MORENTZ Credenzas

Sun at Six is a contemporary furniture design studio that works with traditional Chinese joinery masters to handcraft our pieces using traditional joinery. We work with traditional C...

Modular bookcase model LB7 designed by Franco Albini for Poggi. Marked Poggi Pavia. An extremely flexible bookcase, with different modular options, suited to being against a wall or...

Vintage 1960s McIntosh sideboard by Tom Robertson. It has three drawers, cupboard space, and a drinks section with a useful pullout shelf. Credenza is in very good original condition...

Freestanding Michel Ducaroy modular wall unit in acrylic and aluminum for Roche Bobois Freestanding Michel Ducaroy modular wall uni...

Lovely Art Deco, Guillerme et Chambron inspired, oak sideboard with black lacquered wood top. Two pull out drawers and a storage cubby nestled between two larger storage cabinets wit...

Beautiful and practical credenza for living or office space. Checkerboard sliding doors with leather pulls reveal a 4 drawers position and 3 adjustable shelf sections. Perfect for yo...

Roche Bobois production. Elegant black lacquered sideboard with profiles in two layers of wood and handles in metal and maple. It shows some signs of wear and tear due to age and use...

LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space. This set is composed of 3 modules, ten shelves, and three containers. It is made of Rosewood, iron, and brass. Excellent vintage condition. Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan. He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell. Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”. The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939). During those years, He also worked for his first private villa (Pestarini). It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”. Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions. Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings. In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency. Upright is also used in design objects, such as the Veliero bookcase...

Guillerme et Chambron, Rare Sideboard in Oak from the early period of French company "Votre Maison". France, Circa 1955. Here is an oak Credenza designed by French creator duo Rober...

Guillerme & Chambron, "Simon" sideboard, edition Votre Maison, 1960. Oak and veneer oak.

Large Belgium oak sideboard. Mostly made of solid oak. 3 drawers and 4 doors. Behind every door are modular shelfs. In very good vintage conditio...

Introducing the stunning Globo Sideboard by Roche Bobois, a true statement piece for any luxury living space. Crafted with the finest materials, this sideboard features a sleek and m...