Nicholas Wells Antiques Ltd Decorative Art

Important and rare set of nine exquisite New Testament silk thread appliqué panels known as Broderies à fils collés. Each panel depicts a distinct biblical scene, rendered with remarkable precision and delicacy. Signed Marianna Elmo, Italy, Lecce, circa 1750. Italy Circa 1750, 1755 Frame H: 95 cms (37.5 ins) Frame W: 75 cms (30 ins) Panel Height : 26 cms (10.2 ins) Panel Width: 20 cms (7.9 ins) Centre Height: 24 cms (9.5 ins) Centre Width: 18 cms (7 ins) Divine Threads: A Set of Nine New Testament Appliqué Panels by Marianna Elmo Scenes from the New Testament The scenes include the Annunciation, the Visitation, the Nativity, the Holy Family (x2), The Holy Father and Jesus, Jesus taken to the temple, the raising of Lazarus from the dead, and the Resurrection. Each is rendered with remarkable precision and delicacy. Marianna Elmo Daughter of painter Serafino Elmo, an important artist in Lecce during the 18th century, Marianna was an embroiderer who used the technique of broderie à fils collés (glued thread embroidery). She created images and landscapes by gluing polychrome silk threads onto a cardboard support, covered with a layer of virgin wax. The faces and limbs of the figures are crafted from cut silk or satin shapes, further painted with tempera or watercolor to achieve lifelike detail. The panels contain many figures embroidered and painted with remarkable skill. Marianna translated the paintings of her father and of famous painters of the seventeenth and eighteenth centuries into colored threads and is considered the leader of the school of Lecce embroiderers. Her fame reached Naples. Leonardo Quesi, Amato Quesi, Gaetano and Angelo Pati, and Irene Elmo, Marianna’s sister, belonged to this school. Marianna’s work is recognized for its technical brilliance and artistic sensitivity. Two dated works by her hand are known in museum collections: *The Flight into Egypt* (1752, Museum of San Martino, Naples) and a casket reliquary of St. Mary of Banzi (1754, Banzi, Province of Potenza). Additionally, the Pinacoteca Provinciale di Bari holds two signed pieces by the artist. The panels were often used in religious settings or as embellishments for sacred objects. The compositions are inspired by prints, a common practice among embroiderers of the period, and feature key moments from the New Testament, including scenes from the life of Christ and the Virgin Mary. Medium The images are created using the technique known as broderie à fils collés, where thin polychrome silk threads and metal threads are meticulously applied side by side onto a virgin beeswax-coated cardboard base. The faces and limbs of the figures are crafted from cut satin shapes, further painted with tempera or watercolor to achieve lifelike detail. The panels contain many figures embroidered and painted with remarkable skill. Dimensions – 8 panels: 26 x 20 cm each – Centre panel: 24 x 18 cm Provenance Acquired from Sotheby’s, London, in the 1960s by the owner’s father; reframed in Paris by Christian de Beaumont...

An exceptional high relief Renaissance Revival carved black Pietra Serena panel. The right facing profile bust of a lady in front of a garland of flowers and leaves suspended above ...

A mid-18th-century Italian terracotta relief of the Virgin & Child appearing to St Philip Neri In a silver filigree, gilt-bronze and gilt-copper-mounted, lapis lazuli and wood frame. Known as the ‘Apostle of Rome’ due to his labours amongst the sick and poor of the city, Philip Neri (1515-1595) became an influential figure of the Counter-Reformation. Many miracles were attributed to him, and he was beatified by Paul V in 1615. His popularity and place in the folklore of Rome created a demand for his depiction within the church. For example, Carlo Maratta’s painting for San Giovanni dei Fiorentini, the preliminary study for which bears relation to the present composition (Royal Collection, inv. 905553). The fresh and freely modeled handling of the present relief is in the tradition of Giovanni Antonio Mazzuoli’s (1644-1706) small-scale modelli for altarpieces (C. Sisi and G. Gentilini, La Scultura : bozzetti in terracotta, piccoli marmi e altre sculture dal XIV al XX secolo, Florence, 1989, nos. 92-95). Additional information: Origin: Italy Period: Circa 1750, 18th Century Style: Religious, The Virgin and...

A very fine mid 19th-century Italian carved Carrera statuary marble relief plaque of four boys playing with a donkey. Mounted on a bronze stand. ...

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