Montaperto Lighting

1 of 4 large Murano ice glass wall lights by Kalmar, Austria, manufactured in the 1960s. The wall light is composed of a 1 thick Murano glass cube attached to a chrome metal frame. ...

Large Murano ice glass wall lights by Kalmar, Austria, manufactured in the 1960s. The wall light is composed of a 4 thick Murano glass cube attached to a chrome metal frame. Wonder...

Wonderful vintage hand made blown glass flushmount. Germany, 1960s. Lamp sockets: E27 (US E26). .

Pair of impressive 20th century chinoiserie brass table lamps in the style of James Mont. Solid brass with a wooden base and cap. Ornate brass ...

1970s Vintage chrome floor lamp with three pivoting "eyeball" globe shades. Vintage steel and chrome floor lamp featuring three adjustable chrome globe lights, individual chrome perforated shades, chrome stem on round chrome base, with three way switch. Directional lighting. A vintage floor lamp, in chrome with three globe-form lights, each light is hinged and pivots for a full range of motion. Takes standard base light bulbs. Each shade can tilt, pivot and swivel 360 degrees. Good Vintage Condition with original wiring with age appropriate wear; some scratches and spotting to chrome. Aside from a tiny scratch or two here and there the lamp is in amazing condition, it has far less wear than what you would expect for a 50 year old lamp. In vintage condition with wear consistent with age and use. circa 1960s-1970s. A vintage Mid-Century Modern chrome eyeball floor lamp in the style of Robert Sonneman, George Kovacs or Koch & Lowy, Florence Casey...

Large Sergio Mazza 'Sigma' wall or ceiling light for Artemide, 1960s. Executed in nickeled brass and pressed Opaline glass by Sergio Mazza for Artemide, Italy, circa 1960s. Born in...

1960s Sergio Mazza 'Sigma' wall or ceiling light for Artemide, 1960s. Executed in nickeled brass and pressed opaline glass by Sergio Mazza for Artemide, Italy, circa 1960s. Each ligh...

Stunning "Delta" wall lamp designed by Sergio Mazza for Artemide in Italy during the 1960s. This large and unique adjustable sconce is made in a gorgeous combination of steel, gloss...

A glamorous pair of table lamps by Chapman Lighting from the 1970s. The lamps are constructed of polished brass, black lacquer bases and new vanilla linen shade. Newly rewired with...

Incredible mid-century "Light Ball large size" applique in smatised ivory metal and opal glass for Flos. This fantastic lamp was designed by Achille Castiglioni and produced in Italy for Flos in the 1960s. This fantastic light is unique because of the materials, made of ivory white enameled metal and opal glass. Requires an E27 bulb. A fantastic piece that will grace a mid-century living room or bathroom. Measures (cms): diameter - 42 height - 31 Literature: Casa Amica, 27 June 1972, p. 105 Octagon 30 September 1973, p. 149 Sergio Polano, Achille Castiglioni all the works, Electa, Milano, 2001, p. 224 Giuliana Gramigna, repertoire 1950-2000, Allemandi, Torino, 2003, p. 121. The beginnings of Flos (meaning “flower” in Latin) blossomed from a brilliant idea: to create objects, starting with a light bulb, that would change the way of life for both the Italian market and the foreign markets. Dino Gavina and the small Eisenkeil manufacturing facility in Merano, had already been creating furniture alongside design masters such as Achille and Pier Giacomo Castiglioni, Afra and Tobia Scarpa. But by the early 1960s, Gavina became convinced the time had come to create new lamps. Using the same technology – conceived in the USA and tested at Eisenkeil – used for the Cocoon lampthe Castiglioni brothers and the Scarpa duo began creating lamps such as the Taraxacum or the Fantasma, with many other beautiful and surprising lamps to follow. And so, from day one, Flos was already reinventing the idea of artificial lighting. Achille Castiglioni (born February 16, 1918, Milan–died December 2, 2002, Milan) was a prolific furniture, lighting, and product Italian designer renown for his ironic, joyful, creative and functional designs that, at times, intersected with ideas explored by conceptual artists. Achille Castiglioni was born into a family with deep appreciation for the arts, as he was the third son of sculptor and coin engraver Giannino Castiglioni and his wife Livia Bolla. He first studied the classics at the Liceo Classico Giuseppe Parini, but then switched to study art at the Accademia di Belle Arti di Brera in Milan. In 1937, he decided to follow the steps of his two elder brothers, architects Livio and Pier Giacomo Castiglioni, by enrolling in the Faculty of Architecture at the Politecnico di Milano, graduating in 1944–after having to interrupt his studies when he was stationed in Greece and Sicily during World War II. In 1944, immediately after graduating, Achille Castiglioni joined his brothers Livio and Pier Giacomo in the design studio that they had founded with Livio’s classmate Luigi Caccia Dominioni in 1937 in Milan. Fortunately for Achille, from the very beginning Livio and Pier Giacomo decided to focus almost entirely on designing exhibitions, furniture, housewares, and appliances since architectural commissions were difficult to come by during the war. This product-design focus, and the deep fraternal bound among the three brothers, would later allow the young Achille to experiment early in his career with emerging techniques and new materials that could communicate a fresh aesthetic sensibility suited for the positive outlook of the post-war European market. The Castiglioni brothers’ important collaboration with Phonola and Brionvega In 1940, Pier Giacomo Castiglioni, Livio Castiglioni, and Luigi Caccia Dominioni, in collaboration withe the Phonola company, presented in the VII Triennale di Milano (Milan Triennial), titled Exhibition of the Radio, a research study of radio devices that included the Fimi Phonola 547 radio, the first radio encased in Bakelite instead of wood. Shortly after the exhibition, Luigi Caccia Dominioni suspended his professional activity to serve in the military during World War II and left the studio. The development of the FImi Phonola 547 radio would prove fruitful for the three brothers, as it allowed Livio Castiglioni to cement his role as the leading design consultant for Phonola from 1940 until 1960, and for Brionvega, from 1960 until 1964. These relationships brought in further collaboration among the three brothers, and would eventually result in several designs for radio and sound appliances with innovative materials and shapes for which Achille Castiglioni played a key role, such as the RR 226 stereo system for Brinovega (1965), the radio phonograph...

The De.Light F2 designed by Jonathan Amar is a sculptural floor lamp that merges French design sensibility with artisanal Moroccan craftsmanship. Built on a directional pear-shaped base in brass, the slender arm rises on a subtle diagonal, offering both balance and fluidity. Entirely handcrafted, the arm is adorned with a hand-braided leather detail at the top—an homage to the studio’s signature blend of tactile materials and precise construction. The shade, available in pleated fabric or hand-woven wicker, is elegantly mounted on a directional stem, allowing the light to be easily adjusted for ambiance or reading. Multidirectional and minimalist in silhouette, the De.Light F2 embodies movement and refinement. Each element—from the saddle-stitched leather to the precision-turned brass—is crafted between the studio’s ateliers in Paris, Rabat, and Leiria, culminating in a lamp that is both decorative and functional. Collection: Flow Materials: Solid brass, hand-braided leather, fabric or wicker shade Lighting: 1x60 W Max E14 (230V) – LED / 120V – LED Finishes available: – Brass: Polished, Antique Matt...

A very elegant vintage brass floor lamp, Sweden, 1960-1965. Clean lines and organic design from the Scandinavian Modern period, special model with a tall plastic pleated lampshade pr...