MUZEION Sculptures and Carvings

Maharaja granite torso with dagger and offerings, bell chain and dhotti.

Complete granite figure of Shiva showing his attributes in a standing hieratic pose, fully dressed and jeweled in royal regalia with tiara on a high pedestal with a flaming halo. Lat...

Beautiful and impressive early Tang white marble sculpture of headless Buddha, dressed in an elegant pleated toga. China. 618-907 AD. A true collectors piece. This magnificent piece...

A magnificent pair of male and female courtiers from the Ming Dynasty (1368-1644 CE) in excellent condition. They are wearing traditional Daopao robes in green and black garments wit...

Slab pottery constructed Model of a Paper Mill, in Green and Cream Color Glazed Terracotta having a peaked roof – open walled form with a mechanical pounder and a large round storage container. Light blue-green mottled glazed surface with some iridescence patina to the glaze. The Iridescence is a refraction of the layers on the glass that produces multicolor hues & metallic luster, and only develops after one thousand years of being buried in the ground. An unquestionable mark of antiquity, impossible to falsify. Han Dynasty, dated 206 B.C-220 A.D. Condition: Excellent, wear commensurate with age, an unusual example. This fantastic piece is accompanied by a Certificate of Authenticity. Sculptural effigies of domesticated animals were often interred in the tombs of nobility and elite members of the social hierarchy. Models like this one were made to represent everything from simple goat or pig pens to the most elaborate towers and palaces. Because very few ancient Chinese buildings have survived intact, these models, along with descriptions from ancient texts, give a good representation of what the buildings might have looked like. Burial figurines of graceful dancers, mystical beasts, and everyday objects reveal both how people in early China approached death and how they lived. Since people viewed the afterlife as an extension of worldly life, these figurines, called mingqi, sometimes referred as “spirit utensils” or “vessels of ghosts” disclose details of routine existence and provide insights into belief systems over a thousand-year period. For the first time in Chinese history, we have images of rural and daily life during the Han in the form of contemporary records...

Slab pottery constructed barn workshop having a peaked roof – open walled form with a mechanical pounder and a large round covered storage container. Light blue-green mottled glazed surface with some iridescence patina to the glaze. Condition: Intact, excellent condition, an unusual example. Provenance: The Living Torah Museum, Brooklyn; ex. Sands of Time, 2002. Sculptural effigies of domesticated animals were often interred in the tombs of nobility and elite members of the social hierarchy. Models like this one were made to represent everything from simple goat or pig pens to the most elaborate towers and palaces. Because very few ancient Chinese buildings have survived intact, these models, along with descriptions from ancient texts, give a good representation of what the buildings might have looked like. This fantastic piece is accompanied by a Certificate of Authenticity. Burial figurines of graceful dancers, mystical beasts, and everyday objects reveal both how people in early China approached death and how they lived. Since people viewed the afterlife as an extension of worldly life, these figurines, called mingqi, sometimes referred as “spirit utensils” or “vessels of ghosts” disclose details of routine existence and provide insights into belief systems over a thousand-year period. For the first time in Chinese history, we have images of rural and daily life during the Han in the form of contemporary...

Shakyamuni, the original Buddha sculpted in schist stone. Originally from a cave. Sui dynasty '589-618' AD Gautama Buddha, also known as Siddhartha or simply the Buddha. He was an a...

A Tang dynasty sancai (three color) glazed pottery model of a Taoist official, TL tested by Ralf Kotalla - worldwide oldest private laboratory specialized for genuine thermoluminesce...

Very elegant terracotta dignitary in blue and red robes standing with the hands joined at the chest. He wears a blue headdress with a bird at its center. Orange Terracotta This gorg...

Magnificent Mythological Being "Chimera" with Human Face and Flaming Rays Halo. Orange Terracotta with Traces of Stucco and Painting. This creature is commonly known as Pixiu. Fierc...

Impressive terracotta warrior representing a banner bearer gripping a wooden staff with his hands (dematerialized through the ages); his gaze is ser...

