New River Fine Art Drawings and Watercolor Paintings
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Drawing from the 1990's #469
By Purvis Young
Located in Fort Lauderdale, FL
Purvis Young (1943 - 2010)
Drawing from the 1990's #469
ink on paper
10.50 x 8 in
Category
1990s Outsider Art Paintings
Materials
Paper, Found Objects, Ink
"Studies of Caroline" II
Located in Fort Lauderdale, FL
Alex Katz (b. 1927)
"Studies of Caroline" II, 1973
Original Drawing - Pencil on Paper
7.25 x 7.75 in
Category
1970s Contemporary Drawings and Watercolor Paintings
Materials
Pencil
"Studies of Caroline" I
Located in Fort Lauderdale, FL
Alex Katz (b. 1927)
"Studies of Caroline" I, 1973
Original Drawing - Pencil on Paper
7.25 x 7.75 in
Category
1970s Contemporary Drawings and Watercolor Paintings
Materials
Pencil
Christ Raising Lazarus
By Frank Herbert Mason
Located in Fort Lauderdale, FL
Pen and Brown Ink
Category
1990s Figurative Drawings and Watercolors
Materials
Ink, Ballpoint Pen, Paper
Carroll Painting, Lubec, Maine
By Frank Herbert Mason
Located in Fort Lauderdale, FL
Brown Ink on Paper
Category
1960s Figurative Drawings and Watercolors
Materials
Ink, Paper
Bozzetto for the Christos at St. Patrick's Old Cathedral
By Frank Herbert Mason
Located in Fort Lauderdale, FL
Red Chalk and Brown Ink
Category
1970s Mixed Media
Materials
Chalk, Ink, Paper
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Apollo and Daphne From Bernini Sculpture, Galleria Borghese, Rome - Original Ink
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Apollo and Daphne From Bernini Sculpture, Galleria Borghese, Rome, 2014
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CG0004
-ARTIST STATEMENT-
I depict my person in multiplicity with different selves representing dramatis
personae. My likeness is both implicit and symbolic in the portrayal of my
narrative; the drama involved in creating art and the artist’s role in society. I
use realism to invite the viewer into mysterious inner worlds that are layered
reflections of the outer. Dehumanizing environments are imbued with art
historical references as a critique of power structures. The artist is an
Everyman who is at odds with society and his self.
Visually my work is a celebration of society’s dark undercurrents and its
overlooked absurdities. I use charcoal and printmaking media as their
tenebrous values add a fitting metaphor. The nuances of light and shadow
seduce viewers into a world their better judgment would have them avoid.
This provokes a sense of disquietude that causes viewers to assess our world
through the austerity of a colorless, yet not humorless, light.
-BIO-
Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation.
-CV-
EDUCATION
MFA 2001 Printmaking Indiana University-Bloomington
BFA 1995 Drawing and Printmaking University of Missouri-Columbia
TEACHING/PROFESSIONAL EXPERIENCE
2002-13 Associate Professor, Printmaking and Drawing
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2002 Adjunct Professor: Lithography (instructor of record)
Indiana University-Bloomington
1998-00 Associate Instructor: Beginning Drawing (instructor of record)
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2001 M.F.A. Thesis Exhibition - School of Fine Arts Gallery
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