M.S. Rau Landscape Drawings and Watercolors
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Concours de Chiens au Promenade by Otto Eerelman
By Otto Eerelman
Located in New Orleans, LA
Otto Eerelman
1839-1926 Dutch
Concours de Chiens au Promenade
Watercolor on paper
Signed “O. Eerelman 1904” (lower left)
A tour de force watercolor by celebrated Dutch artist Otto Eerelman, one of 19th-century Europe's most popular and important animal portraitists, this charming composition captures a bustling cross-section of fashionable elites walking their equally fashionable canine companions. Eerleman takes care to render the detailed attire of his subjects, complete with plumed hats and layers of lace trim. The artist paints the plethora of pets in equally painstaking detail, capturing the nuances of each different breed represented.
Eerelman mastered the art of depicting not only the dogs’ physical characteristics but also their unique expressions and personalities. His wealthy clientele would bring their pets to his home in The Hague where they would live for a period of time while having their portraits done, allowing for a remarkably true-to-life portrayal. This energetic watercolor, with its profusion of color and texture, harnesses the affluence of its subjects and the leisurely whimsy of their luxurious lives.
Hailing from Groningen, Netherlands, Eerelman was dubbed the “Northern Rembrandt” during his lifetime. He received his artistic training at the Academy Minerva in Groningen, the Royal Academy of Fine Arts in Antwerp and then private lessons in the studio of the great Lawrence Alma Tadema. He successfully captured the attention of the Dutch court, particularly Princess Wilhelmina...
Category
Early 20th Century Post-Impressionist Figurative Drawings and Watercolors
Materials
Paper, Watercolor
Fête de Neuilly by Eugène Galien-Laloue
By Eugene Galien-Laloue
Located in New Orleans, LA
Eugène Galien-Laloue
1854-1941 I French
Fête de Neuilly
Signed "E. Galien-Laloue" (lower left)
Watercolor, graphite and gouache, heightened with white, on paper, mounted on board
...
Category
20th Century Academic Landscape Drawings and Watercolors
Materials
Paper, Watercolor, Gouache, Board, Graphite
Marschlandschaft (mit drei Hausern) by Emil Nolde
By Emil Nolde
Located in New Orleans, LA
Emil Nolde
1867-1956 German
Marschlandschaft (mit drei Häusern)
Marshland (With Three Houses)
Signed “Nolde” (lower right)
Watercolor on Japan paper
A work of engaging richness and emotion, Marschlandschaft (mit drei Häusern) invites the viewer directly into the heart of the intuitive, poetic world of Emil Nolde. An essential figure in the German avant-garde, Nolde’s highly modern oeuvre stands as an important precursor to the Abstract Expressionists of the mid-20th century. With its vivid colors and emotional intensity, the present work is exemplary of his output, containing all of the best characteristics of his mature style.
Brilliant, amorphous fields of color suggest the vast, marshy landscape of Nolde’s native Schleswig-Holstein region near the German-Danish border. The artist’s application of paint is powerful and dramatic, conveying with a few brushstrokes the impression of passing storm clouds, allowing light and sky to peek through and illuminate the colors of his landscape. A sense of fluidity and immediacy were of great importance to Nolde. He once said, “I try to avoid all thinking. A vague concept of color and luminosity suffices, and the picture evolves during the act of painting.” The flow and spontaneity of watercolor lent themselves well to Nolde’s creative approach, and he achieved a vibrancy in the medium that is unsurpassed.
Nolde is considered one of the most important exponents of German Expressionism and was one of the most prominent representatives of the avant-garde in Germany. His participation in the seminal group Die Brücke (The Bridge) links him to one of the earliest artists' associations which had a crucial impact on the development of modern art. His interplay of color and form set him apart from his contemporaries, and his work is recognized as a monumental step toward modernism.
However, Nolde’s work was derided in his day by the Nazi regime in Germany, and he was forbidden from painting. Deemed too “decadent,” 33 of his works were displayed in the infamous Entartete Kunst, Degenerate Art Exhibition in Munich in 1937, labeling the artist's works as a “threat” to Germany. The Nazi Party destroyed hundreds of Nolde's works and confiscated over one thousand more — the greatest number of any artist — highlighting the rarity of the present composition.
