NOVAC Cabinets

Limed oak two door armoire. Height 210 cm. Width 127 cm. Depth 64 cm.

Highboard, pine, brass, France, 1960s This two door highboard shows a sturdy character. The doors can be closed and opened with a key used as a handle. The inside provides great sto...

Italian Post modern plastic storage Boby trolley by Joe Colombo for Bieffeplast. designed in 1968. Iconic design, Logo and signature present. features several storage compartments a...

A beautifully designed and extremely well made vintage walnut wardrobe by John & Sylvia Reid for Stag. This was made in England, and dates from the 1950-60’s. It was designed by John & Sylvia Reid for Stag’s C Range...

Rare Milo Baughman for Thayer Coggin burl and chrome armoire/wardrobe. This piece is very rare and hard to find, this is the 1st time we have ever had one. It is in wonderful vintage...

Studio BBPR for Olivetti, 'Spazio' sideboard, lacquered steel, faux leather, vinyl, plastic, Italy, design 1959/60, production 1960s In 1954, Olivetti, the Italian office equipment...

This industrial, metal factory cabinet was produced during the 1950s. The wardrobe has three doors with ventilation openings. There are hangers f...

This 1970s 'Alveo' cabinet, which works excellent as a sideboard or small credenza, designed by Willy Rizzo for Mario Sabot. The modern design consists o...

Phenomenal vintage modern rosewood & brass plate wardrobe or chifforobe by Milo Baughman for Thayer Coggin. Comprised of gorgeous rosewood veneer and brass plated steel bands. Beauti...

Guillerme et Chambron for Votre Maison, wardrobe, oak, France, 1960s. This grandiose armoire is a good example of excellent woodwork by virtue of the well-designed construction base...

This small-sized credenza, model KW21, was designed by Martin Visser (1922-2009) and manufactured by ‘t Spectrum in Holland in 1959. Produced for only three years, from 1959 to 1962,...

Designed in 1969, Joe Colombo’s iconic "Boby 3" portable storage system was produced by Italian manufacturer Bieffeplast makes savvy use of space with its swivel design. This compact caddy is featured in the collection of the Museum of Modern Art in New York, but it’s perfect at home in domestic settings, offering ample storage with swing-out drawer trays provide and cubby holes for taller items. A one-of-a-kind piece that will complete a studio or a midcentury office. Measures (cm): height - 74 depth - 41 width - 43 Born in Milan in 1930, designer Cesare Colombo—who went by Joe—was the second of three brothers. His father, Giuseppe, was an industrialist who inherited a ribbon factory and turned it into an electrical conductor manufacturer. Colombo came to design relatively late, having spent most of his twenties pursuing painting and sculpture. He studied at the Accademia di Belle Arti in Brera, Milan, in the early 1950s. While there, he joined the Movimento Nucleare, an avant-garde art movement founded by Enrico Baj and Sergio Dangelo in 1951. Spurred on by international anxiety surrounding the nuclear bomb, this group of painters aimed to break free of the static boundaries of traditional painting. In 1953, Colombo made his first foray into design by creating a decorative ceiling for a Milan jazz club. In 1954, he made a series of television shrines for the Milan Trienniale. Inspired by these experiences, Colombo enrolled as an architecture student at Milan Polytechnic. When his father became ill in 1958, Colombo abandoned painting altogether; he and his younger brother, Gianni, took over the family business, using the factory as an experimental space for the latest production techniques and materials, including fiberglass, PVC, and polyethylene. In 1962, Colombo opened a design studio in Milan, from which he worked primarily on architectural commissions—including several ski lodges and mountain hotels—as well as product design. His furniture designs were characterized by optimistically bold, round forms, and he championed the notion of using modern technologies to create new design solutions. Colombo’s design career was cut tragically short in 1971 when he died of heart failure at age 41. However, he was remarkably prolific during his near decade as a designer. Notable projects include some of the most iconic designs of the 1960s, such as his 1963 Elda Armchair, made completely of fiberglass; the 1964 Ragno outdoor light, which doubled as a seat; the stackable Universale chair (1965/67), which came in varying heights and was created completely from polypropylene; his 1967 modular furniture series known as the Additional Living System, which was composed of different-size curved pieces that could be pinned together in various configurations to form chairs, sofas, or entire living areas, and which ultimately included the famous 1969 Tubo lounge chair; and the Optic alarm clock and Bobby trolley...