A fine set of a six court attendants as in the Forbidden City of Beijing, elegantly dressed in a Green & Red Daopao – a traditional men’s formal attire from the Ming Dynasty dated 1368-1643 A.D. – with glazed robes and Red Pigment remains in their hat and belts. They stand in an honorary posture atop a red plinth, some with orifices in their hands, where spirit objects were placed to comfort or satisfy the deceased. The heads are detachable, as often seen on the larger figures from this period. They are accompanied by a Certificate of Authenticity, and Certificate of Expertise by Jean-Yves Nathan - a leading authority specialized in Far East Archaeology from the CEDEA (The European Confederation of Art Experts). Burial figurines of graceful dancers, mystical beasts, and everyday objects reveal both how people in early China approached death and how they lived. Since people viewed the afterlife as an extension of worldly life, these figurines, called mingqi, sometimes referred as “spirit utensils” or “vessels of ghosts” disclose details of routine existence and provide insights into belief systems over a thousand-year period. The Ming dynasty was the ruling dynasty of China – then known as the Empire of the Great Ming – for 276 years (1368–1644 AD). Founded by Chu Yuan-chang, the rebel leader that was successful in removing the mongols from the throne. Chinese control was re-asserted in China and eastern Asia. Literature became more important, schools were created, and the justice system was reformed. The Ming dynasty is described by some as "one of the greatest eras of orderly government and social stability in human history,” was the last imperial dynasty in China ruled by ethnic Han Chinese. The practice of burying ceramic objects with the deceased went into decline from the 10th to the 14th Century AD. There was a revival in placing miniature representations of glazed terracotta objects such a furniture, food offerings, horses, miniature statues...

Magnificent Lady Guanyin Bodhisattva seated in Royal Relaxation pose hand-carved in Gilded Wood with traces of paint still visible. This expressi...

Wonderful celestial deity head with a jovial expression in stone with a finely engraved cap. It is mounted on a custom lucite base. This piece is accompanied by a Certificate of Authenticity, and Certificate of Expertise by Jean-Yves Nathan - Specialist in Asian Arts for the CEDEA (The European Confederation of Art Experts). The Ming dynasty was the ruling dynasty of China – then known as the Empire of the Great Ming...

Magnificent standing horse in orange terracotta and traces of painting. With a finely decorated saddle and with the mane and tail hair braided. TL Test by Ralph Kotalla Lab NE: 09K12...

Magnificent prancing horse in orange terracotta with traces of polychrome paint. Springing its right leg with a lively position and an expressive look. With a finely decorated saddle...

Extremely rare Chinese model of a countryside villa for the royal courtiers and ministries of the Ming Dynasty -1368-1644 AD- showing three guest houses and one main entry. The villa is surrounded by a cuadrangular wall painted with bucolic scenes of garden, mountains, and bamboo forests. The roof tiles are glazed in green enamel with yellow finials – as the ones in the forbidden city – typical from the Ming epoch. Truly a museum piece. The doors swivel and are painted in ochre. State of preservation: impeccable mint condition with original paintings, all of the original parts are complete, except for one house which is missing part of the plinth (broken during transport). Each part has been tested for authenticity, consisting of eight separate TL tests...

Magnificent Prancing Horse in Orange Terracotta with Traces of Yellow Painting. With its Anterior right Leg raised. TL Test by ASA Francine Maurer Laboratory. It was during the "gol...

A massive pottery horse with separately made head and tail, standing on all fours and striding with its right hoof forward. Extended snout ends in parted lips showing teeth beneath i...

Very serene depiction of a Lohan carved in wood, eroded with the pass of time. Lohan is the Chinese term, derived from the Sanskrit word Arhan, for a disciple or follower of Buddha w...

Imposing Lokapala figure standing in menacing pose. Terracotta with traces of old color pigments. China, Tang dynasty (618-907 AD.) Museum piece. Lokapalas according to the Buddhist...