Throughout his career, Nolde received numerous awards, including the Print Prize of the XXVL Venice Biennale and the Order “Pour le mérite...
Category
20th Century Post-Impressionist Landscape Drawings and Watercolors
Materials
Watercolor
Piccadilly Circus by Fortunino Matania
By Fortunino Matania
Located in New Orleans, LA
Fortunino Matania
1881-1963 Italian
Piccadilly Circus
Signed “Matania” (center, on bus)
Watercolor and gouache on paper
This exceptional watercolor and gouache composition by fam...
Category
Early 20th Century Figurative Drawings and Watercolors
Materials
Paper, Watercolor, Gouache
Winter Shadows, New York by Stefan Bleekrode
Located in New Orleans, LA
Stefan Bleekrode
b.1986 Dutch
Winter Shadows, New York
Black ink and watercolor on paper
Signed and dated "S. Bleekrode '18-'20" (upper right)
Thi...
Category
21st Century and Contemporary Post-Impressionist Landscape Drawings and ...
Materials
Paper, Ink, Watercolor
From a Flying Fortress over England by Peter Hurd
By Peter Hurd
Located in New Orleans, LA
Peter Hurd
1904 - 1984 American
From a Flying Fortress over England
Signed, inscribed and dated: "Peter Hurd England 1942" (bottom left)
Watercolor on paper
Acclaimed American painter Peter Hurd demonstrates his mastery of capturing a specificity of place in his watercolor painting From a Flying Fortress over England. Hailing from his acclaimed “War Sketches,” Hurd’s trademark expressive brushwork and soft palette create an immersive, evocative scene.
The acclaimed “War Sketches” series began in 1942, when Hurd was invited by Life magazine to travel with the US Air Force as a War Correspondent. This assignment represented a convergence in Hurd’s interests, as the artist had graduated from the New Mexico...
Category
20th Century Landscape Drawings and Watercolors
Materials
Paper, Watercolor
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Paul Emile Lecomte (1877-1950)
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Oriental Landscapes With Palm Trees And Arab Houses. 1 Half Of The 20th Century.
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Rough Weather at Blatchington Pulling in the Fishing Nets on the English Coast
By Sir Frank Short
Located in Soquel, CA
Drypoint etching rawing of a coastal scene with figures drawing a net or boat form the sea by Sir Francis (Frank) Job Short (British, 1857 - 1945)
Sir Frank Short, Royal Academy*, was a printmaker and teacher of printmaking. He revived the practices of mezzotint* and aquatint* engraving, and also wrote about printmaking to educate a wider public.
Signed "Frank Short" lower right with monogram in the print "S within a shield"
Titled lower left "Rough Weather at Blatchington"
Lower left "Trial Proof"
Image, 8.5"H x 10.88"W
Mat, 16"H x 20"W x 0.13
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Francis Job Short was born on 19 June 1857 in Britain, at Stourbridge, Worcestershire. He was educated to be a civil engineer.
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Sir Frank ShortRough Weather at Blatchington Pulling in the Fishing Nets on the English Coast, 1870s
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African American Woman artist Mailou Jones Cezannian Cote d'Azur cubist village
Located in Norwich, GB
If you are interested in African American Art and in Women in the Arts, I will certainly not need to introduce Lois Mailou Jones (1905-1988). Often associated with the Harlem Renaissance, her
work can be found in the collections of the Smithsonian American Art Museum, The Metropolitan Museum of Art, the National Museum of Women in the Arts, the Brooklyn Museum, the Museum of Fine Arts, Boston, Muscarelle Museum of Art, and The Phillips Collection. I am proud to present an original watercolour painting by the artist which dates from the late 1940s or early 1950s.
Jones was born in Boston, Massachusetts to a father who became the first African-American to earn a law degree from Suffolk Law School. Jones's parents encouraged her to draw and paint using watercolors during her childhood. She held her first solo exhibition at the age of seventeen in Martha's Vineyard.
