MORENTZ Vanities

Gino Maggioni for Atelier di Varedo, vanity table / dressing table, oak, wrought iron, mirrored glas, Italy, 1920s This vanity table, designed by Gino Maggioni during his time at th...

Vanity table or small desk, cherry, mirrored glass, Italy, 1950s This 1950s vanity table is a lovely snapshot of Italian mid-century modern design...

Guillerme et Chambron, vanity table, oak, ceramics, mirror and fabric, France, 1970s. This dressing table is designed by the French designer duo Guillerme and Chambron. It features ...

Ico Parisi for Fratelli Rizzi, Intimiano, cabinet or vanity, a desk from the same series referenced under cat. no, '1950.56', chestnut, mahogany, brass, mirrored glass, Italy, 1950 ...

Luigi Massoni for Poltrona Frau, ‘Dilly Dally’ vanity set, leatherette, mirrored glass, plastic, brass, lacquered wood, metal, Italy, 1968 Outstanding It...

Luigi Massoni for Poltrona Frau, restored ‘Dilly Dally’ vanity set, fabric, plastic, brass, mirrored glass, metal, lacquered wood, Italy, 1968 Outstandin...

Wall-mounted console with mirror, cerused chestnut, mirrored glass, Italy, early 1940s This delightful Italian-made wall-mounted shelf with mirror, originating from roughly the earl...

Osvaldo Borsani for Arredamenti Borsani Varedo, dressing table, model '6142', maple, brass, mirrored glass, lacquered wood, Italy, 1943 An exquisite and truly exceptional vanity table designed by the Italian Osvaldo Borsani, dating back to around 1943. This rare gem encapsulates the quintessence of Borsani's design ethos: elegant and graceful proportions, fine materials, and unique constellations. Crafted from warm-toned maple, every detail speaks of refinement, from the intricately carved legs adorned with graphic white lines to the kidney-shaped top embellished with a mirrored surface, reflecting one's cherished objects with finesse. An outstanding element is the trio of individual rectangular mirrors with softly rounded contours, equipped with built-in lamps executed within a brass framework, their crown sockets gracefully encircling the lightbulbs. These mirrors are affixed to a maple panel punctuated by three characteristic holes, a signature touch of Borsani. A discreet drawer offers practical storage while maintaining the table's sleek aesthetic. In every aspect, this table attests to Borsani's masterful ability to strike the perfect balance between the orante elegance of Art Deco and the daring approach towards materiality and streamlined functionality of Modernism. Osvaldo Borsani (1911-1985) was an Italian designer and architect, raised by a family of fine furniture makers in Varedo. At the age of 16, he joined his father’s furniture shop, the Atelier di Varedo, which was fully engaged in designing and furnishing homes inspired by the Italian Art Deco movement. The designer of the atelier was the Italian architect Gino Maggioni (1898-1955) who was known for his Viennese Jugendstil orientation of the early 20th century. In the 1930s, he graduated from the Accademia di Belle Arti di Brera and Politecnico di Milano, where he studied Fine Arts and Architecture respectively. In 1932, the family company was renamed ‘Arredamenti Borsani’ and opened its first studio in Milan. During this period, he encountered Avant-Garde artists of various artistic disciplines like Lucio Fontana (1899-1968), Agenore Fabbri (1911-1998), Aligi Sassu (1912-2000), Roberto Crippa (1921-1972), Fausto Melotti (1901-1986), Arnaldo Pomodoro (1926-) and Giò Pomodoro (1930-2002). These collaborations resulted in the creation of furniture and interior design projects with a high-level of craftsmanship and artistry. In 1953, Borsani founded together with his twin brother Fulgenzio Borsani ‘Tecno’, a design and manufacturing company that produced items based on mechanical innovations and refined technicality. The ‘P40’ adjustable lounge chair (1953) has become the ideological manifesto of Borsani's Tecno program, and still remains the best known, exemplary piece in the Tecno catalogue. Other iconic works that were produced by Tecno were created by Gio Ponti (1891-1979), Vico cham...

Dressing table, leather, glass, wood, Denmark, 1940s. With a dark blue leather surface with red lines this dressing table has a rare texture and appearance. The front with two stora...

Dressing or vanity table, teak, mirror, Scandinavia, 1950s. This refined, delicate dressing table is made in Scandinavia in the 1950s. The piece features the quintessential bow tie ...