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M.S. Rau Vitrines

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19th Century Coromandel Inlaid Vitrine
Located in New Orleans, LA
Highly-prized coromandel, or East Indian ebony, was used to create this beautiful Victorian vitrine. Featuring delicate inlay in the Victorian/Edwardian style and glass panels framed in the equally luxurious satinwood, this cabinet is constructed to fit flush against a wall with baseboards. Elegant cabinets such as this are perfect for displaying one's treasures, but with original locks, keys, mirrors and fleur-de-lis fabric, this case is a prized possession unto itself, circa 1890. Measures: 30" wide x 14 ½" deep x 41 ½" high. Coromandel ebony is variegated brown and black, often called "streaky," wood. It is considered a highly valuable wood for turnery, fine cabinet...
Category

Antique 19th Century English Victorian Vitrines

Materials

Glass, Mirror, Ebony, Satinwood

19th Century French Vitrine by Francois Linke
By François Linke
Located in New Orleans, LA
This rare and stunning vitrine was crafted by the illustrious French ébéniste François Linke. A master of the Louis XVI style, Linke was renowned for his highly original designs t...
Category

Antique 19th Century French Rococo Vitrines

Materials

Bronze

Sheraton Revival Hand-Painted Vitrine
Located in New Orleans, LA
This exceptional English vitrine features the stylistic elements associated with the famed English furniture designer Thomas Sheraton, considered one of the three most influential En...
Category

Antique 19th Century English Sheraton Vitrines

Materials

Satinwood

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19th Century Biedermeier Walnut Vitrine. Vienna, C. 1820-25.
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Hello, We would like to offer you this truly exquisite, early Biedermeier walnut vitrine. The piece was made in Vienna circa 1820-25. Viennese Biedermeier is distinguished by their sophisticated proportions, rare and refined design and excellent craftsmanship and continue to have a great influence on modern design. In our thirty-year Biedermeier collecting career, we have acquired only a few similar pieces. It is a very rare gorgeous piece! Most of the glass and mirrors are original. The beautiful two keys are also absolutely authentic. These are very important details proving the artistic and historical value of this fine vitrine. Each piece of furniture is artfully crafted. The entire interior including the shelves is finished in lovely light maple. The vitrine have beautiful highly figured walnut veneer and gorgeous details with lovely light deep amber color and 200 years old patina. The brass hardware, lock and the key are original. Pieces of such quality as this fine, exceptional Viennese Biedermeier display cabinet are very rare and hard to find. This piece is great for displaying porcelain...
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Exceptional Late 19th Century Gilt Bronze Mounted Vitrine by François Linke
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Located in Long Island City, NY
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Palatial Early 20th Century Gilt Bronze Mounted Vitrine by François Linke
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A palatial and superb early 20th century gilt bronze Mounted Louis XVI style Mahogany Vitrine by François Linke François Linke The arched top with scrolled corners and centered by a laurel wreath and crossed acanthus branches, above a central large door at top by a lyre on drapery-covered plinth, flanked by scrolling acanthus, with a smaller door to each side hung with floral swags and with central oval plate, the divides cast with a slender flower-filled vase, the interior with adjustable shelves and drawers to the bottom, on shaped foliate-cast plinth and acanthus-capped tapering feet. Inscribed F. Linke to the top right bronze mount and stamped “C LINKE” on the back of the locks. Linke was born in Pankraz in Bohemia and was celebrated by the French as one of the greatest ébénistes of meubles de style at the turn of the century. He began his apprenticeship with a Bohemian master at the age of thirteen. Four years later, he toured Austria, settling and working in Vienna for two years. Linke arrived in Paris in 1875, and by 1881 he had established his own small workshop at 170 rue du Faubourg St. Antoine. Taking 18th century styles as his starting point and adapting earlier styles to contemporary taste, Linke produced fine quality furniture, steadily expanding his business during the next 20 years. He firmly established his reputation after receiving a gold medal at the Paris Universal Exhibition of 1900 for his extraordinary Grand Bureau. He continued to use international fairs as a means of exploring new markets, exhibiting at the 1904 World’s Fair in St. Louis, the Liege in Belgium and the 1908 Franco-British exhibition in London. Linke’s highly original designs sprang from the Régence and Rococo styles but were imbued with something quite new – Rococo curves were laden with gilt-bronze sculptural mounts in the tradition of A.-C. Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke’s fusion of the Rococo with the liveliness and the fluidity of the ‘art nouveau’. The Revue called Linke’s creations entierement nouveau, and continued to say that ‘Linke’s stand...
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18th Century Dutch Painted Vitrine
Located in Leamington Spa, Warwickshire
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