table was made in France in the 19th...

This table is attributed to Ralph Turnbull, who was a famous Jamaican cabinet maker in the 19th century. Constructed of mahogany with palmwood and satin...

A rare grand tour table Possibly by Cesare Roccheggiani The circular platform of marmore nero, inset with fine micromosaic panels consisting of thousands of coloured glass tesserae; a central roundel depicting The Vatican from St Peter's Square within a malachite border, surrounded by a border including four cartouches in polychrome reserves of Roman views including the Coliseum, the Roman Forum, with the remnants of the Temple of Vespasian; the Temple of Vesta, and the Pantheon, all interspersed and linked by voluminous bouquets of fruit and flowers representing the 4 seasons; the outer stylised border inlaid with deep blue tesserae evocative of exotic Lapis Lazuli. Supported on a finely carved Italian giltwood base, its design incorporating baskets of fruit and floral garlands echoing the 4 seasons theme of the table. Italian, Circa 1875 Other table tops inspired by this design, although not as finely executed, can be found in several Russian collections (which house the greatest micromosaics) including Vorontsov Palace, Muranovo House, as well as the imperial State Hermitage Museum. A tabletop with profuse floral micromosaic work was commissioned by the Belgian Royal family (sold Sotheby's, 2003). The floral garlands, the magnificent quality of the inlay and the use of distinct curved tesserae support the present attribution to Cesare Roccheggiani. According to Jeanette Hanisee Gabriel, the world expert on micro mosaics, curved tesserae pieces were used in foliage, grass and animal fur by only the very best mosaicists such as Roccheggiani. Evidence of curved pieces, for instance, is observed in the foreground of the Temple of Vesta cartouche, to name but one observation of the master's hand. The scion of a dynasty of mosaicists, Roccheggiani was perhaps the most successful mosaicist in the last quarter of the nineteenth century. He is doubtless related to Lorenzo Roccheggiani, a late eighteenth-century master mosaicist at the Vatican, whose work included the altarpiece, Crucifixion of St. Peter after Guido Reni. Nicolo Roccheggiani, possibly Lorenzo's son, was also a principle artist at the Vatican, involved in executing the famous tabletop Achilles Shield...

A William IV Period Mahogany Centre Table Attributed to Gillows Constructed from a flamed Honduras Mahogany, book-matched with great effect on the top; the table supported on an inc...