He career began in the 1930s and she continued to produce art work until her death in 1998 at the age of 92. Her style shifted and evolved multiple times in response to influences in her life, especially her extensive travels. She felt that her greatest contribution to the art world was "proof of the talent of black artists". Her work echoes her pride in her African roots and American ancestry.
In 1937, Jones received a fellowship to study in Paris at the Académie Julian, bringing her to France for the first time. The French were appreciative of her paintings and talent and Loïs Mailou Jones was thrilled at the country’s racial tolerance, so different from her reality in the United States.
She summered in France annually from 1945 to 1953, sharing studio with her lifelong friend Celine Marie Tabary in Cabris, France.
It was during one of these sojourns that the lovely work presented here was created.
Our painting depicts the village of Tourettes sur Loup, just north of Nice, in the Provence Cote d'Azur region, about 14 miles from Cabris.
Please note its similarities with her painting "Arreau, Hautes-Pyrénées" in the National Museum of Women in the Arts.
Her portrayal of the picturesque village nestled in a valley evokes landscape paintings by Paul Cézanne, a stylistic influence she acknowledged.
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'Napoleonic Guard at the Cathedral of Uspensky Sobor', Moscow, French Militaria
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Located in Santa Cruz, CA
Initialed lower left, 'C.H.' for Charles Constantine Hoffbauer (French, 1875-1957) and painted circa 1900.
Accompanied by the original artist-signed mat, original backing with inscription and newspaper clipping from Los Angeles Times' review of Hoffbauer's 1949 Legion of Honor Exhibition.
Mat dimensions: 12.75 x 13.5 Inches
An exceptionally fine and detailed, cabinet-sized gouache showing members of the Napoleonic guard relaxing in the courtyard of the Cathedral of Uspensky Sobor during France's brief occupation of Moscow during the fall of 1812.
Born in Paris in 1875, Charles Hoffbauer studied at the Ecole des Beaux-Arts under Fernand Cormon and Gustave Moreau and, during his studies, became acquainted with Matisse, Rouault, and Marquet. He was the recipient of numerous prizes, medals and juried awards including an Honorable Mention in the Salon of 1896, and prizes at the Salons of 1898 and 1899. He was awarded a bronze medal at the Paris Universal Exposition of 1900 and, in the same year, a French government scholarship, the Prix National du Salon, that allowed him to travel and study in Italy, Greece and Egypt. In 1902, he won the Prix Rosa Bonheur. At the Salon of 1904, the French government purchased 'Champs de Bataille' for the Musée du Luxembourg and Hoffbauer was elected a member of the Legion of Honor.
Hoffbauer served in the French Army as an official war artist during the first world war, winning the Croix de Guerre and acting as liaison officer to the American camouflage section. On the recommendation of the mural painter, James Wall Finn, Hoffbauer received the 1935 commission to paint the murals for Battle Abbey, the Confederate memorial in Richmond, Virginia. He revisited America to accept a commission for the mural in the Missouri State Capitol, and was appointed to membership of the jury of the 1937 International Exposition. Two years later, he became an American citizen and settled in Rockport, Massachusetts. Charles Hoffbauer's work may be found in the permanent collections of numerous national museums including the Museum of Modern Art in Paris.
Reference:
Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 2, p. 1585; Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. 17/18, p. 246; E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 7, p. 105; Biographical Encyclopedia of American Painters, Sculptors & Engravers of the U.S.: Colonial to 2002, Bob Creps, Dealer’s Choice Books, Inc. 2002, Vol. 1, p. 643; Steen, James T. "The Story of a Painting," Carnegie Magazine 31/32 (February 1957): 57-59; Charles Hoffbauer (1875-1957). Drawings, Temperas & Oil Paintings. Exh. cat. Somerville, MA: Gropper Art Gallery, 1977; Glueck, Grace. New York: The Painted City. Salt Lake City: Peregrine Smith Books...
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John Strickland Goodall
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